Every Suicide Bomber’s Broken Arrow is Broken

Genie in a Bottle by Frederico Bebber, used with permission

In my last post, “To View the Hunting Design of Mourning”, I examined dreams of the suicide bomber of the Brussels Metro that seemed to show a contact with the heaven of Islam that gave him a divine sanction to carry out his mission. Over the course of years, I’ve had a contact with that heaven that’s of a very different nature, one not from Allah or angels but from a dead suicide bomber. It’s in the form of a poem in which he’s the speaker, and so it’s his words filtered through my creative reflex, put in my language and style of poetry, one which continued to develop over the course of time it took to complete the poem. I haven’t received it out of the blue, just because I had an inner opening that could receive it, nor because I was some good person chosen to show his bad. Whatever we hear or see in vision in regards to other people has a bearing on our own lives, is something we need to see and hear so to become better people ourselves, that someone else a mirror we’re looking into to help us change. This is true for both (inspired) poets and prophets, something neither they nor the people that quote them seem to understand.

The first lines of the poem came among the first lines I received once my muse turned on like a flood, which was in South America in September 2001, and it took me awhile to see the bomber’s voice out of all the muse I was getting. By the time I got to Paris, several months later, I did recognize that distinct voice and organized the scattered lines into a poem, as I did the title (“A Suicide’s Bomber’s Broken Arrow is Broken”) and more lines came, and this earlier form was submitted to and rejected by The Atlantic and Poetry. My muse edited it after, adding more verses and editing the title (“A” changed to “Every”) and individual lines, and I continued to work on it slightly until I posted it on my personal blog in 2015, after submitting it a few more places. The majority of the poem, however, the core, came in those few months after 9/11, as did many lines about Islamic extremism, mixed in with lines about the world harm I have caused, all of which I included in a prose/poetry manuscript I wrote on the island of Crete in 2002 called “Civilization and the Art of Terror” or “The Inspired Word”, which will remain unpublished, though it’s a source of organized muse I draw from from time to time.

Last week, as I was meditating at the Samadhi of the Mother and Sri Aurobindo, I heard the lines “That’s got my name on it. / Perfect,” and then I saw a light blue curtain blowing slightly, and then I saw the face of Sri Aurobindo, the age he was in the last photos taken of him, the outline of his face highlighted, and he was right in front of me looking directly at me. I was then told to wait before boosting the poem, to do some purification first, told in lines of muse, the vision of his face having faded. At the time I interpreted that to say the poem would be seen as something he’s behind because I’m his disciple and because of what I’ve written about inner contact with both he and Mother in regards to my poetry and writing in general. Although the muse said “perfect”, it said it a little while after hearing the first line, enough time to make me realize I didn’t want to drag his name through the mud, since I’m considered the worst kind of person on the planet, a minor attracted person. I sat there afterwards and let that sink in. It took the ego out of it, and I’m sitting here now not wanting to be in the shoes I am, but I think I understand.

Do you? Maybe it’s the bad man that can truly show us human evil and how really to end harm, rather than who we normally think can, a good person’s that been burned by bad. To see what I’m saying you’d have to understand higher than good and evil and more integrally than there’s this bad person harming society, understanding that for us to climb out of our wrong we need the goodwill of a good number of people because it’s not something we can do all on our own, why, when it’s all said and done, this suicide bomber’s speaking and why I am. To speak in the terms of the spiritual path that I follow, you’d have to understand something of the great difference between the Supermind and Overmind, the very different ways from each other in which their processes work, to see why someone such as myself would be perfect to post what I’m posting as an outgrowth of my sadhana in the Integral Yoga.

Last night lines came saying it was time to post the poem, but that it needed a new title, and after hearing a few that played on the words I heard at the Samadhi, it hit me that I heard the new title sitting there last week, and that now the poem is perfect, relative to my ability at least. It still means what I originally thought it did, Sri Aurobindo exclaiming that it’s got his name on it, but it’s characteristic of muse to mean more than one thing, be applicable to more than one situation, and so it’s the suicide bomber making that exclamation and also all of Islam, and, in a very real though quite hidden sense, each and every one of us.

Who this suicide bomber is and what bombing he’s talking about I don’t know, but there are vague references that would seem to indicate the attack happened in Israel and killed mostly young people. He describes an after death process that would take a long time by our reckoning, but heaven can open windows on time we cannot, and so this could be what to us would be a voice from the future. It’s important to understand this is a single bomber speaking, with all the things personal to him that would entail, and so each suicide bomber would have a different story of why they became one as much as their general fate in the afterlife would be along the same lines as the one speaking in the poem.

This poem needs to get into the right hands, and as of yet it’s not gotten into even a handful of hands, other than the editors who’ve rejected it and a few other people, and so I pick it up again and try its hand here. Does anyone out there have ears? If you do, please share this poem. Its license is Creative Commons Attribution-NonCommercial-NoDerivs.

That’s Got My Name on It

The world let me come to your room.
Here only:
a poet’s met greater listening.
Now what did he fish?
I’m not in your reach before.
What is the moon?
Symbol for where I am,
a light
To help you cross the night.

Silence,
death takes a terrible moment to calm down.
Now I touch you with the real.
I am a dead speaker.
The suicide bomber changes its space,
and everything right now
A story about how long it is.
Give rise to future presentations.

I cry to your hand.
Look at me.
My water, oh no,
blood red.
I’m sorry to act.
Disappointment knows no greater sum.
Give me the light
of your understanding,
and I’ll give you changed view.

The service there to act the middle road to stars,
the courage there to act.
Each man has a fear, love, dread, and pull to the extreme.
We feel ourselves so different from one another.
The problem’s building the people to be a church
so I can blow people up.
Man is a kicking gale a dozen kicking gales like him.
Can you understand why?

The small raft that conceals us all in bodily harm,
what I was to become in search of myself,
a big wall of religious separation between us,
and the grizzly bodies of adolescents to 13 men to find,
it’s not a secret the whole flesh can discover.

Death was not in my hands.
I exploded immediately.
Kill someone,
their voice right there.
We had a pay together.
It wasn’t bright and sunny.
Can we show you nonexistence?
I think I touched her.
You’ve got to fear.
Oh my God,
every finger accusingly sat at me.
This was no paradise.

There are realms in death you understand.
More order came.
I guess all went off to their private lesson.
I winked into hell.
All my mountain said no.
We lingered there.
It was my own order I made myself.
Please arrive me out of terror.

There lessons learned,
deep dark secrets you who understands.
A light found me thinking.
I grasped my neck to myself
and began to see.
I vanished hell.
On my journey I rose to you.
I’ve come up to my Faith.

As it doesn’t have one of the goals reconciliation
this is where Mohammad messed up.
The others I must also treat with light.
To grow oneself in mercy good idea.
Treat them with kid gloves even bad people.

The nature of the Prophet cannot be seen by your calculations.
It is hidden,
in a sense,
light bulb.
This sometimes assailed him,
his human.

Have to take apart anger.
I was just mad at you.
Through so much deception and web
the heartbreak was crouched around a day of killing,
terror hush, terror deep.

Tearin’ a hole in the fabric
of what death open
I am the author of a little child of the Furies,
a fierce cartoon within the page of my own age.
Every word easing the spear.
Not a secret a baby can tell.
Muslim doesn’t even talk about Muslim.
God is the veil at which he lowers his eyes.

Adam used to tell his name
unto his soul.
Let me release an air of sin
this cell from within,
right where they told me to explode.
It’s time for them to know:
all the way they cut truly in to a child’s deep identity.
Behind me the spear gave lesson.
I was sleeping –
families’ dinosaur.

There are some things that result in our hatred.
These things are ugly on us.
If you can tell the victim in the victimizer
stop the hatred.
That’s the first thing the very first.
No one else can listen.
No one else has ears.
The best place the time would be now,
to bring us into the 21st century.
The future writes this very slowly.
It’s now on the city conscience of Europe, Asia, Africa, and the United States.

A Primacy of Dream

 

by Donny Duke

A couple of months ago I was dreaming I was sitting down against a building in a field waiting for my mom to come and pick me up, and I became not only lucid but aware of myself in my bed, that place where if you just open your eyes you’re awake, twilight I call it. As I heard her car stop at the road some 100 meters from where I was, I got up, and on the ground in front of me there took shape a very beautiful mandala with the words “I love you” on it, made with many colors. It was made in a way that had my mom all over it, that is, it captured the essence of the way she made things, the colors and shapes, and I felt the strong presence of her as I saw it and read her message to me, understanding that this was a message to me from beyond death.

A few nights ago the following scene occurred in a dream, with another member of my immediate family, though one not deceased:

I’m driving my sister’s pickup truck down a highway, and she’s riding shotgun. We are going from a town where she lives to where I have my jeep parked, a distance of a few of miles. We talk on the way, or rather, I do, telling her of my current plans to move to the mountains. She lets me out at the parking lot I’m living in for the couple of days while I’m in transition from my former living situation to the one in the mountains. After she drops me off I think that she could have invited me to dinner or even stay the night at her house, and I wonder over why she didn’t.

A couple of nights ago I dreamed this scene with another family member, who’s also still alive:

My dad has taken me and some other hitch hikers to a gas station and is dropping us off. I’m on my way to Houston, a distance of about a 100 miles. As the others leave to go hitch, he tells me to put my suitcase in the truck, and I know that means he’s going to take me to Houston so we can spend some time together, and the dream ends. I hear a few lines of muse about the dream as I come awake completely in bed.

“If you google the word dreams you will get millions of hits for websites devoted to dream interpretation. Are any of them worth a visit? Very likely not. Why not? Because there is no scientifically supported system of dream interpretation. What you will get if you look at dream interpretation blogs, sites, pages, and the like will be garbage pure and simple. Or they will be the writer’s own idiosyncratic interpretation of dream images and that typically is not very interesting at all.”[i] The quote is from an article in Psychology Today. It’s not suggesting that dreams are meaningless, but that any attempt to interpret dreams until science cracks the dream code and provides a system to interpret them is garbage or at best so boring as to not be worth your time. But the ignorance of science isn’t the measure of our knowledge of dreams or our ability to interpret them, and why should its ignorance be the holdup in dream inquiry? Because science can’t interpret dreams, does that mean we can’t?

Rather than give some formula or system to interpret dreams, something you can plug any dream into and know its meaning if such an undiscovered formula exists because dreams have so many variables, and not all are actually dreams but something else, Douglas and I have been taking individual dreams and visions, including the inner voice, and interpreting aspects of them that can be shown to have some relevance to our daily personal lives and that of humanity in general, focusing on linking dream movements to ones in waking life and discussing dreams that reveal an inner connection between human beings, ones that suggest we live in a field of consciousness rather than in our own private inner world unconnected to the inner lives of others, which is the view of science.

In the most basic sense, dreams show us what’s going on with us, what’s on our minds, in our hearts, what we say with our mouths and do with our hands as we move through life, sometimes acting as a proving ground for personal movements not in our best interest, allowing us to see they indeed aren’t, or sometimes just simply being a gestalt, the dream itself being an meaningful experience that isn’t necessarily representing anything about our waking life, and dreams are not only about our personal symbols: study and tell us about other dreamers as well. But in this basic explanation of dreams I’ve not by any means exhausted their purpose and scope. And while dreams focus mostly on our present, they not only use images of our past to show us our now but also use our future too, but they not only focus on our present; sometimes they are almost exclusively about the past or future.

Dreams and visions are like a looking glass revealing the ins and outs of our life movement in itself and as it interacts with that of others and with the world and universe at large. That they do this in representative terms, telling a story about our story, about the story of others, and that they can be seen to have not only the past in them but also the future, the more of which you see, in little pieces, the more you can actually interpret them, suggests creative intelligence within us but beyond ours telling the story, intelligence that can see the whole picture, not only of our whole life past, present, and future, not only what’s going on with ourselves, but also what’s going on with everything and everybody we significantly interact with, are connected to, intelligence that can see through the walls of time and form.

I’ve come to believe this intelligence is the soul, what in us that transcends the material envelope[ii], which doesn’t create dream actually but is the is influence on it shaping it along our own personal evolutionary lines, influencing the organization of all the various elements that present themselves from whatever quarter in the making of any given dream into something that has meaning for us. The quality of people’s dreams vary widely I’ve found, and not everyone has storytelling dreams. For many they are just an incoherent barrage of sound and image, the reason I suspect many label them just random things coming up from the subconscious or from our active memory of the day’s events, or what’s pressing on us as we sleep.

The more coherent your dreams are, the more they tell a story, and the more you can see yourself in them making decisions based on judgment and reason that are resolving conflicts within yourself or with others, healing your personal mess or integrating who you dislike or who dislikes you, the more your soul has a hand in shaping them, and, consequently, the more they can be used as guidance, as a road map that not only shows where things are and the direction you need to go, but also what’s obstructing you and what’s aiding you in getting there.[iii] Where ‘there’ is depends on you, the direction of your life’s movement, its purpose to put it more meaningfully, but, if you are able to put the inner eye on the outer world to the degree you see the underlying unity of all things and all people, what comes more and more into focus as you do see the outer world through the inner lens, regardless of where you’re headed to personally, you’ll see you and I, all of us, are moving to wholeness in our relations with ourselves, each other, and with the world at large, working out oneness.

The above dream scenes show this process at work, but, in what what might be called the catch 22 of dream, I can’t contact any of my family members to verify inner contact with them, since my mom’s been dead some years, and neither my sister nor my dad will speak to me. It’s a catch 22 because so often dream, when it’s seeing beyond the physical senses, shows us things in shadow, or shows us the shadow side of things, what we or others don’t want to admit, what we want to keep a secret, and so we are often unable to verify the dream with waking life. Although the case here isn’t something bad being hidden, is just I can’t verify the dream because the people involved are either dead or won’t speak to me, it appears to me things like clairvoyance, which these three dream scenes are examples of, each a different aspect of it, happens all the time among us, but it doesn’t get verified, or even usually mentioned, because it shows things we don’t want others to see. In a rather rebellious and somewhat illicit earlier piece on my personal blog, “Under the Graffiti”, I point this out in a way that might bring it closer to home:

“It’s happened so many times not only in my own personal experiences of anything to do with clairvoyance and the senses seeing past their physical range, but also with many others I’ve talked to who’ve related to me their experiences, ones that they really couldn’t tell someone else about (I got these ‘I know I’ve been bad’ ears, so you don’t have to worry none), or at least not the whole story, because it revealed their shadow side, so much so and in so many instances I’ve come across that it seems to be part and parcel of the process, that the ESP’s not only to give you that sight but more to try and wake you up out of your animal cravings, get you to get up, evolve, and that’s the number one reason I’d bet we don’t hear about these things as much as they occur among us: they show our bad that we don’t want others to see.”[iv]

I think anyone intensely involved in working with their dreams with others they physically share daily experience with, who’s had a lot of experience being part of such a dream group, would be inclined to agree with me in regards to the above, would see the shadow in that light, but that our dreams (in fact our lives) are working out oneness takes an inner depth of seeing that goes beyond the scenes of the world, contact with the soul, and I can only tell you that you really have to look for it to see it if you don’t, but once you begin to see it, you wonder why in the world everybody can’t see it it’s so present and apparent.

The three examples I give are showing a process of reconciliation ongoing between the members of my immediate family and I, those three people perhaps the most commonly recurring characters of my dream life, and I suspect it’s the case with most of us; we dream all our lives about who were the most significant people in our formative years, whose womb we came from, whose genes, who we shared that womb with, if, that is, they were actively there as we grew up. If not, it’s the people that most filled those roles. My muse once told me that the more one we are with someone, those most like us or close to us, like a brother or sister, or a neighbor, the more likely we won’t get along with them, and if you look at the world and its conflicts, that’s often the case.

Before my mom died she had little to do with me, and we didn’t communicate often. She carried that enmity into death, and it seems that on the other side she realized some things, the need of reconciliation for one, and so she sent me a clear message of love, her first from the other side, in the form of that colorful mandala, and it came in the context of a longer dream I was having with her, not her I should point out but a representation of her my dream maker had made, and this is an important point about dream: most often when we dream of someone it’s not actually them in the dream, not a dream sharing experience, or only extremely rarely, but our dream maker making their image so as to represent some inner or outer interaction with them. The message was well placed in my life, came when I needed that declaration of love from her.

It’s not yet accepted human knowledge that we continue on after we die, much less that the dead can communicate with us, but we’ll get there before long, since these kinds of communications from departed loved ones are so common to human experience. It’s often like it is in this dream scene, they give us some message or sign rather than seeing them face to face, and when it is actually meeting them, the meeting is quite short and comes most often in the representative mode of dream, like you and they doing some activity together, not as you and they able to just chat a moment.

With my sister Gwen reconciliation is still some ways away, if it’ll even happen before one of us dies, and then it’s inevitable, but it is in process, as the dream of her taking me some distance in her truck shows. In the scene I was driving it, which would indicate that for some time during her day, a day close to my dream, I drove her life vehicle for a little while, that is, I was driving her thought and feeling for some distance, a few miles the dream shows, and that it was in broad daylight and on a major highway shows this was conscious on her part, not on a side road under the shadow of trees. She carried me in her mind and heart for some distance, but, as the scene also shows, she went no further, didn’t take me to dinner or to spend the night. Since she’s made it very clear she wants nothing at all to do with me, it’s probable she keeps me out of her mind as much as possible, but with someone as close to you as your brother, that’s just not possible to do all the time, and sometimes the heart wins out, as is the case here.

It’s not possible, as I said, to verify this inner communication with my sister, or rather me picking up on her thinking of me with enough emotional force to register in my inner life, but I’ve seen this play out in dreams enough times to know it’s the interpretation of the dream scene. It came in the context of a longer dream that had nothing to do with her, but since the dream took place near where she lives, she appeared in it. I’d probably picked up the inner communication some time before, and it waited in my inner being until such time a dream appeared that could represent it. As I’ve suggested, dreams are composed of many different elements that come from various places within and without us, and they are organized together to form a dream.

The dream scene with my father happened at the end of a longer dream I was having with him, and though it would also show inner communication between us, or rather what we each are thinking of the other, it’s this scene that shows more clearly reconciliation happening, or that he’s now willing to give me some time in his heart and mind at the very least. The scene ends where I’m about to drive with him to Houston, a couple of hours away, where we’ll be alone together and can talk. Upon awaking from the dream the scene ended, my muse suggested that he was going to read (or have read to him, since he can’t see very well now) a long story[v] about the Duke family I wrote and made a copy of and had mailed to him snail mail, and that might be what the suitcase represents he told me to put in the trunk, the suggestion that he’ll read it at some point in the near future. I can only speculate if that’s the case, but, although I can’t verify he’s going to give me some time focused alone time in his thoughts and feelings, I know very well that’s what the dream’s showing.

It’s this very thing many people, especially from science, object to at bottom, God and soul being objections based more on this overriding viewpoint rather than on being impossibilities in their own right: knowing something to be true that the physical senses haven’t verified or really can’t verify. I’d suspect the author of the Psychology Today article I quoted has this fear at heart, and all who think like him in regards to dreams being unintelligible things, and that their interpretation is something we ought not to bother other people about on “blogs, sites, pages, and the like.” That fear is that reality won’t conform to material science, and they’ll have to remarkably shift their worldview, significantly change their lives, and maybe even lose their jobs, though as they experience it, it’s the fear that superstition will take the place of knowledge or greatly hamper its pursuit as it’s done in the past, as it’s doing now.

Today, however, superstition, the kind that’s holding up knowledge about ourselves and our world, isn’t so much religious, although religion definitely points a gun at knowledge and sometimes even shoots it. It’s the ignorance of the people with their hands on the world doorknob of knowledge, your average mainstream techno-culture scientists, who have their hands on the way we define the world, the research cash to investigate it, the news media to cover it, the arts and literature to symbolize it, that keeps us in the dark about the most basic things about us with their dogmatic insistence on the primacy of matter, the most basic of those things being we have a soul, and we share not only a field of consciousness together but one also of identity. It’s not a conspiracy. It’s the darkness of fear.

I’ve suggested many times now our next revolution in knowledge with be the one that occurs when we turn our attention to inner exploration, the investigation of consciousness and the inner life, one that’s already begun not only on “blogs, sites, pages, and the like”, but also in our hearts and minds, though not yet as a revolution, the big one we’ve all been anticipating in one form or another (just not yet inner), one that will turn society as we know it on its ear, change our most basic social institutions, change even being human. Many if not most feel technology’s what it’s about, it being our human endeavor, and we measure our progress more by our advances in technology than by a growing and greater sense of our shared humanity.

Dreams are the most common and available doorway into the inner life, the subliminal life we live deeper than conscious thought, and talking about them in a public space quickens the inner revolution in society, since dreams can show us to be more than a mere physical body that has somehow engendered its own separate bubble of conscious awareness, and such knowledge really turns you on.

By showing our dreams and visions here at Harm’s End, Douglas and I hope to demonstrate that we are so much more than some separate spume of matter floating on a shoreless sea in meaningless infinitude. Far from being garbage or so boring you’re wasting your time, blogs about dream and inner exploration such as this one, and the thousands like it on the net, on social media, are slowly but surely lighting the world with the inner fire, whether they’re right on about our interpretations of inner experience or not. Ours is the attempt to light the inner fire in the world, and we fumble a lot as happens when lighting a fire from wet material, but once that fire starts, no power on earth can put it out. Even now, on more than one page, truth is staring back at us, truth being not some religious or scientific formula but what’s actually happening with us in our seemingly brief little lives.

 

[i] https://www.psychologytoday.com/blog/dream-catcher/201307/the-folly-dream-interpretation

[ii] Our inner being, or dreambody, since it is open to the universal, also can see into the inner life of others and into the future (to a limited extent), but it’s the soul behind it that’s ultimately the intelligence in us shaping our life.

[iii] I’ve greatly over simplified the making of dream, skipping over a tremendous amount of inner process and going directly to the soul, which to become conscious of you have to become conscious of that inner process, but I’ve done so because it’s not God behind all shaping our dreams and as well our life movement in general as we tend to believe if we do believe there’s higher intelligence behind it; it’s our individual soul, as it’s God’s delegate in humanity, and the more conscious we are of our soul the more it can do that more directly.

[iv] https://acollaborationwiththeunknown.wordpress.com/auto-biographical-sketches-a-letter-and-a-comment/ (You’ll have to scroll down to the graffiti story.)

[v] https://harms-end.com/2016/08/05/minor-attraction-on-rock-hill/

 

The Freedom

 

You need to talk to me
taking notes.
It was centered on One.
Can't deal with Gibsons though.
Can we shoot first and ask questions later?

The poem you’re about to read needs to be listened to as you read it, as it’s a type of Spoken Word Poetry that has multiple speakers, presented in the form of an open dialogue, with no indication there’s been a change of speakers or even who’s speaking, a style of verse you’re likely not to have encountered before. The poet myself is only one voice among many, though the principle one, which include but is not limited to: society, historical figures, the divine, ideas and ideals, and, once at least in this poem, even the demonic. Each voice is an interjection that can disrupt the flow of meaning, even if you know it’s not the poet speaking, but hearing the different voices voiced out aids greatly in understanding the poem and besides provides some entertainment, what it seems we value more on the net if not even in the heart of the home of our imagination. Unfortunately I don’t have the resources to put a cast together to act out all the voices, what the poem asks for, to be something like a radio drama, and so it’s just the poet reading his poem and all its voices, but regardless, hearing it spoken will greatly help understanding the poem, and answering why you should make that effort is the purpose of this introduction.

My muse calls itself Reconstruction Poetry, as it has its hands on the world like a builder, right on human terms, in the treasure and trash of our stuff, so to rebuild, reshape them anew, and so it’s a very hands on poetry, quite engaged, speaking far out of the ranges of the tradition of poetry, although language play still takes a front roll seat as it’s the vehicle of meaning, the sound of the engine running. In this verse, poetic technique, as we know it, isn’t used all that much. On the surface the verse appears simple conversational English, which even uses slang, but on reading into it, it becomes apparent that word order is often weird, which makes lines not so much as ambiguous but as having more than one meaning, the central meaning not always readily apparent, and metaphor and allegory have such a strong presence you can easily get lost if you haven’t read it ‘repeat slow’, like all poetry needs to be read if it indeed is verse.

To launch a style of poetry on the net that requires so much attention is to be an unread poet, especially at this time when we use the net more to throw stones at one another than make a better world, when our attention span is the length of time it takes to get a point as quickly and painlessly as possible, no time for long winds, even fresh and alive ones, but it was composed for the medium of the net, more for tomorrow than for today however, for the reasons mentioned, but, due to its controversial nature (a pedophile’s speaking to his society), and due also to it being heard poetry, what most would call ‘hearing voices’, and you’ve never heard voices like these, it could catch fire today.

It differs from the normal meaning of that schizophrenically laden term in that it’s a consciously intended inner hearing that requires a light to heavy trance where you get behind the thinking waking mind and remain there listening in the quiet not allowing yourself to fall completely asleep or come completely awake, no small feat, which takes an enormous amount of concentration, something I’ve learned to do in the practice of the Integral Yoga over a period of 15 years or so, during which time I also developed the particular style of the poetry itself, or allowed it to take development I should say. It differs too in that it’s not only hearing but also seeing, as often lines of verse are written on some scene, either a still picture or during a short vision, spoken or sung aloud as the scene fades. I also hear an editor commenting on the verse in verse, recommending throwing out a line, or waiting for another line to come so to clothe anidea differently, telling me when to end the poem (the muse just keeps on going as long as you can stay under and listen or not fall asleep into dream), and so forth, editing done both in progress and later. I would imagine it’s major difference, though, from the common meaning of ‘hearing voices’, is it’s so amazingly constructive, isn’t telling me to do anything wrong or to tell people I’m the chosen one or that it’s the end of the world.

It’s not as controlled a listening environment as it sounds, since the editor is not always present, comes in more when the poem is finished to correct it, and lines are coming from all directions fast and sometimes furious to get recorded, which I do a few lines at a time, oftentimes only one at a time, and so I have to come up and go back under many times during a long poem, doing that frequent diving for days as in the case of a long poem like this one (like a frog going in and out of the water), and there’s both a false muse and the mind trying imitate the muse, and so it’s really a wild ride, but what makes it really hard is you have to be wise. Compared to inner vision, both TV and the net, all ‘entertainment’ mediums for that matter, are just landscapes barren of anything really real, actually adventurous, and truly rewarding. I’m sorry I can only show you a shadow of it, but it casts a long one, a Brocken bow, god-shadows.

Whether you believe in the soul and God or not, you’ll ask yourself, if you indeed understand the poetry, where in the world does it come from? since, as you read it, you’ll see it’s coming from beyond my reason. You’ll have to wonder if there are not higher or more integral things in us, piloting us, than our ego. You might even ask yourself if such vision hasn’t been civilization’s pilot all along, planting the seeds that build us to be a humanity, build our humanity in us, as I’m far from the only listener to have walked on the face of this earth. There might even be 7 billion listeners on earth at this time. Can you remember all that happens during sleep? That far back, that’s how far I want to take you. I call the source of my inspiration the divine muse of poetry, but whatever you call it, you’ll call it something bigger than I.

A few words about the poem itself: it was written about 5 years ago and was posted on my personal blog “A Collaboration With the Unknown in Perspective” and has been sitting there unread for years. The muse picked it up recently and added new lines, suggested an introduction and to use it as the poem to showcase. I have many poems on the net and many yet to be posted, but I would agree with my muse that this is the one to push, for reasons of pressing social need, though it’s the most controversial. It’s divine revelation, though I don’t expect you to believe that, the eye of the soul and the divine, an inner seeing, and as such it sees the whole picture, sees what we hide, what outer observation can’t see because so much inner is involved, the emotions in one’s hand for example. It looks at the issue of pedophilia, its causes and action in the world, from the perspective of oneness, but not only pedophilia, and even if you hold oneness as the underlying reality of the world, you will most likely have trouble with this poem. It will be a litmus test of your willingness to see oneness, since it’s applied to the most morally repugnant issue of our day, and, I’ve found in my years on the net posting about this issue, few who believe in oneness can see One when looking at what they most abhor.

If you get morally offended at the poem’s outset and don’t read it, you’re committed more to morality than oneness, and that would be something you need to see about yourself: where oneness doesn’t meet. If you do have a moral reaction, keep reading in spite of it, and by the end of the poem you might find you’ve gotten bigger than you were, if you can see that growing bigger is something we all need to do, each one of us, myself included, which means here where we now sit there’s smallness lurking in us. While a moral reaction has become the order of the day, the guide of our social interactions, especially on the net, it tells us where that smallness is, though for most it tells us how to behave, since we just let moral reactions rule us, and we fire off our hatred and anger at anyone who will listen, tweet it like angry birds. I urge you to listen to this poem, overcoming your reaction, if you have one, and see how big you are.

Click on the title to hear the poem on SoundCloud.

The Freedom

Poetry,
gonna take it hard.
Have a different kind of poem.
How to use it.
She’s ready –
divine muse.

Come to the firewall.
Do performance.
Do construction.
Get to the point where I…
My God,
the guy with a complex little package.
Put a clock.
Put people know.
They got a diamond in their hand.

Who put it there?
Oh slowly,
so slowly.
Take a while to build that up.
Inner reality
made a big watch.
Hands walked in another time.
Put the headset on.
I’m listenin’.

Everybody heard the most twelve suspects of all time?
If it works.
Educating public opinion
the length of a poem.
They go ready for people.
They go in on a plan,
undercover op.

Something else has been declared war on,
and we catch the News.
You said somethin’.
It’s mostly in America,
you know what,
the pedophile sting ring.
Did God cause this?
Is that the only way to deal with this like that, Nazis and the FBI?
Granted,
a pestilence,
this blight on children.
What their nature burn.

As we get to the root causes of America,
as we come to the apocalypse of America
(this is not the principle destruction –
find the end result),
we see a rudeness has no handle.
All history long we have been doing this to our children.
Okay we put the brakes on.
There are no more pedophiles Joe?
They’re proliferatin’.
We’re inept –
a moral reaction.

Wow,
the lengths we go to get trouble.
Predatory alert,
I’ve seen it on TV.
Arrested in the middle of everybody.
Wires and things they were all listenin’ in.
He had a kid to meet.
They got ‘im shoppin’.

Now he hung himself.
It was all in the report.
Yeah, kill yourself you freak.
Looks like
that was at the top of the story,
shot a wolf.

Now what did this do in TV land?
We don’t’ know.
You haven’t lost your brother.
These guys are monsters okay?
These guys are strangers okay?

Who makes this racket?
It’s the Press,
a News team.
Shape public opinion
as they report the News.
Who’s the lion and the tiger anyway?
Can you control them
poet?
A problem’s out of reach.
I operate on that.

You just think you know everything don’t you?
Can we see a blind spot
in our public opinion?
Do you have any bigger plans?
How America limits change.
We need to review this case.
The public media does it,
and would if they whisper gun?

Should we exterminate them,
what, who molest children?
Is this on News service tomorrow?
It’s got a way with guns,
all you can answer.
You load bullets that way.
It’s your last bullet.

The art has the empty chair.
What can we do magnet?
Excellent, I hope.
Art would magnify it,
pull people away from their dramas
by showing connections,
identity bonds,
between you and who you hurt.

That’s bigger than sin.
Well that’s too old.
Ever amplify it?
Push the button down.
I don’t smoke.
This is a cultural misunderstanding.
Where does pedophilia come from?
How many babies are born?
Can you light that cigarette?
It would be washing and cleaning and things like that.

Your child,
you rub that child’s fingers upon his board.
It’s like casual contact
with some finger on it.
How many mothers have that for pie,
daddy’s drinking beer?
Fish this one out of the water.
We look for pedophiles for sure.

Measure cultural mechanism.
Rob babies,
give ‘em some emphasis there
they don’t know what to do with.
Let’s grow up and explore this thing.
Now I was here and she was there.
Hello little boy.
Great crap game huh?

I’m showin’ you your shorts.
Now take the pedophile
and hang ‘im.
I can’t look.
That’s what we need him for,
not to look at blindness.

When you hear a special report,
cultural wide,
we’d question the homophobe.
That’s a concept to get across
true or not.

Cute kid,
and you feel another ocean.
You don’t know there’s fish in it.
It’s not something you drag up.
Dangerous sex offender,
he’ll wear it,
and we find a role for him.
No one wants to see their teddy bears
Get a lot of their lap.

One second,
bendin’ rules
tryin’ to get a point across.
I’ll rush in on things.
You won’t see this till tomorrow morning.
They certainly smeared ‘im.
I certainly told myself…
What did you tell yourself?
His brain’s on our fingers.
See, I’ve opened your eyes.

Now I want you back there now,
on the forays of revolution
Mr. Poet.
Think about it.
Probably lined the page.
Martin let’s go get older.
Well I just don’t want to be here,
between Jerusalem and Palestine.
It’s difficult
To see your place in life.

Before you come up here
Donny,
it’ll be your soul speaks.
I don’t know.
You need to make up your mind:
where are you at?
Look at each other.
Worry about the food later.
She’d like to heal this in humanity.
She had devote him give it to him,
what poetry sees further,
something muse.

I would feel very exposed.
Is this the pedophile saying this or his society?
Imagine on a workday.
Spitfire,
they come in those airplanes.
Are you service?
The other role come out,
an empty one.

Where would a pedophile lead us?
Up would be
his only way out:
don’t abuse kids.
If you had money
would you give it to him
for immigration?
That monster,
what’s he worth?
Oh a little story about society
it hides in its purse.

A scapegoat’s got your bag at heart.
Can we say large projection?
And so blind.
Dynamic,
what would free him.
Can it come to your house?

Supposed to fire.
You just get some pistol out.
React,
and we see some things about you,
your fears.
Is this all that’s bothering you,
What he would do?

Add to it
you have it
where intimacy and you meet your kids.
Are you holding something flush?
Is that your bright staple,
or would it wound around awhile?

Let’s go here:
what are you afraid of puttin’ on?
Did your child draw up the boundaries?
You exercise them every day.
There intimacy meets.
How are you protected?
It’s not an equation you see on paper,
but when a person does that
it weakens everyone.

Can you not put News here?
What would it do?
Help us all to behave.
One moment
as to why that is.

Screwin’ up everything,
are you a blind bard?
That’s history.
Believe it or not I help.
I got it replaced on the other side.
Until you kiss me you don’t start the television.

Why would he send it?
He did it.
He knows the One inside.
He can see the doctor.
Plug him for it?
How about you,
Would you scrap it?

Now what does this vision do for us?
Over the line,
got some things to think about.
Let me be intimacy,
and that hurts no one.
We were gonna add
a little survival dinner,
but not there.

Are you mistrustin’ my alliance?
I’m identified with you.
That’s just long on paper.
I grant you see One.
What a delivery stable.
Can’t get that look.
Look right here:
some pedophile has shown the way.

How many times have you seen God act this way,
used the humble and the accused?
How many times seen divine process work?
Are you starvin’ in this world?
We got a lot to lay down,
and it’s reachin’ for ya.

We’re all in fact Brahman.
Interior is first.
Have a market with it.
I’ve gotten along in dreams.
It just pushes me.
Don’t listen,
to take aim further away.

Who’s he understand?
No I don’t wanna hear about it.
The reason by India:
population pressures.
They’re not gurus.

Oh we would be around
your most precious holding bucket.
Our yoga interior answer
deepens the way up.
We’ve acted like frogs,
and if you kiss us we turn muse.
Why does it have to be so moon when it comes out?
Wash your underarms.
Near reveal to us.

That was kinda fast.
Going?
What you have to get through first:
some unlimited attention.
They don’t have one.

I knew there was a way
to see You again.
I’ve been claiming that You are a little boy.

Yes,
it’s just about enthroned.
Operation additional control measure,
fifth’s parlor,
I found it on the way home.
It’s over because
it costs too much.

He played with his weeks.
On his altar
he put an image:
every person that day he’d find.
Even animals have a right to regard.
A tree would not sink from hope.

This is One activity plan.
You don’t want with appetite.
You’re there
as a friend.
To wash in,
we gather direction that way.

What’s wrong with this?
You dislike ‘er.
The bad thing about it,
everybody’s strangers,
hate just grabs the page.

That’s not smart protocol.
You fear the invasion,
the betrayal, the leap,
you have this friend idea.

Daddy, what I do?
Now I told ya,
well it’s almost nighttime.
You can’t trust anyone.
You read in the paper…
You know what today?
I guard in many numbers with police.

I have to tell you too
we’re off with your doctor.
I have a new posture:
if you get burned,
you get back on.

He said that?
Superman talks.
Think about
to announce:
it’s not a violation
you have the proper treatment.

Indentified more in the body
than meant for the trouble.
Yeah if you’re sittin’ there
quite lost in the body,
you think
it’s you.
Pedophiles
handle some body part,
I can’t believe it,
the suffering all life long.
They’ve been killed we carry on.

The child might not see it that way.
Do you know what he did to you?
That child learns.
See the violation mark?
It carries around like a bag of worms.

None of this would happen
safe we looked at the body.
It’s not you.
You’re wearin’
an organic machine.

I don’t get it.
In the attitude
don’t sit there and be violated.
Man you just
take our support from us.
I’m giving you One.
Not a person or a thing stands anywhere else.
Support at its most real.
Identify,
and maybe you don’t have to feel so violated.

He knows it,
knows for sure.
His mom
would sound a lot of Pittsburg at night.
Tell this to the nurse
and get out that touch.
Do I continue suffering?
I choose.
How much mother and father removable from the scene,
or whoever it was got in there on ya.

What do we fly here,
the woe of our misfortune?
Is that our life downed by that?
Maybe life is bigger than her scenes.
Would an actor know that?

Maybe that hand on you was a push,
that violation a goad.
Perhaps the secret will in things
operated on a plan.
How many people say evolution here?
Contented I think not.
See the drawbridge?

What are you doing?
What are you watching you fierce wolves?
I’ll look around the Internet.
Can you handle the vision?
Goddamn that’s just society cuffs.

So many opinions what can change?
In every opinion
an underlying speak out.
Tell me there isn’t.
Is everybody mad?
Punish those responsible!
Can we get a better basis for intolerance
Than pretending to be tolerant?

Everything’s so hyped up.
Offended,
is anybody not?
There, I read your e-mail:
blacks and fried chicken,
you racist bastard.
Mohammad,
Christ,
not one word
questioning his ability to translate angels.
It’s death by paper.

Now let’s shove this down people’s throats:
everybody has to marry the homosexual;
no one hold the pedophile’s hand
or even let ‘im speak.
Your Internet local connection,
do you hear these voices speak?

Now I’m the radio.
We got worms.
Everyone’s alarmed,
and you think it’s what he did
or she said.
But you’re holdin’ the gun.
Reaction fires and aims.
Mark our first foray into world-space,
and we just knock each other around.

There’s somethin’ over there.
I can get it across.
Let’s take some time,
be more fair as we grow up.

Tape this up on your world view:
see everybody?
That’s me.
I’m just alone in details.
They’re alright:
man,
I like everyone;
if I’m hurtin’ anyone
change detail.
There’s One on that regard.

When it’s advancing that loud you stop it.
Dream make for us.
This wolf might kill us.
Dreamin’ so let’s hide it.
What’s this?
Who broke the towel?

I don’t wait to come over.
You’re not going to be kind to me.
Predatory wolves,
shoot ‘im and hang ‘im on the fence.
Now square off a minute.
I’m so much in your stomach.

Are you sure that’s what you’ve got:
Donny you snake-wolf?
Are you so sure I blind you?
An unethical point I’ve made?
I look and you follow me do so.
Engage me
bring to doctor.
Finished.

It’s not an easy situation:
One in your inbox Donny.
There isn’t a way to do it.
There just isn’t.
Thanks but be careful when he gets in there.

Kept askin’:
hi mate,
somethin’ good for ya after school?
Something’s down that floatin’.
Don’t be so hesitant to mentioned enlightened.
That’s where Donny’s goin’.
He sees there’s a change of consciousness ahead.
He listens to everybody
rise here.

Some future trickles slow.
You think this is all
silence and that just no-self show?
It’s just our first boat.
What would master existence and leave you in it?
A certain Individual you are
superfriend.

Anyway,
I get up out of my mess
mastered by my own impulse to rise
into the fullness of what I can be.
You’ve never felt it?
You smile.
There’s more isn’t there?

Choose liberalism.
He put his daughter.
There’s a light out.
Are we usin’ the money?

Even if we put on,
put on those uniforms
– you know I’ve been watchin’–,
they’re not gonna
honor us no way,
give us any kind of prize.
They’re not gonna
be more kind to us.
Tom’s father used to say
they’re just wasting their time.
That make ‘em
what would open freeways?

Where we were back then.
Give us the money now.
Not an excuse
to let conservatism happen.
Now a wolf
is not gonna be so visible.

We should see this.
Try these on,
some predator names.
Give you a link to us?
Slow I think.
People’ll buy anything
if it’s wrapped up in the official package.

Don’t cross out.
I’ll put you down
for a larger stereo.
How many times went through it?
We are not dumb people.
If you are afraid you are.

Listen to this:
media hypes fear.
Want to tell you
South African.
That should get ‘em.
You mean this is a plan?
What day it’s gonna be
the totalitarian government?

Only in the policy of war
or to mediate a disaster
would it be.
That’s not the form
control is used.
It’s just a radical involvement
to get you to accept policies.
Go lay down.
What are you supposed to look for?
Where is the fear?
Some policy
might be behind it.
Runs it’s available
to get to.

You know what that means:
there’s a propaganda of ministry.
We got a few goin’:
a think tank,
a state and a local government,
a business headquarters.

It would tell you something sensitive:
restaurants,
you can eat Man.
We would not organize a conspiracy.
Government takes too long.
You get a flavor
when you’re watchin’ the News.

Halved of it, come down.
Don’t worry,
all your children
stay over there.
One thing about America:
grow kids.

Would national policy be in my conversation?
He kept in it in his coffee a lot.
Visit them in school,
and we can see the Internet.
Don’t you help ‘em.
This is the first time I’ve ever seen it:
Americans tellin’ on each other.

It was in the paper.
You have to report.
Don’t have to.
I know a girl that act like that.
Isn’t that piracy?
Get ‘er stupid name,
click it in.

It’s not easy
To know what to do.
You’ve got to listen
To a partner with Sun.

Those terrorists,
right here at this moment?
Oh doctors.
We winched two people from the Caribbean today.
We got half of them out.
Of course the beauty would have to see one another.

Invite yourself to their house.
Hand that down please.
I am a friend.
No way,
I just treat you like our lives treat us.
Yeah,
it hurts doesn’t it?

It’s wonderful that all listen to music.
You get some of the ideas that
art puts out.
You know you had comin’.
Look at what you’ve done to art.
Be valuable.
You’ve put it in concentration camps,
got it out of the public eye,
you, laziness and snobbism.
Not everything
instant.

How much concentration to read a poem.
How much time involved.
You don’t have to take that off.
News media does that.
What are you laughin’ about?
The News media,
they know what they’re doin’.
They get intah everything.
They want to be where you put your attention.
Good one.
Repeat me:
in store…

Anyway,
liberal ideas
usually come from inside.
You say.
They don’t come that far.
Wrong peacock
you’re lookin’ at.
I’m not a Capitol Hill.

Art shows us
the inner.
That mystery shines in us,
gives us keys to change.
Art polishes that,
and I’m here inner.

Donny and I
absorb change.
We got a handle on it.
I’m standin’ just outside.
We put this strength in your hand:
to change for the better.

Yep, you need
to be liberal right here,
in that specialty,
letting change happen.

It’s a creative growth.
You might see Nature behind it
and something guide ‘er.
Standin’ there scratchin’ your head?
We’ve evolved.
The status quo arrange that?
Conservative,
I’m standin’ right here.

Art
will move you.
Now if you could see
why we’re wasting
so much time.
Oh I don’t care.
I’m okay.
I don’t need you the attic.
An ogre
have dinner with us.

Still,
even if it wasn’t
a survival emergency,
take a long change.
Maybe you’re here for that reason.

Law enforcement officers
are the greatest defenders
of the status quo.
Hi kid,
don’t you dare
break any laws.

It’s already starting to break down.
The system’s breaking down
justice said.
That’s how it’s always been.
Would we break laws
to change the system?

Everybody’s supposed to hold it.
We don’t want anarchy breathin’ down our necks.
Alright I’ll arrange you.
I’m seein’ intah the future.
I think we’d look for art
to give change its growth,
policy its format,
take any law down
not good up on that.

That’s an individual there
recordin’ growth.
He got enough room to do that?
When he comes home
we’ll ask ‘im.
Sister yes we’ll have to change language
give you credit too.

Don’t get down on your step-brother.
Art’s just fell into a hole.
It’s not the lawmakers you lobby for change.
It’s the editors.
They’ve just fallen asleep.
Art to them would write about itself
in a way inbred.
It would not speak out of its word.
They’re fond of music.
They won’t grapple with the hook.
Now you know I see you.
Who said that?
This is fresh art.

Come ‘ere,
the end of a varmint
that projects the end of a varmint.
This is performance art.
I’m gonna put them all over the street.
Here you have the video.
Project it out there.
I didn’t buy anything.
Do you have any idea
why?
வணக்கம்.
That’s your cultural edge,
a stop bath
meet the Press.

Can we counter a bomb?
Hopefully
We can explode,
show you a peaceful way
to counter terrorism,
to bring the public revolution.
If it does explode,
though I’m sure it’ll be a contained blast
(we’ll have the bomb experts on it right away),
you will see the power of words.

Why strap a bomb to your chest and kill the neighborhood?
Why send your tanks to that country?
Write a poem from where the One sees us.
That’ll shake everybody up,
and you’ve brought change right.

What does it mean to bring us a full home?
Daddy cleans and he whistles.
Oh he’s talked the TV now listen kids.
You know one way’s a bad wagon.
Yeah, I needed to fill his shorts,
or graft my review into his underwear.
I have more for you kiddo,
everything you always wanted about attention,
and there it just hits the spot.
I’m gonna call you to your bank card.
Stand here eager on yourself.

Unreal a boy gives his father that ultra-politique.
When they’re in that swoon,
when base is being gone over,
what a boy could hide there.
Daddy do it daddy.
He grows up with hungry clothed.
It’ll be his reason to see evolution
he don’t just sit there with it.

There you are.
Into the sea you’ve been hollered down,
into the sea that touches your toes,
where that hurt.
This is the trail in the sea-ward.
Every father has an account with us,
however remote,
moving in the intimacies of a man.
It’s not out of the direction of his love.
It just spoils there.
Might not ever even think about it.
Might never try anything,
but a man’s nature be around his children.

No, not all are drunk,
but there is a liquor cabinet.
If he’d open his dreams he might see it.
The father that does cross lines
more often than not it’s the casual touch,
little tight pressures he holds his son.
Squeeze daddy.

This is just an occasional glance.
That’s where he tests city limits,
shows that he is the owner
of the boy’s whereabouts.
It’s his flesh.
It’s just a little squeeze
where that little boy grows,
and he finds men attractive.

When this grows up in him
he’s the opposite
from pedophile feelings.
This was not to churn his shorts.
More romance here than touch.
He wasn’t put in that strange place,
something to make him investigate further on.
His daddy is the love of his life
that time,
and he’s comfortable there.
Grows up lovin’ men.

Homosexual we’ve reported.
This is generated love.
He likes its squeeze.
Follow your counts.
Get rid of a fall.
You don’t believe it,
how wrapped up he is.
His life that regard.

Now a boy wouldn’t remember
his father’s affection.
Way too young
to bring memories back.
It’s a rollin’ stone.
Maybe he likes it
being gay,
but he knows
that life has not given him
his natural fulfillment.

The first boy
don’t fair well.
He remembers the pounding serf,
was I enough to understand
they wasn’t supposed to do that.
Y’all keep your mouth shut about this.
Visit…
Oh here we go.
What does he visit?
Dad does the talking boy.

That’s interesting.
He makes me feel at home
with the arrangement in the hat.
I could go in any direction.
Maybe there’s a woman on my arm,
but I can give a man more than a kiss
and take a child into the basement.
I could, but why bother?

Our policy is your papers.
Gain a step.
Your sexual orientation arrive in the breeze?
By the way the professor was kidnapped.
Stare at your business.
I am sorry,
these are the lines that appear.

Well I was gonna take you home,
but it’s made me mad.
We’ll see what the door is.
That’s what I would do.
Now they’re shipping it off.
He didn’t recommend it.
Seven of us like that.
It’s warm and squashy.
This is your sexual identity as it’s being determined by them,
all your mothers and fathers
when you were a teddy bear.

Most people turn five.
Is that what it is?
Hands up.
You don’t remember.
All of them
(that’s true)
that would do it
with some little kid
got so much more than a tight squeeze
in their waddling years.

You would know
mommy and daddy.
One of you opened up that land.
See how it grows.

Let ‘im plug.
Draw back.
That’s the way.
You have evidence spokesperson,
and you only have intelligence monitor.
That’s all you’re gonna get.
You gave
even more.

Hey,
well alright,
givin’ it,
so much attention to sex,
some cultural peanut.
Can a teddy bear grasp that?

It would
be about getting laid
being a man.
Boys you have to understand,
what you got
is so exposed,
and their attention just goes there.
It’s like all aglow.

All boys
in my gramophone.
Pardon the little lever
not bringing girls along,
but we gather.

I’ve brought you to thah
floor place,
the wet ‘et end.
I’ve given you a vision of mud.
What’s going on in your head,
I’m going crazy?

There look at it,
a library full of knowledge.
The box is strong.
Hard to open it.
Oh the police have videos.
You can find it on the Internet
you hear about all the time,
but I’m giving you art’s vantage point,
not some liquorish of lust.

We’ve looked at this through the art lens,
and we see more than just the act.
Nature’s been uncovered.
I’ve brought something out of her
deeper than her photograph.
We’ve shown lines behind.
Every peck we practice art here.
It reveals.
We could use the revelation.

Are you all ticked off?
It might be you sittin’ there reason for their being in their homes.
We’ve got to look at this.
Dishes,
we wash dishes.
This is a cleaning rainbow.
What root of it?
The powers better
at the universe,
the ones that turn on lights.

Say we ignore them.
They are just to come back later.
That’s orange actor.
Dropped him while you were off to sea.
He’s got a big of muse.
No easy way out.
Bigger things we handle better the bigger we are,
and that’s an art show.

Art,
the Chinese,
the Pawnee Indian Southeastern Association.
Sam I am.
I have to be bigger than my paper.
Sacmont is a word and I am going to do sacmont.
About hands,
hope to win the war.

You were really skewered.
Tell that to your activist window.
You don’t know the carpet.
An opportunity
to see things firsthand,
a reference point
so we can safely arrive.

It goes through the airmail.
I’m going on the paperclip.
Unbelievable
the amount of hatred
people have sent in our direction.

Good morning ace,
we have you scheduled for a speaker.
I think we should stay
out of politics.
A child can say anything.
I have to be liberated from this.
One did that.

What’d ya do when you were little?
Dodged bullets on the ramparts.
We walked by here a couple of times.
Some kids sure don’t leave me alone.
You have to be very careful.
You met Toady Beach?
No, I don’t know the area.
A kid’s lives aren’t over.
Any man can be a hitter.
Let’s not hear that they’re all men,
because they’re not.

I can’t stand
that look on the table.
Start over again
so close to your world
and handle upside-down cakes.
My poor wisdom bleeds.
It wasn’t exactly hell on ice.
I was friends with ‘im.
It had a sound to it.
It looked joyish hum.
As a stranger though it tolled.

He got more expensive.
Fell into the seep holes.
I lay down for him,
and that becomes our game.
He got good at it.
I get electricity waves.
Gives so much pleasurable explode.
Hey, where did I go?

And he needed awhile.
They’re into hurtin’ you in bonds of love.
Time lane they’re spinnin’.
Now I tried to take it off.
Let it and smiled.
Nothin’ where I want,
where ultimately I want to be touched about.

You wanna hear the rag?
I was all one partner.
I got ‘im into it.
Looks he gave me destroyed me.
It had promise.
Just exposed myself.

How a boy carry on.
This is a lot of boys.
You don’t look.
We’re carried around in silence.
What’s the trouble between our legs?
And they put so much on it to cover it up.
How many times I’m corrected.
Like it’s some ray gun
ugly to see.
It’s so feel to ourself.

I can’t get anything tighter.
Yet you block this away.
There’s so much guilt and shame put there,
and this man love with that,
and he was a pressure cooker.
No I can’t build on him.
I get robbed.

There it is.
Look I’m showing you a lot of the table.
I get adult and forget.
I’ve been abused.
Is that all there is to it?

Something else:
a window open
(you watch it –
that’s the Law),
a love triangle.
When people join my faith they take over,
give themselves over to union.

Oh we’ll start.
Somethin’ there One sings.
It’s a little pocket of it.
You’re not interested in singing,
but the heartbeats on me there
like the end of the world.

They’ll give it to me wide.
You sit there and explain to me my feelings.
I’m not gonna disagree with you.
It is weird,
and I know this has done me wrong,
but what was that
commission?
Did we broach upon a power of play
used One?

You’ll understand when you’re older there’s a body now.
Yes, I’d add things
you needed to know,
union reels.

And you’ve heard it,
the big mess.
To say he makes the mess and that’s all there is to it,
not even close.
You’ve gotta change.

Society don’t handle right.
From day one you get the big stick.
I mean how many knows how to treat properly the cash box?
It’s so loud in there.

Look at these,
they’re sour fruits.
Can you hear me society,
can you hear me?
Givin’ the ball justice.
I’ve told you its court.
A weapon was made.
It’s to help you see dirt.

Dignity stand up.
We are soldiers on the line.
I’m not talkin’ politics.
I’ve gotten intah human terms.

Have you ever thought we’d look at them?
Is that a rule to avoid?
You’ve sunk headlong into this like you have one.
Blind reactions policy your decisions.

Now you at outcast lot and see what they flower.
I didn’t get under your gun.
I looked for change.
No outer remedy helped.
You know, you avoid the inner.
Everything you make points us away from it.

I sat down like the Buddha and demanded change.
I opened the inner doors.
Dire necessity lead me to it.
I had no wings for messiah,
friends ourselves of outer space.
(Joe,
is anybody living there or something?)
I don’t get paranoid.
One laxative:
yeah I read of all this waste;
I needed change.
How deep you have to go inside yourself
to get on that movement.

Rebecca,
what’s the problem with this here?
You can’t measure change outside of doors.
They have to let you in,
other people.

When they say
stay out of the reach of children,
they take from you the wheel barrel,
something to carry
change in.
Not a popular vision.
So anyway,
here, get it fixed.

You know what art means?
Got a looney movie,
Vampires Stalking Earth.
Some half-vampire comes along.
He’s managed to step out of darkness.
He’s stopped feeding.
Our knowledge to our liberated son.
I think that was the Light speaking.
Humanity needs ‘im
to cross blood.
His type for the antidote.
Do I see the engine kill ‘im?
You know how ignorant they are in the movie.
We see the man’s worth.

Come on see how big you are.
How small I am I avoid the essential details.
Kill all of these damn flies.
Why do you presume to know so much?
Triangle,
know all that you do is a secret triangle
where the One meets
you and the other party.
Even with an object this intimacy is found.
One builds that up.

Now what do you do with that?
You have to strike your own kind of balance.
It’s an identity bond really.
Come to that regard.
Who is a thing to you?
Who do you abuse?
You love yourself you love it all.

Frank,
I’d call that girl.
Anywhere where unity doesn’t meet,
call that to our attention.
What immediate cure?
We’re in the ways with each other a long time
before the One becomes apparent,
inwardly seen and outwardly acted.

You have my vision.
It’s not a little cost.
It’s not a little vision.
America are you hope here?
Travel down the road some.
Give this vision time to feel
what’s in store for you and carry need.

The United States of America
just can’t see itself.
A young filibuster,
you visit warlords,
and you’ve scribbled out some thoughts.
The private retrieves them,
and the penman retains them.
You’ve board a door:
a child’s link with sin.

Let’s look,
if you feel like it,
right here.
Porn does not make you image real.
It stretches things too far.
What’s you’re movin’ by art
is everyone’s have to see
to know the problem.

I’m the one on details,
what’s going on in the house of soul.
Does Nature essence this,
or is it in fact blind?

Five minutes
we’ve square rooted on a problem.
That’s visited,
the solution.
I don’t know,
I’d love to Bob but,
I’ll get back to ya.
Really believes the attack that Tibet is sending dogs.

I’ve gotta go to the phone.
Enough Riverwood.
Reader,
flowery alphabet,
high avenue.
That’s a lot of surplus.
Heads down.
Prayer.

We’ve spotted Virgil.
Come over here.
What would you say one night greeting the world?
All I can say
is change.
Would an American epic suffer?
American employment.
You’ve got your stadium
young poet.

Linked your mind.
We’ll put you down for
visions of mud.
We go @Firefox.
Okay,
pick him up
to your determination.

Hell, Jeff Gardener
would turn it against that way.
He figured out
we pay for.
What’s that?
When you abuse.
Since you’re okay
you put people outside
on it.
Can we poddle?

I apologize.
I have that in perspective.
They can explain
fit into explode.
From Grace I came.
From there study.
Win the house.
Are you gonna freedom?
Are you gonna quit?
I mean,
What would the address
Be hostin’?

What’s he mad for,
it’s them in America,
or you’re tunin’ it right
the guitar,
the avenue,
of the greatest public instrument:
all for change?

Just a lot of difference pal
you’re workin’.
I wanna see what I’ve been doin’.
He have a place to live
every soul?
That
help out.

Have to have a group to do this one:
you are a soul,
something that’s not
offended by anything.
No reactions.
What a gift
to society
(I ain’t givin’ this stance.
I only seen this stance),
the most wonderful
Person
it’s a challenge
to find.
The biggest thing I ever saw.

When I saw that…
They didn’t go in the backdoor.
They talked to Someone.
Will help
see the soul inside
a reference point
human
and over your head
there the God.

Toilet paper
Can’t cover it up.
Donny saw what he saw,
and he looked.
Whose coveralls are these?
Could be mine.
Play.
There are other trappers.
You made us there?
Just a look,
but I saw the world through Those eyes.

All this equipment,
that’s where it came from.
You have no idea.
You can play the player.
Play One.
Here I am always played,
rubbed out,
by your enchantment.

Soon fire all this light.
You take off.
Many times right there
the food the fight.
I write all of you
fullscreen.