The Music

photo by Donny

A poem by Donny Lee Duke

Have you ever seen the field of lyrics?
They’re divine emails
to singers, songwriters, and the sunlit path.
Yah hear ‘em?
They wouldn’t mail you to hell.
They come on wings of golden charm
in a literary ear,
all of them
that define music.
How easily they come
rollin’ in a song.
I’ve sideswiped a mirror.
This just doesn’t sound right.
Force, cram, there, stars.
Oh my the lyrics,
they need a water table.

I’m about your engines of change.
I defy the world.
You hear that rock 'n roll?
It just poured in.
Even love songs lit it.
And the 60s went on
until we could hear the sound no more.
It really rolled in then.
Lyrics told us what to do:
be kind to your brother;
watch the looking glass;
we don’t need no thought control. [heard sung, Pink Floyd, “Another Brick in the Wall”]
And bands played on.
They all got out of sorts.

The sound of music [heard sung, R.E.M., variation on lyrics “You Are the Everything”]
compensates for society’s hard ways.
You know what I’m talkin’ about.
Music glows.
I don’t know how to tell you to control it.
It’s your business when to turn it off,
but don’t you want that bare reality boy,
you and the world
face to face?
You’d use that too
to come together on yourself.
Bare bottom reality,
where we find ourselves in fight,
come on let’s get out of here
to the tune of music.
Use a song to fight?
Let’s listen to reality.
Billy don’t be a hero. [heard sung by Bo Donaldson, line names song]
Thanks for calling in,
but sometimes reality’s really fucked, you know?
and you’d die if you didn’t take up arms,
you and your whole family,
a Ukraine emergency.
You, see the difference?

I’m loud enough.
I just don’t know where to begin.
I’m on sleaze mode,
and I just ego the world away,
or I’ve lost my tune
in a bucket
of melodyless words.
I don’t bring you anywhere
the skylight gets ahold of yah.
I’m pretty and all,
sometimes,
but I’m awfully small with sharks.
Today’s music, right?
I ego the moon away.
Give it a Grammy
to correct the past.
I’m on it—
a racially motivated statement.

Got a guitar,
just give it your play
in the do’s of yourself.
Music will come rollin’ off your lips
when you trouble time with words
that bring the world together
on your knee,
and you’re rockin’ it to sleep
in its ballroom,
no matter how loud it gets,
no matter how tune.
Oh you open yourself
in the rhythm of your ear.
Hear that
the light of music. [heard sung by R.E.M., “You Are the Everything”]
It’s in your neighborhood.
It’s comin’ upon yah now.
Play that song.

If you want to sing out sing out. [heard sung by Cat Stevens, line name of song]
You hear music?
Do you know how to listen?
It’s a metaphor for change.
You’ve got to get down there and do it,
make it better,
your crumble with the world.
It means so much.
Now you’re listenin’
to another radio program
than the one you usually hear.
It’s got music in it.
It’s also got love.
It doesn’t neglect you.
It tells yah how to sing.
It’s a motion on a better world,
a better you,
a better me.
The music of rebellion,
I’m talkin’ to it.
I don’t think we’d leave out our own change,
would we, “Dream On”?
Unbelievable
the way that song rocks us,
so help us look at ourselves,
rollin’ and all.
There’s a distance.
He’s fishin’ me off.
He’s right.
We can’t get at music’s purpose.
I say change,
and I’m puttin’ words on starlight.
I mean heavy
a world has deepened in music.
It gathers us
way beyond the song.

This is experimental candy.
It’s got loads behind it.
It will refashion our world if we let it.
It will get bigger than time.
It’s in your inner ear.
Play it out.
Not so much what,
what in the world—
who dat?
It’s not the Devil son.
It’s glory.
I’m not gettin’ a chair or somethin’.
I’m gettin’ all this juice
to dance my religions/relations. [two words spoken simultaneously]
Teletransport investigations,
I think we’ve just spoken easy money.
Let me see your hand.
You would have no hair on the palm
if you want to be transported right
with another.
I mean it wouldn’t be about gettin’ laid
that brings you to world union.

Okay you’ve got my song,
and I give it to yah
for free.
Can we mix music and money?
A need to get rich can’t.
Jay,
I just want to say
you ease my music.
But would I let it lead the song?
It doesn’t sing,
a laboratory
substances faces only.
Unbelievable
where we need to see the world.
It’s in our holding hands.
Without it eclipsin’ the world—
it’s not at a pot party.
Hey, you know,
can we play that again,
a thing on
making rules?
We dance here.
It’s not how we make the world.
We come together on ourselves, you know?

World understanding dim.
I got your door.
It’s so sweet it’s in the air.
It will be music,
and then you sing,
you sing the song.
You remember me.
I was so 60s.
I brought you the right music
for social revolution,
to change the world
into the peace that will change the world,
into a love that will last longer than you feelin’ it,
into a brotherhood that goes beyond race and people-kind.
Let’s make this revolution happen.
Let’s go to town on music.

Open
to your brother.
To my brother?
We need peace
to make this music happen,
to get this show on the road.
If he’s got a different opinion than you he’s your friend.
If she’s disagrees with you you still let ‘er in.
You see my catfish?
You see the food bank?
You see where we all need to improve?
This is a weird pharmacy.
You actually give your brother your time,
give your sister a shoulder to lean on,
and they disagree with you what if?
Oh my puddin’ and pie,
don’t feel bad.
Don’t get all upset.
Give them the love on your corner
without bendin’ the rules:
keeping out of opinion debate
and trying to convert one another
to what you believe in.
Opinion circles
never give up.
You have to give in.
You have to,
no matter what,
no matter who you are.

Yes,
talking that’s not listening.
After all man,
we’ve got so much work to do
gettin’ our hearing to hear past TVs
and radio poles.
We need to hear music.
We got to right now.
It’s the light of the world,
so much paper
to put that in your vision,
so much time
for you to see.

Alright music industry,
crank it out.
Who we gonna work with,
the major groups and singers?
They’re hardly listenin’
to where music reaches us
a better generation,
the pop sound
that joins reality to love.
You
are so romantic
you love the world.
It can’t be faked.
I’m singin’ it everyday,
where I play the world,
this clavicle of house,
this Earth of mine.
I can get better at.
I can improve.
One final word:
make peace within meditation the meditation begins.
God it’s beautiful.

How’d you do in your family?
Come over here.
Look’s like burnt out.
They subset got on the phone.
It’s gonna last you again.
Your family is the arrangement,
those people in front of you,
whoever they are.
There’s your boss.
Oh history of change it’s here.
Music will tell yah.
Listen.

Let’s get out of town square.
Falls
the world in,
and we’re go back to music.
Thought of giving it all away
to a registered charity,
if I ever get outta here. [three lines heard sung by Paul McCartney and Wings, “Band on the Run”]
Come on Paul let’s go.
We’ve got music to attend to.

The Iconoclast (Message to Auroville)

Message to Auroville
I have something to show you.
Are you ripe for revolution?
Will I call Satprem's letter?
I will deduce the situation.
You haven't seen it yet.
You're not even looking at it.
You don't know there's a crisis:
will Auroville become or will it not?
All the Aurovillians will still be here
even if Auroville never becomes.
What does that mean?
Aurovillbe became a way-city
for India's population.
Do you see the writing on the wall?
How do I get this across?
I'd tell you in a poem.
It's "Above National Commitments".
It's time-consuming.
Here's somethin',
a product
of human unity at its corners,
and we rush in with "The Iconoclast".
Kind of makes you book smart, don't it?
You've read the Mother.
You've read Sri Aurobindo.
I give it the world,
apply those principles to life,
the number one vacancy.
Oh wow they fit here.
That brings us out into the open.
Is that big enough for you?


A poem by Donny Lee Duke

photo by Mithun
photo by Mithun
photo by Douglas

photo by Douglas

photo by Mithun

photo by Douglas

photos, videos, and music not attributed are by Donny, an all photos and videos except #16 and #17 were shot with a Vivo X60 Pro

The Iconoclast
She wants him.
She has to be insistent.
The project:
dinner serve you and you,
overcome
mortal.
We’ll see ‘im.
Daddy-O,
what is it?
[both above lines heard in Nitish’s voice]
Why do we maintain the system?
It’s everywhere.
You’ve got the title.
Somebody gave me the phone.
Wow, I swung the axe blade.
This is there.
[above line heard sung, my voice, from “The Freedom”]

Society
[vision of clicking my mouse on that word]
figures wrong.
A wolf in the henhouse
you put a pedophile around a child.
Chop it to pieces
divine vision on the subject.

Where do you put the Integral Yoga?
Where it works
a process of integration.
How would Nature handle this?
There are no artificial barriers
between people.
So what’s the story,
is that society’s truest moment,
whoever’s attracted to children cannot be around them?

Where does that bring us?
That kid’s gonna get molested.
It’s the nature of the program.
No subject’s been studied in school,
no desire’s been dealt with,
the child’s or the adult’s.
They’ve just been stuffed.
You’d have just no between them.
Where has this taken us?
And I’ll tell you again:
the number of children getting molested far exceed reported numbers.
Am I gettin’ through?

Where will a process of integration bring us?
We have to work this thing out.
The Mother has taken a pedophile
and done just that.
That’s what you’ve refused,
the issue of this in mankind
the Mother putting in the right place:
that pedophile doesn’t have sex with children.
They bring him around to himself,
and he is to them what they need,
and no one else on this Earth
can attend a kid like him.

You think I’m changin’ subjects.
Nitish is here beside me
among the dogs in bed.
He’s been caressed and brushed aside
to make room for the afternoon poem—
well not completely.
One whole side of me
thrills with his touch.
He’s cellphoning the world away,
and I keep him focused on us just enough
to write his own poems one day.

Now this is not out of my control.
It’s where you want me
if you knew how far this brings you:
human unity’s in the room.

Tried to send me away.
I can assure you
I’m not going anywhere.
You’re got more of an investment here.
Don’t do anything rash.
Have a meaningful experience.
I’ve got a season by now,
numbers enough to fill you up.
Now, how do you know
the right influence?
For the people on the whaling run,
fire and snow.
[both above lines heard sung, my voice, from “Ticket to Eureka”]
Now we can bring pink tablet.

The pink tablet was made for each other.
This is who the relationship stands on.
A psychic being circle,
a street open on the inside explained.
[vision of Nitish in the computer chair on the far left in the picture,
dogs present]

They know each other.
They know each other’s safety.
They know how to handle each other.
They can skip the small parts.
They are into each other’s tongues.

The boy is a talking diamond.
He really gets into speech,
from games to God,
to his hopes and fears and dreams.
They study one another.
They are on each other’s table,
with dogs to mitigate the life force.

It’s all on the table,
the world and God,
the whole universe of sound.
Are demons all on us?
Can you tell me again about the Supreme?
What does a God have to do with it?
I’m counting Supermind
because you said that’s where we’re goin’.
Am I gonna die?
I’ve been so afraid of death
and the end of the world.

You have no idea the cradle that boy has.
It’s all aglow.
We see its brightness.
How do you end it?
That boy grows up.
You wouldn’t kill the kid now
because this is a fitting
you’re not prepared to see.

What is a poet’s mouth?
A diamond in your community.
I’m giving him this smile.
Because it’s unfamiliar to you
don’t think I’ve lost the plot.
I’m a science of a listening ear,
holding down sleep so I can write it down.
What a production this is.
What intricacies of skill.
I’m a craftsman,
my apprentice this little boy,
and he will grow into that.
Destroy him, will yah?

Take the challenge of worth.
Are we really so strange to you?
Are we really that weird?
We are the battlement
of the new human being,
and we’ve been around a long time,
as long as there’ve been pairs in humanity.
You hear that?
We’re normal.
The psychic being is there to keep it clean.

Do you have psychic contact,
or are you just judgmental and sorry?
The psychic being,
do you feel it in here?
And he’s a little drummer boy,
an intimacy of God to behold.
Come,
partake our fruits.
It’s got the sorcery of God.
We’ll show you the world anew.

Talk to her nicely.
Give her more than getting.
I know you won’t believe her.
You’re stuck in worldviews.
Something has passed before your eyes today
that has the world heal on it.
Are you just gonna sit there and say no?

I don’t think the world will come between us.
We’ve got so much going for us/to show for it.
[phrases spoken simultaneously]
We’re good in the pan.
We mark trees with windows
and don’t tarnish them.
We’re alive on time.
Long live the king,
the new boy in town.
That’s Nitish.

A rose She’s giving me,
a new appointment.
That’s my rose.
That’s my wonderful little boy.
That’s my summer rain.
I will make crafts and cookies.
Oh wonderful
I just can’t wait
wouldn’t you say?

Trace Through Ideas About the City of Human Unity, the Third Read

videos by Douglas, video editing by him, poem and performance by Donny, technical support Mithun, Jana, and Nitish, filmed on a Vivo X60 Pro

The Ugliest Banjo
All we ever do is resurface,
call brotherly love. [both lines heard sung,]
I’ve set the price of stuff.
I’ve set it down on paper,
in digital media.
It was a good voice.
I’ve said it all over the world.
You put lands on that date also.
I’m gonna take my story back.
I took you some
Tamil Nadu.

I don’t know which one’s the maintenance.
I lecture tomorrow,
not the video,
the epiphany,
not the human unity poem,
my arrival in Auroville
a member.

He’s a tough one.
They stare at me.
All I ever did was catch you. [line heard sung]
Is that a paperclip?
Convince ourselves:
everybody,
you don’t
I really got a taste of God.

It’s at the deepest level
the shallow level of life.
It won’t bite you.
It won’t leave you alone.
You just put your headset on.
A blunder
virtual reality.
Look no Bible days.

Process live without student.
I’m three feet up.
I’m a hole in your garden.
I’m there behind you.
Can you smell me?
Can you smell my rose?

Take me out of the picture.
I’d even say why you do it.
What were you saying?
It’s not crap.
It’s Sunday dinner.

All the people not measuring up.
I can’t take it.
Tell me what happens.
He gets accepted by the many.
You thwart him,
and every time he gets up.
He did,
he became enlightened.
That’s what you have done.

I’m not gonna you want.
I’m just gonna be a hole in your community
until it,
I become a member of your community.
I can tell you things
that are just so down to earth they’re needed.
Just gorgeous,
who I am,
the ugly duckling.

Transformation

This is another song my soul wrote. Below are the lyrics. It came via the muse, inner voice and vision, over a period of months, usually around dawn one or two sung lines at a time, accompanied by at least the guitar but often with a whole band or orchestra, but not every day and not only at dawn. Often lines are in the voice of a particular famous singer or band, but just as often they’re in my own faulty voice. Sometimes weeks went by without anything for the song, although lines are sung to me in my muse almost daily. I have to center a song and only choose lines that fit. It’s not a cut and dried process, most especially the melody, which, like in this song, evolved over the time it was completed. Characteristic of the multifaceted nature of the inner voice, these lines were not only for the song but were also what I needed to hear and muse over the day they came, things my soul had said, which matched the needs of my sadhana. May the song help you with yours.

Transformation

(Hear the song here: https://soundcloud.com/donny-lee-duke/transformation)

Adam used to tell his name unto his soul.
Suddenly transformation.
Bid yourself in your mirror.
There are you who you are.

And I know, and I know, and I know
it’ll be my soul.

I am just so tired of crowding around.
Not a single access program of watching process rise.
Feeling sorry for myself living without you
process rise.

And I know, and I know, and I know
it’ll be my soul.

Getting wrapped by you.
Getting wrapped by you.
I find my religion is all is waking up.
Just strokes and takes my pressures.
Cause I’m livin’ down connected to the world.

And I know, and I know, and I know
it’ll be my soul.

Upon the stone of fortune’s wrath
I live and die a fattened calf.
Here is everybody show ‘em what you’re made of.

And I know, and I know, and I know
it’ll be my soul.

Every second every hour of the day,
Every second every hour of the day,
Every second every hour of the day,
it’s beautiful.
You see touch my soul.
How can I help you do the same?
And I know
I can feeling in your soul.

And I know it’ll be my soul,
transformation, transformation,
on the conscious world, on the conscious world.
And I know it’ll be my soul,
transformation, transformation.
And I know, and I know, and I know
it’ll be my soul.