The world let me come to your room.
a poet’s met greater listening.
Now what did he fish?
I’m not in your reach before.
What is the moon?
Symbol for where I am,
To help you cross the night.
death takes a terrible moment to calm down.
Now I touch you with the real.
I am a dead speaker.
The suicide bomber changes its space,
and everything right now
A story about how long it is.
Give rise to future presentations.
I cry to your hand.
Look at me.
My water, oh no,
I’m sorry to act.
Disappointment knows no greater sum.
Give me the light
of your understanding,
and I’ll give you changed view.
The service there to act the middle road to stars,
the courage there to act.
Each man has a fear, love, dread, and pull to the extreme.
We feel ourselves so different from one another.
The problem’s building the people to be a church
so I can blow people up.
Man is a kicking gale a dozen kicking gales like him.
Can you understand why?
The small raft that conceals us all in bodily harm,
what I was to become in search of myself,
a big wall of religious separation between us,
and the grizzly bodies of adolescents to 13 men to find,
it’s not a secret the whole flesh can discover.
Death was not in my hands.
I exploded immediately.
their voice right there.
We had a pay together.
It wasn’t bright and sunny.
Can we show you nonexistence?
I think I touched her.
You’ve got to fear.
Oh my God,
every finger accusingly sat at me.
This was no paradise.
There are realms in death you understand.
More order came.
I guess all went off to their private lesson.
I winked into hell.
All my mountain said no.
We lingered there.
It was my own order I made myself.
Please arrive me out of terror.
There lessons learned,
deep dark secrets you who understands.
A light found me thinking.
I grasped my neck to myself
and began to see.
I vanished hell.
On my journey I rose to you.
I’ve come up to my Faith.
As it doesn’t have one of the goals reconciliation
this is where Mohammad messed up.
The others I must also treat with light.
To grow oneself in mercy good idea.
Treat them with kid gloves even bad people.
The nature of the Prophet cannot be seen by your calculations.
It is hidden,
in a sense,
This sometimes assailed him,
Have to take apart anger.
I was just mad at you.
Through so much deception and web
the heartbreak was crouched around a day of killing,
terror hush, terror deep.
Tearin’ a hole in the fabric
of what death open
I am the author of a little child of the Furies,
a fierce cartoon within the page of my own age.
Every word easing the spear.
Not a secret a baby can tell.
Muslim doesn’t even talk about Muslim.
God is the veil at which he lowers his eyes.
Adam used to tell his name
unto his soul.
Let me release an air of sin
this cell from within,
right where they told me to explode.
It’s time for them to know:
all the way they cut truly in to a child’s deep identity.
Behind me the spear gave lesson.
I was sleeping –
There are some things that result in our hatred.
These things are ugly on us.
If you can tell the victim in the victimizer
stop the hatred.
That’s the first thing the very first.
No one else can listen.
No one else has ears.
The best place the time would be now,
to bring us into the 21st century.
The future writes this very slowly.
It’s now on the city conscience of Europe, Asia, Africa, and the United States.
In my last post, “To View the Hunting Design of Mourning”, I examined dreams of the suicide bomber of the Brussels Metro that seemed to show a contact with the heaven of Islam that gave him a divine sanction to carry out his mission. Over the course of years, I’ve had a contact with that heaven that’s of a very different nature, one not from Allah or angels but from a dead suicide bomber. It’s in the form of a poem in which he’s the speaker, and so it’s his words filtered through my creative reflex, put in my language and style of poetry, one which continued to develop over the course of time it took to complete the poem. I haven’t received it out of the blue, just because I had an inner opening that could receive it, nor because I was some good person chosen to show his bad. Whatever we hear or see in vision in regards to other people has a bearing on our own lives, is something we need to see and hear so to become better people ourselves, that someone else a mirror we’re looking into to help us change. This is true for both (inspired) poets and prophets, something neither they nor the people that quote them seem to understand.
The first lines of the poem came among the first lines I received once my muse turned on like a flood, which was in South America in September 2001, and it took me awhile to see the bomber’s voice out of all the muse I was getting. By the time I got to Paris, several months later, I did recognize that distinct voice and organized the scattered lines into a poem, and more lines came, and this earlier form was submitted to and rejected by The Atlantic and Poetry. My muse edited it after, adding more verses and individual lines, and I continued to work on it slightly until I posted it on my personal blog in 2015, after submitting it a few more places. The majority of the poem, however, the core, came in those few months after 9/11, as did many lines about Islamic extremism, mixed in with lines about the world harm I have caused, all of which I included in a prose/poetry manuscript I wrote for The Atlantic (never submitted) on the island of Crete in 2002 called “Civilization and the Art of Terror” or “The Inspired Word”, which will remain unpublished, though it’s a source of organized muse I draw from from time to time.
Last week, as I was meditating at the Samadhi of the Mother and Sri Aurobindo, I heard the lines “That’s got my name on it. / Perfect,” and then I saw a light blue curtain blowing slightly, and then I saw the face of Sri Aurobindo, the age he was in the last photos taken of him, the outline of his face highlighted, and he was right in front of me looking directly at me. I was then told to wait before boosting the poem, to do some purification first, told in lines of muse, the vision of his face having faded. At the time I interpreted that to say the poem would be seen as something he’s behind because I’m his disciple and because of what I’ve written about inner contact with both he and Mother in regards to my poetry and writing in general. Although the muse said “perfect”, it said it a little while after hearing the first line, enough time to make me realize I didn’t want to drag his name through the mud, since I’m considered the worst kind of person on the planet, a minor attracted person. I sat there afterwards and let that sink in. It took the ego out of it, and I’m sitting here now not wanting to be in the shoes I am, but I think I understand.
Do you? Maybe it’s the bad man that can truly show us human evil and how really to end harm, rather than who we normally think can, a good person’s that been burned by bad. To see what I’m saying you’d have to understand higher than good and evil and more integrally than there’s this bad person harming society, understanding that for us to climb out of our wrong we need the goodwill of a good number of people because it’s not something we can do all on our own, why, when it’s all said and done, this suicide bomber’s speaking and why I am. To speak in the terms of the spiritual path that I follow, you’d have to understand something of the great difference between the Supermind and Overmind, the very different ways from each other in which their processes work, to see why someone such as myself would be perfect to post what I’m posting as an outgrowth of my sadhana in the Integral Yoga.
Who this suicide bomber is and what bombing he’s talking about I don’t know, but there are vague references that would seem to indicate the attack happened in Israel and killed mostly young people. He describes an after death process that would take a long time by our reckoning, but heaven can open windows on time we cannot, and so this could be what to us would be a voice from the future. It’s important to understand this is a single bomber speaking, with all the things personal to him that would entail, and so each suicide bomber would have a different story of why they became one as much as their general fate in the afterlife would be along the same lines as the one speaking in the poem.
This poem needs to get into the right hands, and as of yet it’s not gotten into even a handful of hands, other than the editors who’ve rejected it and a few other people, and so I pick it up again and try its hand here. Does anyone out there have ears? If you do, please share this poem. Its license is Creative Commons Attribution-NonCommercial-NoDerivs.
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