The Freedom

 

You need to talk to me
taking notes.
It was centered on One.
Can't deal with Gibsons though.
Can we shoot first and ask questions later?

The poem you’re about to read needs to be listened to as you read it, as it’s a type of Spoken Word Poetry that has multiple speakers, presented in the form of an open dialogue, with no indication there’s been a change of speakers or even who’s speaking, a style of verse you’re likely not to have encountered before. The poet myself is only one voice among many, though the principle one, which include but is not limited to: society, historical figures, the divine, ideas and ideals, and, once at least in this poem, even the demonic. Each voice is an interjection that can disrupt the flow of meaning, even if you know it’s not the poet speaking, but hearing the different voices voiced out aids greatly in understanding the poem and besides provides some entertainment, what it seems we value more on the net if not even in the heart of the home of our imagination. Unfortunately I don’t have the resources to put a cast together to act out all the voices, what the poem asks for, to be something like a radio drama, and so it’s just the poet reading his poem and all its voices, but regardless, hearing it spoken will greatly help understanding the poem, and answering why you should make that effort is the purpose of this introduction.

My muse calls itself Reconstruction Poetry, as it has its hands on the world like a builder, right on human terms, in the treasure and trash of our stuff, so to rebuild, reshape them anew, and so it’s a very hands on poetry, quite engaged, speaking far out of the ranges of the tradition of poetry, although language play still takes a front roll seat as it’s the vehicle of meaning, the sound of the engine running. In this verse, poetic technique, as we know it, isn’t used all that much. On the surface the verse appears simple conversational English, which even uses slang, but on reading into it, it becomes apparent that word order is often weird, which makes lines not so much as ambiguous but as having more than one meaning, the central meaning not always readily apparent, and metaphor and allegory have such a strong presence you can easily get lost if you haven’t read it ‘repeat slow’, like all poetry needs to be read if it indeed is verse.

To launch a style of poetry on the net that requires so much attention is to be an unread poet, especially at this time when we use the net more to throw stones at one another than make a better world, when our attention span is the length of time it takes to get a point as quickly and painlessly as possible, no time for long winds, even fresh and alive ones, but it was composed for the medium of the net, more for tomorrow than for today however, for the reasons mentioned, but, due to its controversial nature (a pedophile’s speaking to his society), and due also to it being heard poetry, what most would call ‘hearing voices’, and you’ve never heard voices like these, it could catch fire today.

It differs from the normal meaning of that schizophrenically laden term in that it’s a consciously intended inner hearing that requires a light to heavy trance where you get behind the thinking waking mind and remain there listening in the quiet not allowing yourself to fall completely asleep or come completely awake, no small feat, which takes an enormous amount of concentration, something I’ve learned to do in the practice of the Integral Yoga over a period of 15 years or so, during which time I also developed the particular style of the poetry itself, or allowed it to take development I should say. It differs too in that it’s not only hearing but also seeing, as often lines of verse are written on some scene, either a still picture or during a short vision, spoken or sung aloud as the scene fades. I also hear an editor commenting on the verse in verse, recommending throwing out a line, or waiting for another line to come so to clothe anidea differently, telling me when to end the poem (the muse just keeps on going as long as you can stay under and listen or not fall asleep into dream), and so forth, editing done both in progress and later. I would imagine it’s major difference, though, from the common meaning of ‘hearing voices’, is it’s so amazingly constructive, isn’t telling me to do anything wrong or to tell people I’m the chosen one or that it’s the end of the world.

It’s not as controlled a listening environment as it sounds, since the editor is not always present, comes in more when the poem is finished to correct it, and lines are coming from all directions fast and sometimes furious to get recorded, which I do a few lines at a time, oftentimes only one at a time, and so I have to come up and go back under many times during a long poem, doing that frequent diving for days as in the case of a long poem like this one (like a frog going in and out of the water), and there’s both a false muse and the mind trying imitate the muse, and so it’s really a wild ride, but what makes it really hard is you have to be wise. Compared to inner vision, both TV and the net, all ‘entertainment’ mediums for that matter, are just landscapes barren of anything really real, actually adventurous, and truly rewarding. I’m sorry I can only show you a shadow of it, but it casts a long one, a Brocken bow, god-shadows.

Whether you believe in the soul and God or not, you’ll ask yourself, if you indeed understand the poetry, where in the world does it come from? since, as you read it, you’ll see it’s coming from beyond my reason. You’ll have to wonder if there are not higher or more integral things in us, piloting us, than our ego. You might even ask yourself if such vision hasn’t been civilization’s pilot all along, planting the seeds that build us to be a humanity, build our humanity in us, as I’m far from the only listener to have walked on the face of this earth. There might even be 7 billion listeners on earth at this time. Can you remember all that happens during sleep? That far back, that’s how far I want to take you. I call the source of my inspiration the divine muse of poetry, but whatever you call it, you’ll call it something bigger than I.

A few words about the poem itself: it was written about 5 years ago and was posted on my personal blog “A Collaboration With the Unknown in Perspective” and has been sitting there unread for years. The muse picked it up recently and added new lines, suggested an introduction and to use it as the poem to showcase. I have many poems on the net and many yet to be posted, but I would agree with my muse that this is the one to push, for reasons of pressing social need, though it’s the most controversial. It’s divine revelation, though I don’t expect you to believe that, the eye of the soul and the divine, an inner seeing, and as such it sees the whole picture, sees what we hide, what outer observation can’t see because so much inner is involved, the emotions in one’s hand for example. It looks at the issue of pedophilia, its causes and action in the world, from the perspective of oneness, but not only pedophilia, and even if you hold oneness as the underlying reality of the world, you will most likely have trouble with this poem. It will be a litmus test of your willingness to see oneness, since it’s applied to the most morally repugnant issue of our day, and, I’ve found in my years on the net posting about this issue, few who believe in oneness can see One when looking at what they most abhor.

If you get morally offended at the poem’s outset and don’t read it, you’re committed more to morality than oneness, and that would be something you need to see about yourself: where oneness doesn’t meet. If you do have a moral reaction, keep reading in spite of it, and by the end of the poem you might find you’ve gotten bigger than you were, if you can see that growing bigger is something we all need to do, each one of us, myself included, which means here where we now sit there’s smallness lurking in us. While a moral reaction has become the order of the day, the guide of our social interactions, especially on the net, it tells us where that smallness is, though for most it tells us how to behave, since we just let moral reactions rule us, and we fire off our hatred and anger at anyone who will listen, tweet it like angry birds. I urge you to listen to this poem, overcoming your reaction, if you have one, and see how big you are.

Click on the title to hear the poem on SoundCloud.

The Freedom

Poetry,
gonna take it hard.
Have a different kind of poem.
How to use it.
She’s ready –
divine muse.

Come to the firewall.
Do performance.
Do construction.
Get to the point where I…
My God,
the guy with a complex little package.
Put a clock.
Put people know.
They got a diamond in their hand.

Who put it there?
Oh slowly,
so slowly.
Take a while to build that up.
Inner reality
made a big watch.
Hands walked in another time.
Put the headset on.
I’m listenin’.

Everybody heard the most twelve suspects of all time?
If it works.
Educating public opinion
the length of a poem.
They go ready for people.
They go in on a plan,
undercover op.

Something else has been declared war on,
and we catch the News.
You said somethin’.
It’s mostly in America,
you know what,
the pedophile sting ring.
Did God cause this?
Is that the only way to deal with this like that, Nazis and the FBI?
Granted,
a pestilence,
this blight on children.
What their nature burn.

As we get to the root causes of America,
as we come to the apocalypse of America
(this is not the principle destruction –
find the end result),
we see a rudeness has no handle.
All history long we have been doing this to our children.
Okay we put the brakes on.
There are no more pedophiles Joe?
They’re proliferatin’.
We’re inept –
a moral reaction.

Wow,
the lengths we go to get trouble.
Predatory alert,
I’ve seen it on TV.
Arrested in the middle of everybody.
Wires and things they were all listenin’ in.
He had a kid to meet.
They got ‘im shoppin’.

Now he hung himself.
It was all in the report.
Yeah, kill yourself you freak.
Looks like
that was at the top of the story,
shot a wolf.

Now what did this do in TV land?
We don’t’ know.
You haven’t lost your brother.
These guys are monsters okay?
These guys are strangers okay?

Who makes this racket?
It’s the Press,
a News team.
Shape public opinion
as they report the News.
Who’s the lion and the tiger anyway?
Can you control them
poet?
A problem’s out of reach.
I operate on that.

You just think you know everything don’t you?
Can we see a blind spot
in our public opinion?
Do you have any bigger plans?
How America limits change.
We need to review this case.
The public media does it,
and would if they whisper gun?

Should we exterminate them,
what, who molest children?
Is this on News service tomorrow?
It’s got a way with guns,
all you can answer.
You load bullets that way.
It’s your last bullet.

The art has the empty chair.
What can we do magnet?
Excellent, I hope.
Art would magnify it,
pull people away from their dramas
by showing connections,
identity bonds,
between you and who you hurt.

That’s bigger than sin.
Well that’s too old.
Ever amplify it?
Push the button down.
I don’t smoke.
This is a cultural misunderstanding.
Where does pedophilia come from?
How many babies are born?
Can you light that cigarette?
It would be washing and cleaning and things like that.

Your child,
you rub that child’s fingers upon his board.
It’s like casual contact
with some finger on it.
How many mothers have that for pie,
daddy’s drinking beer?
Fish this one out of the water.
We look for pedophiles for sure.

Measure cultural mechanism.
Rob babies,
give ‘em some emphasis there
they don’t know what to do with.
Let’s grow up and explore this thing.
Now I was here and she was there.
Hello little boy.
Great crap game huh?

I’m showin’ you your shorts.
Now take the pedophile
and hang ‘im.
I can’t look.
That’s what we need him for,
not to look at blindness.

When you hear a special report,
cultural wide,
we’d question the homophobe.
That’s a concept to get across
true or not.

Cute kid,
and you feel another ocean.
You don’t know there’s fish in it.
It’s not something you drag up.
Dangerous sex offender,
he’ll wear it,
and we find a role for him.
No one wants to see their teddy bears
Get a lot of their lap.

One second,
bendin’ rules
tryin’ to get a point across.
I’ll rush in on things.
You won’t see this till tomorrow morning.
They certainly smeared ‘im.
I certainly told myself…
What did you tell yourself?
His brain’s on our fingers.
See, I’ve opened your eyes.

Now I want you back there now,
on the forays of revolution
Mr. Poet.
Think about it.
Probably lined the page.
Martin let’s go get older.
Well I just don’t want to be here,
between Jerusalem and Palestine.
It’s difficult
To see your place in life.

Before you come up here
Donny,
it’ll be your soul speaks.
I don’t know.
You need to make up your mind:
where are you at?
Look at each other.
Worry about the food later.
She’d like to heal this in humanity.
She had devote him give it to him,
what poetry sees further,
something muse.

I would feel very exposed.
Is this the pedophile saying this or his society?
Imagine on a workday.
Spitfire,
they come in those airplanes.
Are you service?
The other role come out,
an empty one.

Where would a pedophile lead us?
Up would be
his only way out:
don’t abuse kids.
If you had money
would you give it to him
for immigration?
That monster,
what’s he worth?
Oh a little story about society
it hides in its purse.

A scapegoat’s got your bag at heart.
Can we say large projection?
And so blind.
Dynamic,
what would free him.
Can it come to your house?

Supposed to fire.
You just get some pistol out.
React,
and we see some things about you,
your fears.
Is this all that’s bothering you,
What he would do?

Add to it
you have it
where intimacy and you meet your kids.
Are you holding something flush?
Is that your bright staple,
or would it wound around awhile?

Let’s go here:
what are you afraid of puttin’ on?
Did your child draw up the boundaries?
You exercise them every day.
There intimacy meets.
How are you protected?
It’s not an equation you see on paper,
but when a person does that
it weakens everyone.

Can you not put News here?
What would it do?
Help us all to behave.
One moment
as to why that is.

Screwin’ up everything,
are you a blind bard?
That’s history.
Believe it or not I help.
I got it replaced on the other side.
Until you kiss me you don’t start the television.

Why would he send it?
He did it.
He knows the One inside.
He can see the doctor.
Plug him for it?
How about you,
Would you scrap it?

Now what does this vision do for us?
Over the line,
got some things to think about.
Let me be intimacy,
and that hurts no one.
We were gonna add
a little survival dinner,
but not there.

Are you mistrustin’ my alliance?
I’m identified with you.
That’s just long on paper.
I grant you see One.
What a delivery stable.
Can’t get that look.
Look right here:
some pedophile has shown the way.

How many times have you seen God act this way,
used the humble and the accused?
How many times seen divine process work?
Are you starvin’ in this world?
We got a lot to lay down,
and it’s reachin’ for ya.

We’re all in fact Brahman.
Interior is first.
Have a market with it.
I’ve gotten along in dreams.
It just pushes me.
Don’t listen,
to take aim further away.

Who’s he understand?
No I don’t wanna hear about it.
The reason by India:
population pressures.
They’re not gurus.

Oh we would be around
your most precious holding bucket.
Our yoga interior answer
deepens the way up.
We’ve acted like frogs,
and if you kiss us we turn muse.
Why does it have to be so moon when it comes out?
Wash your underarms.
Near reveal to us.

That was kinda fast.
Going?
What you have to get through first:
some unlimited attention.
They don’t have one.

I knew there was a way
to see You again.
I’ve been claiming that You are a little boy.

Yes,
it’s just about enthroned.
Operation additional control measure,
fifth’s parlor,
I found it on the way home.
It’s over because
it costs too much.

He played with his weeks.
On his altar
he put an image:
every person that day he’d find.
Even animals have a right to regard.
A tree would not sink from hope.

This is One activity plan.
You don’t want with appetite.
You’re there
as a friend.
To wash in,
we gather direction that way.

What’s wrong with this?
You dislike ‘er.
The bad thing about it,
everybody’s strangers,
hate just grabs the page.

That’s not smart protocol.
You fear the invasion,
the betrayal, the leap,
you have this friend idea.

Daddy, what I do?
Now I told ya,
well it’s almost nighttime.
You can’t trust anyone.
You read in the paper…
You know what today?
I guard in many numbers with police.

I have to tell you too
we’re off with your doctor.
I have a new posture:
if you get burned,
you get back on.

He said that?
Superman talks.
Think about
to announce:
it’s not a violation
you have the proper treatment.

Indentified more in the body
than meant for the trouble.
Yeah if you’re sittin’ there
quite lost in the body,
you think
it’s you.
Pedophiles
handle some body part,
I can’t believe it,
the suffering all life long.
They’ve been killed we carry on.

The child might not see it that way.
Do you know what he did to you?
That child learns.
See the violation mark?
It carries around like a bag of worms.

None of this would happen
safe we looked at the body.
It’s not you.
You’re wearin’
an organic machine.

I don’t get it.
In the attitude
don’t sit there and be violated.
Man you just
take our support from us.
I’m giving you One.
Not a person or a thing stands anywhere else.
Support at its most real.
Identify,
and maybe you don’t have to feel so violated.

He knows it,
knows for sure.
His mom
would sound a lot of Pittsburg at night.
Tell this to the nurse
and get out that touch.
Do I continue suffering?
I choose.
How much mother and father removable from the scene,
or whoever it was got in there on ya.

What do we fly here,
the woe of our misfortune?
Is that our life downed by that?
Maybe life is bigger than her scenes.
Would an actor know that?

Maybe that hand on you was a push,
that violation a goad.
Perhaps the secret will in things
operated on a plan.
How many people say evolution here?
Contented I think not.
See the drawbridge?

What are you doing?
What are you watching you fierce wolves?
I’ll look around the Internet.
Can you handle the vision?
Goddamn that’s just society cuffs.

So many opinions what can change?
In every opinion
an underlying speak out.
Tell me there isn’t.
Is everybody mad?
Punish those responsible!
Can we get a better basis for intolerance
Than pretending to be tolerant?

Everything’s so hyped up.
Offended,
is anybody not?
There, I read your e-mail:
blacks and fried chicken,
you racist bastard.
Mohammad,
Christ,
not one word
questioning his ability to translate angels.
It’s death by paper.

Now let’s shove this down people’s throats:
everybody has to marry the homosexual;
no one hold the pedophile’s hand
or even let ‘im speak.
Your Internet local connection,
do you hear these voices speak?

Now I’m the radio.
We got worms.
Everyone’s alarmed,
and you think it’s what he did
or she said.
But you’re holdin’ the gun.
Reaction fires and aims.
Mark our first foray into world-space,
and we just knock each other around.

There’s somethin’ over there.
I can get it across.
Let’s take some time,
be more fair as we grow up.

Tape this up on your world view:
see everybody?
That’s me.
I’m just alone in details.
They’re alright:
man,
I like everyone;
if I’m hurtin’ anyone
change detail.
There’s One on that regard.

When it’s advancing that loud you stop it.
Dream make for us.
This wolf might kill us.
Dreamin’ so let’s hide it.
What’s this?
Who broke the towel?

I don’t wait to come over.
You’re not going to be kind to me.
Predatory wolves,
shoot ‘im and hang ‘im on the fence.
Now square off a minute.
I’m so much in your stomach.

Are you sure that’s what you’ve got:
Donny you snake-wolf?
Are you so sure I blind you?
An unethical point I’ve made?
I look and you follow me do so.
Engage me
bring to doctor.
Finished.

It’s not an easy situation:
One in your inbox Donny.
There isn’t a way to do it.
There just isn’t.
Thanks but be careful when he gets in there.

Kept askin’:
hi mate,
somethin’ good for ya after school?
Something’s down that floatin’.
Don’t be so hesitant to mentioned enlightened.
That’s where Donny’s goin’.
He sees there’s a change of consciousness ahead.
He listens to everybody
rise here.

Some future trickles slow.
You think this is all
silence and that just no-self show?
It’s just our first boat.
What would master existence and leave you in it?
A certain Individual you are
superfriend.

Anyway,
I get up out of my mess
mastered by my own impulse to rise
into the fullness of what I can be.
You’ve never felt it?
You smile.
There’s more isn’t there?

Choose liberalism.
He put his daughter.
There’s a light out.
Are we usin’ the money?

Even if we put on,
put on those uniforms
– you know I’ve been watchin’–,
they’re not gonna
honor us no way,
give us any kind of prize.
They’re not gonna
be more kind to us.
Tom’s father used to say
they’re just wasting their time.
That make ‘em
what would open freeways?

Where we were back then.
Give us the money now.
Not an excuse
to let conservatism happen.
Now a wolf
is not gonna be so visible.

We should see this.
Try these on,
some predator names.
Give you a link to us?
Slow I think.
People’ll buy anything
if it’s wrapped up in the official package.

Don’t cross out.
I’ll put you down
for a larger stereo.
How many times went through it?
We are not dumb people.
If you are afraid you are.

Listen to this:
media hypes fear.
Want to tell you
South African.
That should get ‘em.
You mean this is a plan?
What day it’s gonna be
the totalitarian government?

Only in the policy of war
or to mediate a disaster
would it be.
That’s not the form
control is used.
It’s just a radical involvement
to get you to accept policies.
Go lay down.
What are you supposed to look for?
Where is the fear?
Some policy
might be behind it.
Runs it’s available
to get to.

You know what that means:
there’s a propaganda of ministry.
We got a few goin’:
a think tank,
a state and a local government,
a business headquarters.

It would tell you something sensitive:
restaurants,
you can eat Man.
We would not organize a conspiracy.
Government takes too long.
You get a flavor
when you’re watchin’ the News.

Halved of it, come down.
Don’t worry,
all your children
stay over there.
One thing about America:
grow kids.

Would national policy be in my conversation?
He kept in it in his coffee a lot.
Visit them in school,
and we can see the Internet.
Don’t you help ‘em.
This is the first time I’ve ever seen it:
Americans tellin’ on each other.

It was in the paper.
You have to report.
Don’t have to.
I know a girl that act like that.
Isn’t that piracy?
Get ‘er stupid name,
click it in.

It’s not easy
To know what to do.
You’ve got to listen
To a partner with Sun.

Those terrorists,
right here at this moment?
Oh doctors.
We winched two people from the Caribbean today.
We got half of them out.
Of course the beauty would have to see one another.

Invite yourself to their house.
Hand that down please.
I am a friend.
No way,
I just treat you like our lives treat us.
Yeah,
it hurts doesn’t it?

It’s wonderful that all listen to music.
You get some of the ideas that
art puts out.
You know you had comin’.
Look at what you’ve done to art.
Be valuable.
You’ve put it in concentration camps,
got it out of the public eye,
you, laziness and snobbism.
Not everything
instant.

How much concentration to read a poem.
How much time involved.
You don’t have to take that off.
News media does that.
What are you laughin’ about?
The News media,
they know what they’re doin’.
They get intah everything.
They want to be where you put your attention.
Good one.
Repeat me:
in store…

Anyway,
liberal ideas
usually come from inside.
You say.
They don’t come that far.
Wrong peacock
you’re lookin’ at.
I’m not a Capitol Hill.

Art shows us
the inner.
That mystery shines in us,
gives us keys to change.
Art polishes that,
and I’m here inner.

Donny and I
absorb change.
We got a handle on it.
I’m standin’ just outside.
We put this strength in your hand:
to change for the better.

Yep, you need
to be liberal right here,
in that specialty,
letting change happen.

It’s a creative growth.
You might see Nature behind it
and something guide ‘er.
Standin’ there scratchin’ your head?
We’ve evolved.
The status quo arrange that?
Conservative,
I’m standin’ right here.

Art
will move you.
Now if you could see
why we’re wasting
so much time.
Oh I don’t care.
I’m okay.
I don’t need you the attic.
An ogre
have dinner with us.

Still,
even if it wasn’t
a survival emergency,
take a long change.
Maybe you’re here for that reason.

Law enforcement officers
are the greatest defenders
of the status quo.
Hi kid,
don’t you dare
break any laws.

It’s already starting to break down.
The system’s breaking down
justice said.
That’s how it’s always been.
Would we break laws
to change the system?

Everybody’s supposed to hold it.
We don’t want anarchy breathin’ down our necks.
Alright I’ll arrange you.
I’m seein’ intah the future.
I think we’d look for art
to give change its growth,
policy its format,
take any law down
not good up on that.

That’s an individual there
recordin’ growth.
He got enough room to do that?
When he comes home
we’ll ask ‘im.
Sister yes we’ll have to change language
give you credit too.

Don’t get down on your step-brother.
Art’s just fell into a hole.
It’s not the lawmakers you lobby for change.
It’s the editors.
They’ve just fallen asleep.
Art to them would write about itself
in a way inbred.
It would not speak out of its word.
They’re fond of music.
They won’t grapple with the hook.
Now you know I see you.
Who said that?
This is fresh art.

Come ‘ere,
the end of a varmint
that projects the end of a varmint.
This is performance art.
I’m gonna put them all over the street.
Here you have the video.
Project it out there.
I didn’t buy anything.
Do you have any idea
why?
வணக்கம்.
That’s your cultural edge,
a stop bath
meet the Press.

Can we counter a bomb?
Hopefully
We can explode,
show you a peaceful way
to counter terrorism,
to bring the public revolution.
If it does explode,
though I’m sure it’ll be a contained blast
(we’ll have the bomb experts on it right away),
you will see the power of words.

Why strap a bomb to your chest and kill the neighborhood?
Why send your tanks to that country?
Write a poem from where the One sees us.
That’ll shake everybody up,
and you’ve brought change right.

What does it mean to bring us a full home?
Daddy cleans and he whistles.
Oh he’s talked the TV now listen kids.
You know one way’s a bad wagon.
Yeah, I needed to fill his shorts,
or graft my review into his underwear.
I have more for you kiddo,
everything you always wanted about attention,
and there it just hits the spot.
I’m gonna call you to your bank card.
Stand here eager on yourself.

Unreal a boy gives his father that ultra-politique.
When they’re in that swoon,
when base is being gone over,
what a boy could hide there.
Daddy do it daddy.
He grows up with hungry clothed.
It’ll be his reason to see evolution
he don’t just sit there with it.

There you are.
Into the sea you’ve been hollered down,
into the sea that touches your toes,
where that hurt.
This is the trail in the sea-ward.
Every father has an account with us,
however remote,
moving in the intimacies of a man.
It’s not out of the direction of his love.
It just spoils there.
Might not ever even think about it.
Might never try anything,
but a man’s nature be around his children.

No, not all are drunk,
but there is a liquor cabinet.
If he’d open his dreams he might see it.
The father that does cross lines
more often than not it’s the casual touch,
little tight pressures he holds his son.
Squeeze daddy.

This is just an occasional glance.
That’s where he tests city limits,
shows that he is the owner
of the boy’s whereabouts.
It’s his flesh.
It’s just a little squeeze
where that little boy grows,
and he finds men attractive.

When this grows up in him
he’s the opposite
from pedophile feelings.
This was not to churn his shorts.
More romance here than touch.
He wasn’t put in that strange place,
something to make him investigate further on.
His daddy is the love of his life
that time,
and he’s comfortable there.
Grows up lovin’ men.

Homosexual we’ve reported.
This is generated love.
He likes its squeeze.
Follow your counts.
Get rid of a fall.
You don’t believe it,
how wrapped up he is.
His life that regard.

Now a boy wouldn’t remember
his father’s affection.
Way too young
to bring memories back.
It’s a rollin’ stone.
Maybe he likes it
being gay,
but he knows
that life has not given him
his natural fulfillment.

The first boy
don’t fair well.
He remembers the pounding serf,
was I enough to understand
they wasn’t supposed to do that.
Y’all keep your mouth shut about this.
Visit…
Oh here we go.
What does he visit?
Dad does the talking boy.

That’s interesting.
He makes me feel at home
with the arrangement in the hat.
I could go in any direction.
Maybe there’s a woman on my arm,
but I can give a man more than a kiss
and take a child into the basement.
I could, but why bother?

Our policy is your papers.
Gain a step.
Your sexual orientation arrive in the breeze?
By the way the professor was kidnapped.
Stare at your business.
I am sorry,
these are the lines that appear.

Well I was gonna take you home,
but it’s made me mad.
We’ll see what the door is.
That’s what I would do.
Now they’re shipping it off.
He didn’t recommend it.
Seven of us like that.
It’s warm and squashy.
This is your sexual identity as it’s being determined by them,
all your mothers and fathers
when you were a teddy bear.

Most people turn five.
Is that what it is?
Hands up.
You don’t remember.
All of them
(that’s true)
that would do it
with some little kid
got so much more than a tight squeeze
in their waddling years.

You would know
mommy and daddy.
One of you opened up that land.
See how it grows.

Let ‘im plug.
Draw back.
That’s the way.
You have evidence spokesperson,
and you only have intelligence monitor.
That’s all you’re gonna get.
You gave
even more.

Hey,
well alright,
givin’ it,
so much attention to sex,
some cultural peanut.
Can a teddy bear grasp that?

It would
be about getting laid
being a man.
Boys you have to understand,
what you got
is so exposed,
and their attention just goes there.
It’s like all aglow.

All boys
in my gramophone.
Pardon the little lever
not bringing girls along,
but we gather.

I’ve brought you to thah
floor place,
the wet ‘et end.
I’ve given you a vision of mud.
What’s going on in your head,
I’m going crazy?

There look at it,
a library full of knowledge.
The box is strong.
Hard to open it.
Oh the police have videos.
You can find it on the Internet
you hear about all the time,
but I’m giving you art’s vantage point,
not some liquorish of lust.

We’ve looked at this through the art lens,
and we see more than just the act.
Nature’s been uncovered.
I’ve brought something out of her
deeper than her photograph.
We’ve shown lines behind.
Every peck we practice art here.
It reveals.
We could use the revelation.

Are you all ticked off?
It might be you sittin’ there reason for their being in their homes.
We’ve got to look at this.
Dishes,
we wash dishes.
This is a cleaning rainbow.
What root of it?
The powers better
at the universe,
the ones that turn on lights.

Say we ignore them.
They are just to come back later.
That’s orange actor.
Dropped him while you were off to sea.
He’s got a big of muse.
No easy way out.
Bigger things we handle better the bigger we are,
and that’s an art show.

Art,
the Chinese,
the Pawnee Indian Southeastern Association.
Sam I am.
I have to be bigger than my paper.
Sacmont is a word and I am going to do sacmont.
About hands,
hope to win the war.

You were really skewered.
Tell that to your activist window.
You don’t know the carpet.
An opportunity
to see things firsthand,
a reference point
so we can safely arrive.

It goes through the airmail.
I’m going on the paperclip.
Unbelievable
the amount of hatred
people have sent in our direction.

Good morning ace,
we have you scheduled for a speaker.
I think we should stay
out of politics.
A child can say anything.
I have to be liberated from this.
One did that.

What’d ya do when you were little?
Dodged bullets on the ramparts.
We walked by here a couple of times.
Some kids sure don’t leave me alone.
You have to be very careful.
You met Toady Beach?
No, I don’t know the area.
A kid’s lives aren’t over.
Any man can be a hitter.
Let’s not hear that they’re all men,
because they’re not.

I can’t stand
that look on the table.
Start over again
so close to your world
and handle upside-down cakes.
My poor wisdom bleeds.
It wasn’t exactly hell on ice.
I was friends with ‘im.
It had a sound to it.
It looked joyish hum.
As a stranger though it tolled.

He got more expensive.
Fell into the seep holes.
I lay down for him,
and that becomes our game.
He got good at it.
I get electricity waves.
Gives so much pleasurable explode.
Hey, where did I go?

And he needed awhile.
They’re into hurtin’ you in bonds of love.
Time lane they’re spinnin’.
Now I tried to take it off.
Let it and smiled.
Nothin’ where I want,
where ultimately I want to be touched about.

You wanna hear the rag?
I was all one partner.
I got ‘im into it.
Looks he gave me destroyed me.
It had promise.
Just exposed myself.

How a boy carry on.
This is a lot of boys.
You don’t look.
We’re carried around in silence.
What’s the trouble between our legs?
And they put so much on it to cover it up.
How many times I’m corrected.
Like it’s some ray gun
ugly to see.
It’s so feel to ourself.

I can’t get anything tighter.
Yet you block this away.
There’s so much guilt and shame put there,
and this man love with that,
and he was a pressure cooker.
No I can’t build on him.
I get robbed.

There it is.
Look I’m showing you a lot of the table.
I get adult and forget.
I’ve been abused.
Is that all there is to it?

Something else:
a window open
(you watch it –
that’s the Law),
a love triangle.
When people join my faith they take over,
give themselves over to union.

Oh we’ll start.
Somethin’ there One sings.
It’s a little pocket of it.
You’re not interested in singing,
but the heartbeats on me there
like the end of the world.

They’ll give it to me wide.
You sit there and explain to me my feelings.
I’m not gonna disagree with you.
It is weird,
and I know this has done me wrong,
but what was that
commission?
Did we broach upon a power of play
used One?

You’ll understand when you’re older there’s a body now.
Yes, I’d add things
you needed to know,
union reels.

And you’ve heard it,
the big mess.
To say he makes the mess and that’s all there is to it,
not even close.
You’ve gotta change.

Society don’t handle right.
From day one you get the big stick.
I mean how many knows how to treat properly the cash box?
It’s so loud in there.

Look at these,
they’re sour fruits.
Can you hear me society,
can you hear me?
Givin’ the ball justice.
I’ve told you its court.
A weapon was made.
It’s to help you see dirt.

Dignity stand up.
We are soldiers on the line.
I’m not talkin’ politics.
I’ve gotten intah human terms.

Have you ever thought we’d look at them?
Is that a rule to avoid?
You’ve sunk headlong into this like you have one.
Blind reactions policy your decisions.

Now you at outcast lot and see what they flower.
I didn’t get under your gun.
I looked for change.
No outer remedy helped.
You know, you avoid the inner.
Everything you make points us away from it.

I sat down like the Buddha and demanded change.
I opened the inner doors.
Dire necessity lead me to it.
I had no wings for messiah,
friends ourselves of outer space.
(Joe,
is anybody living there or something?)
I don’t get paranoid.
One laxative:
yeah I read of all this waste;
I needed change.
How deep you have to go inside yourself
to get on that movement.

Rebecca,
what’s the problem with this here?
You can’t measure change outside of doors.
They have to let you in,
other people.

When they say
stay out of the reach of children,
they take from you the wheel barrel,
something to carry
change in.
Not a popular vision.
So anyway,
here, get it fixed.

You know what art means?
Got a looney movie,
Vampires Stalking Earth.
Some half-vampire comes along.
He’s managed to step out of darkness.
He’s stopped feeding.
Our knowledge to our liberated son.
I think that was the Light speaking.
Humanity needs ‘im
to cross blood.
His type for the antidote.
Do I see the engine kill ‘im?
You know how ignorant they are in the movie.
We see the man’s worth.

Come on see how big you are.
How small I am I avoid the essential details.
Kill all of these damn flies.
Why do you presume to know so much?
Triangle,
know all that you do is a secret triangle
where the One meets
you and the other party.
Even with an object this intimacy is found.
One builds that up.

Now what do you do with that?
You have to strike your own kind of balance.
It’s an identity bond really.
Come to that regard.
Who is a thing to you?
Who do you abuse?
You love yourself you love it all.

Frank,
I’d call that girl.
Anywhere where unity doesn’t meet,
call that to our attention.
What immediate cure?
We’re in the ways with each other a long time
before the One becomes apparent,
inwardly seen and outwardly acted.

You have my vision.
It’s not a little cost.
It’s not a little vision.
America are you hope here?
Travel down the road some.
Give this vision time to feel
what’s in store for you and carry need.

The United States of America
just can’t see itself.
A young filibuster,
you visit warlords,
and you’ve scribbled out some thoughts.
The private retrieves them,
and the penman retains them.
You’ve board a door:
a child’s link with sin.

Let’s look,
if you feel like it,
right here.
Porn does not make you image real.
It stretches things too far.
What’s you’re movin’ by art
is everyone’s have to see
to know the problem.

I’m the one on details,
what’s going on in the house of soul.
Does Nature essence this,
or is it in fact blind?

Five minutes
we’ve square rooted on a problem.
That’s visited,
the solution.
I don’t know,
I’d love to Bob but,
I’ll get back to ya.
Really believes the attack that Tibet is sending dogs.

I’ve gotta go to the phone.
Enough Riverwood.
Reader,
flowery alphabet,
high avenue.
That’s a lot of surplus.
Heads down.
Prayer.

We’ve spotted Virgil.
Come over here.
What would you say one night greeting the world?
All I can say
is change.
Would an American epic suffer?
American employment.
You’ve got your stadium
young poet.

Linked your mind.
We’ll put you down for
visions of mud.
We go @Firefox.
Okay,
pick him up
to your determination.

Hell, Jeff Gardener
would turn it against that way.
He figured out
we pay for.
What’s that?
When you abuse.
Since you’re okay
you put people outside
on it.
Can we poddle?

I apologize.
I have that in perspective.
They can explain
fit into explode.
From Grace I came.
From there study.
Win the house.
Are you gonna freedom?
Are you gonna quit?
I mean,
What would the address
Be hostin’?

What’s he mad for,
it’s them in America,
or you’re tunin’ it right
the guitar,
the avenue,
of the greatest public instrument:
all for change?

Just a lot of difference pal
you’re workin’.
I wanna see what I’ve been doin’.
He have a place to live
every soul?
That
help out.

Have to have a group to do this one:
you are a soul,
something that’s not
offended by anything.
No reactions.
What a gift
to society
(I ain’t givin’ this stance.
I only seen this stance),
the most wonderful
Person
it’s a challenge
to find.
The biggest thing I ever saw.

When I saw that…
They didn’t go in the backdoor.
They talked to Someone.
Will help
see the soul inside
a reference point
human
and over your head
there the God.

Toilet paper
Can’t cover it up.
Donny saw what he saw,
and he looked.
Whose coveralls are these?
Could be mine.
Play.
There are other trappers.
You made us there?
Just a look,
but I saw the world through Those eyes.

All this equipment,
that’s where it came from.
You have no idea.
You can play the player.
Play One.
Here I am always played,
rubbed out,
by your enchantment.

Soon fire all this light.
You take off.
Many times right there
the food the fight.
I write all of you
fullscreen.

 

A Film Camera For Mugu

By Douglas McElheny

About nine months ago or so I was still living in the USA and corresponding via email with Donny about one of our young people at Harm’s End, Mugu, who is 17. The issue was Mugu had dropped out of the class he was taking to prepare him for what in India is known as the 10th Standard examination. It’s the equivalent of a high school diploma in the USA, and is a difficult exam requiring a long preparation, and Mugu didn’t have either the initiative or the discipline for it.

So we were wondering what to do with Mugu, and I brought up as I had in the past that Mugu seemed to have a thing for photography. Rather than putting him in some kind of class, Donny put forth the idea of getting him a film camera and teaching him film photography. My response was that nobody uses film cameras anymore, and that they’re a major expense compared to a digital camera, which, after the initial investment in the equipment itself, can take thousands and thousands of pictures. So I basically vetoed the idea, and as I would find out later Donny was actually okay with that. He thought a nice digital camera would be fine as well.

Then nothing happened for a while after that. I didn’t bring it up again because even though I was okay with a digital camera, I’m a cheapskate, and it would be a big chunk of change for a good digital camera with multiple lenses. I also know how irresponsible Mugu is, and was worried about the camera being lost or stolen. Then Donny brought up the film camera again, and again I argued against it. So he sent me a formation he had gotten from his muse on that matter, one that he felt had come from our teacher, the Mother, which said:

A digital camera
not the appliance he needs.
A professional camera
with lenses
develops his creativity.

Don’t mix tobacco in it.
A digital camera,
there’s a
camera
ain’t a camera
his art would say,
his art,
not mine, yours
or ours —
his camera.

 A boy and his needs.
He needs a camera
just to help him
become a good man.
Become a good man,
that’s our field.
Creativity lost his show
there’s no camera.
Digital not included.1

Now as clear as that was I still wasn’t ready to give up my position on the matter, mainly I think at this point because I didn’t want to be wrong, nor to be overruled by someone’s else’s guidance. My vital also has some problems with jealousy over the fact that I can’t get a formation like that from my muse, can only get some lines here and there or small groups of lines, and that also made the whole thing hard to swallow. So I continued to argue, pointing out that what might be spent on film alone over the course of a year would buy a very nice digital camera with multiple lenses. So Donny sent me another formation that had come a while before but that he hadn’t shared with me. This one said:

Professionality
a camera,
a camera
professionality.
Digital camera
is the wrong lens.
Now get it
Like you’re supposed to
a lens camera.
Douglas don’t want to buy the camera,
Don’t want to
Because it doesn’t make sense
to his practical
intelligence.

 Creativity deserves a chance.
You’re not thinking how involved he’ll be
with a professional camera.
A great occupation
color
photography.
Develop sway talent.

Would you listen?
Douglas has his own opinion.
How are we doing today?
Develop his own opinion.
That’s roll call,
Orange wares. 

Grand market
shopping
must be in town.
Oh it is.
Professional camera
with lens,
telephoto one,
wide angle,
and the one you use mostly. 

A lot of creativity
has room to play.
Amsterdam
doesn’t take him home.
Creativity rules.
What do we do for money?
Trust sweetheart,
just trust
and work.
There’s sadhana.2

Well after reading that I gave in, though the vital didn’t like it at all. By that point I was planning to come to India, but I wasn’t sure when, so Donny and I started looking online for a used film camera in India rather than waiting for me to buy one in the USA and bring it when I came. The search proved much more difficult than either of us were expecting and when we finally ordered a camera we didn’t read the fine print in the listing on ebay.in, and got one that was sold “as is”, and was basically broken. At this point I thought I could ask my mom if I could have my grandfather’s Canon AE-1, which had been sitting in my dad’s closet unused for years, to give to Mugu, and she said I could. So when I came to India back in December I brought that camera with me.

Then we ran into more obstacles. Both Donny and I had assumed that in a country as large as India there would be websites where you could easily buy the chemicals and darkroom equipment, but that didn’t turn out to be the case. You could find things scattered around on amazon.in and ebay.in but a lot of it seemed to be coming from the USA. So we went to a website in the USA, and could find everything we needed, but the shipping was almost as much as the cost of the chemicals and equipment. We had decided to just eat the cost, but then it occurred to me to call Auroville and try to find out if anyone there had a dark room, and knew how to order the supplies in India. From Auroville I got the name of an American man, John, who has lived in Pondicherry for many years, and was formerly an inmate of the Sri Aurobindo Ashram. I gave John a call and he invited Donny and I over to his house where we had a long talk, and he also gave us the name of man in Mumbai who could supply us with everything we needed. The way it all wonderfully worked out was just more confirmation for us that we were indeed doing the right thing with the film photography.

So we got all the chemicals and equipment to start Mugu with black and white photography. All that remained was a dark room, which is almost completed. Once it is John has offered to come over and give us some pointers from his long experience with film photography. There’s every reason to hope this will be a very positive thing for Mugu, and give him a much needed focus and creative outlet, one that will help him, if Donny’s muse is correct, to be a better man.

Notes

  1. Copyright Donny Duke
  2. Ibid.

I Want Struggles To Be Light

By Douglas McElheny

A few days ago this line from the muse came to me in the morning.

I want struggles to be light.

You can definitely play around with multiple interpretations of a line like this because of the different meanings for the word ‘light’. One interpretation jumps out right away if you take ‘light’ in the sense of something being not heavy or not dark in color. Read this way the line is saying that I want a lighter load of struggles.  There’s no doubt I feel that way often, and I’m sure most people reading this can relate to that sentiment. Another idea though along these lines has to do with my belief that what really makes struggles and pain so dark and heavy is this consciousness we live in which is a state of identification with this mind and body. But as many spiritual teachers have said throughout the ages, if you can enter into a consciousness where you’re identified with the divine, or oneness or whatever you want to call it then you realize that this mind and body isn’t you, is more like a shirt you’ve put on, and you don’t take what happens to them so seriously anymore. Then, even though life’s challenges are still there, they’ve lost their heaviness, and you no longer suffer from them. You deal with them from a state of Light or Knowledge and not a state of Ignorance.  Hand in hand with that idea is a complementary take on the line where ‘light’ means spiritual illumination. This gives the sense to me of struggles being spiritually illumined and transmuted.

Another interpretation that occurred to me takes ‘light’ in the sense of a ‘means of igniting something’ as in “Hey buddy, you got a light?”. It’s a less obvious reading of the line and one that probably wouldn’t have occurred to me if I hadn’t been thinking a lot about something I’d read in the Mother’s Questions and Answers a few days before. I’ll share the quote first before I get into the interpretation.

Quite naturally we ask ourselves what this secret is, towards which pain leads us. For a superficial and imperfect understanding, one could believe that it is pain which the soul is seeking. Nothing of the kind. The very nature of the soul is divine Delight, constant, unvarying, unconditioned, ecstatic; but it is true that if one can face suffering with courage, endurance, an unshakable faith in the divine Grace, if one can, instead of shunning suffering when it comes, enter into it with this will, this aspiration to go through it and find the luminous truth, the unvarying delight which is at the core of all things, the door of pain is often more direct, more immediate than that of satisfaction or contentment.1

So like the Mother says here I think the line could be interpreted in the sense of changing my attitude so that struggles and pain become more a means of advancing on the spiritual path, more a means of igniting my aspiration to go through them in order to reach that ‘unvarying delight’ than something that holds me back when I have  resistance to the pain or depression about the pain. Backing up this idea, I feel, is an experience I had with Medhanada’s Eternity Game two nights before I received this line and a few hours after I’d read the above quote from the Mother. That quote is part of a longer passage where she says a number of things one of which is “When pain comes, it comes to teach us something.”2 As I’ve mentioned in other blog posts, probably my biggest difficulty is contending with the constant chronic pain in my back and knees. So that night after reading the Mother’s words I asked the Eternity Game, “What’s the purpose of this pain?” The card I drew was ‘Dwarf’.

Europe 1997.3 25

In the Eternity Game this card represents the mental being, and as you can see its aspects are ‘Quest’, ‘Next Step’ and ‘Intelligence’. Medhananda gives detailed commentary on all the cards in the game, but he also gives short one sentence descriptions.  The short one he gives for the ‘Dwarf’ card is ‘advance, take the next step.’3 I took this as confirmation that I have to try and take the mental attitude the Mother recommends towards the pain so it becomes more a means of progress. I should point out that for me the fact that my reading of the  Mother’s words was followed by synchronicities with both the Eternity Game and my own inner guidance in just a matter of a few days stresses the need for this change in attitude. It’s not easy to do, and to truly surrender this pain is something I’ve been aspiring for for a while. Hopefully this will help me to take the ‘next step’ with that.

So that’s my take on things. Please feel free to share other ideas in the comments!

References

  1. Questions and Answers 1957-1958  by the Mother pg 41
  2. Ibid pg 42
  3. The Eternity Game by Medhananda pg 133

 

 

For Janet

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This morning my friend Janet’s long ordeal with cancer finally came to an end.  The last time I saw her a few days ago in hospice I read her a passage from Sri Aurobindo’s Savitri about the soul.  I share it here as a tribute to her but also for the benefit of the reader.  It’s long but well worth the time to read.

A being stood immortal in transience,

Deathless dallying with momentary things,

In whose wide eyes of tranquil happiness

Which pity and sorrow could not abrogate

Infinity turned its gaze on finite shapes:

Observer of the silent steps of the hours,

Eternity upheld the minute’s acts

And the passing scenes of the Everlasting’s play.

In the mystery of its selecting will,

In the Divine Comedy a participant,

The Spirit’s conscious representative,

God’s delegate in our humanity,

Comrade of the universe, the Transcendent’s ray,

She had come into the mortal body’s room

To play at ball with Time and Circumstance.

A joy in the world her master movement here,

The passion of the game lighted her eyes:

A smile on her lips welcomed earth’s bliss and grief,

A laugh was her return to pleasure and pain.

All things she saw as a masquerade of Truth

Disguised in the costumes of Ignorance,

Crossing the years to immortality;

All she could front with the strong spirit’s peace.

But since she knows the toil of mind and life

As a mother feels and shares her children’s lives,

She puts forth a small portion of herself,

A being no bigger than the thumb of man

Into a hidden region of the heart

To face the pang and to forget the bliss,

To share the suffering and endure earth’s wounds

And labour mid the labour of the stars.

This in us laughs and weeps, suffers the stroke,

Exults in victory, struggles for the crown;

Identified with the mind and body and life,

It takes on itself their anguish and defeat,

Bleeds with Fate’s whips and hangs upon the cross,

Yet is the unwounded and immortal self

Supporting the actor in the human scene.

Through this she sends us her glory and her powers,

Pushes to wisdom’s heights, through misery’s gulfs;

She gives us strength to do our daily task

And sympathy that partakes of others’ grief

And the little strength we have to help our race,

We who must fill the role of the universe

Acting itself out in a slight human shape

And on our shoulders carry the struggling world.

This is in us the godhead small and marred;

In this human portion of divinity

She seats the greatness of the Soul in Time

To uplift from light to light, from power to power,

Till on a heavenly peak it stands, a king.

In body weak, in its heart an invincible might,

It climbs stumbling, held up by an unseen hand,

A toiling spirit in a mortal shape.

Here in this chamber of flame and light they met;

They looked upon each other, knew themselves,

The secret deity and its human part,

The calm immortal and the struggling soul.

Then with a magic transformation’s speed

They rushed into each other and grew one.

From Sri Aurobindo’s Savitri pgs 526-527

 

And I Suppose a Rose

Full Moon Meditation by H. Kopp-Delaney (CC BY-ND 2.0)Full Moon Meditation by H. Kopp-Delaney (CC BY-ND 2.0)

As a young teen, I would often hear, right at the stage of falling asleep, what I called ‘reading the book’, someone speaking spiritual philosophy deep inside my head. I never could remember a word the next morning.

After getting a rather poetic education, majoring in English and learning to translate Classical Greek verse into English verse, and a period of travel after college, mostly as a vagabond, in one instance posting my poems on holy sites in the old city of Jerusalem and other places East, a woman who had a writer’s cabin in the hills around Ashland, Oregon gave me the cabin for a whole winter, 5 months, so I’d have a place to live because I was homeless (normally it was a 6 week stay, given as a fellowship).

After 3 months of relative isolation, snowed in some, in twilight, that place of falling asleep, only here I think it was waking up, I heard these lines:

And I suppose a rose knows well
All the glory a man might.

I took those beginning lines and made a poem out of them, thinking that’s what many poets do and just don’t say anything. I had no idea your muse, what I call it, not hearing things, could give you a whole poem and edit it while you’re ‘listening’ it and after. It took another few years before I heard more lines, which was in Cuzco, Peru, about 15 years ago, but the flood started in Brazil a few months later, and it’s continued to this day.

There’ll come a day when floods.

Almost anytime I sit or lie back inside myself, if it’s long enough to get behind the waking mind and into ‘twilight’, I just automatically start hearing and seeing muse, and only sometimes it’s a poem; most of the time it’s a host of things: personal guidance, remote viewing, subconscious stuff, the imitation vision, the outright hostile vision, and I can continue some, only with me whatever I hear is always in poetic form, though only rarely is that at or near poetic quality.

Another time I might show the visual aspect of the muse. Now I’ll end this post introducing my voices with a recent short poem completely from the muse (it’s on one of our blogs at: The Chipmunk Press Vol. 3 Issue 5

Original Sin

In a sunny corner of remote earth
The bite of it all
Challenged orthodoxy.
This was in Nature’s plan.
Green-gold it moved.
This conducted harmony
Operating on discords –
Not a packaged plan,
Neither from the stars.
It brought in cities beyond the universe.
We bask in its revelry –
A riot of God
On lone isles of trust.
Wonderful it wore shoes.
Naked impulse did not light its lamp.
A renegade
It brought all to bear on noontide.
Light held its room.
“Yes,” we sing in darkness’ lair.
“We deliver anthems
Without knowing on which we rest.
It came to us unclothed,
And we saw nought but sin.”
What distance orthodoxy
From all that abounds in this place.