I got soul, a flare, when the authorities are so big. We have dark roots. We’re not gonna terrorize anybody. This is the poem that tell you where it’s at, the soul we find in the machine. Can you stomach this long road? Reach for middle ground, and no soul will show for you. Life isn’t easy on my mark, get set, and my personal arraignment will show you the hallway and the entrance room. Exploding tigers, eh? Exploding entranceways. Exploding tests.
Your soul returns in a blissful way. [sing line] I can’t find my wife. I can’t help it. I’m just get lost in things. What’s the status on my boy? He tries to finish. One second, make me some time. I will operate on my parents. I will come right straight to you.
This is Dylan. You look like Jesus. What are you reading? I will be right there growin’ up. I will give you forms and things, all your books. No one pets me. I would love to guard against that.
The evolution of a single day, we minimize it, blocked by life’s stuff. We can’t see the carton in the room we hold evolutionary purpose. We split in two, just bang our heads against the wall, grab society by the horns and be pulled apart by it.
We are pulled apart by society, so many tin cans in the room. How do we detach from all this stuff? Bring society into the room keepin’ your knees in it, and you’re just gonna get lost in it. I have an opera beyond society, behind every little thing in the world. It’s where I eat lunch. You hear it in these stanzas.
Okay I’ve got a grow room, and the entanglements abide. You hear it every day. I’ve got a little boy named Nithish taken from me, and I complain about my poetry: reader get me more. And I’m worried about my dogs dyin’, the lack of respect I get from my landlord, and the soup I had lunch with yesterday. These are entanglements.
Auroville doesn’t need me, does it? And no one in Auroville will give me a sticker and put my name on their greeting card, at all. I remain isolated, and they publish my poem every week in their newspaper. I write poems there too. The yoga will not even give me the time of day, the yoga of human unity and life on earth growin’ oneness wings.
Okay what is soul purpose? Can an entanglement say that? I’m watchin’ evolution here. It’s sees me, but I think it’s turned the other way. I’m bummed out about my entanglement. These are vital moods the life force carries all day long. I can’t get rid of ‘em. It’s a spell from places deep.
Alright there’s a chester drawer, also from places deep. It’s the soul in the room, behind and apart from everything. Yes, yes sing to Auroville today a guiding light, write poems to the yoga, and hold that boy when I tell yah to, and let go of your status among men. I’m the soul detach worth, and I’ve got mountains of soul change ahead. You hear that music now.
It’s a blister on Easter. It’s hard to come about. It’s the soul detach on things, and you hear it now, and it feels good, doesn’t it? How do you cultivate this nigger? By puttin’ soul change ahead, recognizin’ your time of sleep guides towards that when you wake up from dream.
Don’t just stay in your room. Have you ever put your thoughts in another as they walk by? What thoughts are they havin’? And you’re tryin’ to wear their skin. You feel them there. And pick out some sore spot upon the Earth, and put your consciousness there like you can’t get bread too, and your children are dyin’, and you feel this with your tears. Can you get there?
You’re openin’ up soul in the room, and you keep doin’ it with everyone you meet, especially those close to you, and this is an inner job. They just know you’re sweet and kind and tryin’ to figure them out. You keep your hand on that lever, everybody won’t even know you’re doin’ it. You know how selfish people are. I don’t know if there are any returns on this. I haven’t gotten any yet. People don’t see it. They see themselves, and you’re givin’ them what they’re worth. That’s hard. Entanglement number four, fuck you.
Are we all here a hero’s worth? I think not. We’re just involved with ourselves, and we sum it up for loved ones, satellite I’s of our solar star. The soul change gets us to see our room differently. It’s a battleground in there to separate the wheat from the chaff, and you don’t let no one down.
You learn what’s expensive in your room and costs you your evolution, what’s expensive in there to hold you up every time. Can you see this notion? It’s a soul room, where peace on earth comes from in the larger sphere. Can you gauge this?
I’ve just given yah a formula for world change, and all you that know how, will you dance with me? It’s a formula you give your room that opens up the world to us. It doesn’t come in a tin can. Is that so hard to believe? You try to wear their skin thought today.
Open the door. You try to wear their thought today. Takin’ a bath belly up while we ride that tone, we really reach in our heads and get it done, findin’ the light in everybody and brinin’ evolution to the forefront detachin’ ourselves from all these cares gettin’ to the soul need of each one and bein’ big there. ¿Comprende?
Making’ the soul of sacrifice, can you pull a soul play in that room? It’s a shame you brought your brush, charmin’ hair Nithish. He’s not a pumpkin no more cause he’s got the credit card to bring you in lean with him, and he can’t say your name right. A child forgets his toys if they get lost, and should he perchance see you, they kid cashes in taking advantage, and you’re left swingin’ on a short rope. It’s okay he loves you. Just get away from him in thought and wrappin’ around him all the time. Let the soul take over. No problem connecting him to you there’s a soul range ahead. Capisce?
To the soul on earth need help, and you see the need, and you parachute in. I’m not tellin’ you to leave him alone. All's worth on him and he needs to see yours, before you run out of windows for him. A moment in my futile pen all's say. No one holds the true purpose of mankind. One major soul note I have given you at my own expense, and now I have to live with this. They had a nice chair there buddy. Learn to look though. Take pictures of him again it’s bright and shiny future says Earth must do.
I did yet the big big pen to help me find him. It’s just my name’s not on his notebook anymore, and what can you do with that? What’s that music? He really felt it, and he really wanted our hope back.
I’ve got a lot of folding chairs here, and they’re supposed to sit in ‘em, like in 24 hours, on a moment’s notice. I grab my dick and double click, and no one comes along (I’m murderin’ my pen), except a thoughtful read of you my good friend right now. Oh gosh gee I’m sorry, I can’t pull it out, the poem that says it all, and you do see me tryin’. You are the world to me. Oh, sing with me, sing for the year. Sing for the laughter, and sing for the tear. [sing two above lines turn of “Dream On”]
The slightest word crowd, you can really show the writing on the wall. A few minutes ago you had us to the tune of “Dream On”. If it doesn’t work out for you, dream on, but we don't doubt that boy woke up.
We have everything to do with being creatures on a role planet. Our time in space blackens our time in thought. I promote myself spits in the wind. Art and thought, I wonder if you feel anything derelict. I’ve perished this bloom. Since everybody’s here, except any majority of people, I might as well clear my throat.
What do I hog to you today? I wanna pull existence out of the hat, be right on the ground of being. I want you to say, "that’s me." I put it in flower pots. I sit here all day and fight it, our anonymous with each other. This is stadium big.
We are all points in space too big for our britches. We see ourselves huge in other’s eyes. I’m talkin’ about ourselves. We feel and think and be the center of any room, so big to ourselves, and even if we are not the reason everybody’s there, we see reality that way.
Take us off the megalomania lists. I’m just talkin’ what it means to be human, or the dog in the corner, or the ant in the windowsill, and you know that plant think? It’s just not corralled its self-aware. It just does not pedal to the end of the room. Those thoughts aren’t in motion, but you’ve got a plant big there, everybody in the room.
How do I toll the star-gate? We are stuck on one world in our rounds of thought. We cramp existence here. Oh my God the experiment, would it be the same in every laboratory? Can we count existence a cheat? Does it handicap worlds, universes, or does it just stage things properly?
Do you know you’re blind, deaf, and dumb to what you see on the inside of the person sitting next to you, or leaving a comment, or submitting a poem, or who’ve you’ve encountered on the news? Their inner reality is blind to yours. We have bleeding cakes in dream and vision and in our thought wares unawares, but these things are disguised.
You can’t hear another person fill reality’s room. You only hear yourself. Hey Jim, let’s create a world… Screw this. You handicappers. Can I explain the problems in the world?
Taste another person please. Know they’re there as big as you, and if they think they’re bigger, well, how many times does this happen in any given day? We have to mitigate it.
They’re just stupid that’s all, like we all are. I’m sorry you’re stupid too. Do you treat everybody as you, give them a break, the benefit of the doubt, or forgive them their trespasses? You will have a million excuses why you can’t identify with them.
Come on people please. You’re the center of everybody’s pole, as you imagine them looking at you, but they put themselves there, you know? We can get better at it, givin’ people the credit they deserve, givin’ people their own self in our very own eyes.
Who’s humanity in the room? Can a poet speak that voice? Can we ride poetry there? The productivity’s there be a hurt bag and find humanity. And watch everybody spill the beans.
I am so very blacklisted, I could rise to the occasion and blossom humanity in my heart and write it down in gifted speech, and they would just turn and look the other way, the stadium managers in humanity, who’s who who block poems. Now do you hear me blossom humanity? Now do you hear me blossom poems?
A bridge is the universe. We are reality big. It’s a major crossing. Focus on the many aspects of this visual poem heard while doing science. In a round about way put it on your shoulder I’m your friend. It’s been a lot of Scottish in here. I’ve done a daily put people in the shoes with me. He put the swim in there. I am the render in time, the render in space, that’s the One I’m worth.
That farm, that house is play, here’s where you too, not the separate consciousness but the localized in space, God of the whole evolves. That’s the cherry blossom. That’s where we all rise in sync. I’m an American band I’m comin’ through your town, [sing line] this is exactly what the stadium room, that cherry bloom.
A video-photo-poem, my own design, on its material level this is a promotional video for the Auroville Dog Shelter in Auroville, India. It’s the aim of this video art to take that material into the spiritual realms and beyond. To send donations to the shelter, go to this link: http://www.aurovilledogshelter.com/
Is by human nature human nature changed? Let’s defeat our purpose. Let’s go around the Mulberry pole again. Let’s just not listen to our teachers. I will by human nature outcast this person, in the middle of a human unity project, where the Integral Yoga was set down on Earth, and I will do this willfully and strongly, not caring for the consequences.
This is how it’s done, if you want to protect the group from someone. You don’t give them also divine eyes, and you give them no public venue, and by that I mean you keep their voice unheard, and you ghost them forever and ever without end in your little social bubble. It’s high time we changed that, in such a powerful place as ours that holds such meaning for the Earth. Are you with me? I think not.
The opposite poles of human unity, that’s the whole way to rape the system, when we keep them apart. I’m a whirlwind of the proper material. Don’t you confuse me with panic. I have my rocking chair, my golden years.
I am the toilet that speaks one more time. I just want you to consider your own goodness. Why would you castigate me? Because God’s the author of punishment, and God’s called you to punish me? Sri Aurobindo gave this commandment: thou shalt punish the wayward sadhak? The Mother despised sin and dealt out punishments to people? The Integral Yoga hates sin? The One cannot stomach me?
Let’s look at your business. You don’t know who you are. You are not the sadhak with the name you call. You are not the Aurovillian you sign your name as. You are a person beyond time. You can’t get this right. You think it’s some far away, and you are supposed to act in human terms. The Zeitgeist says it; you carry it out.
There were times and there are places I would not be the ass among you. Your morality is relative to the times. You can’t see straight when you face a sinner your town and country hates. This is rock bottom being human. You see it unleashed on the globe, this breach of oneness. We are killing each other over it.
Oh Islamic State was a model for our eyes. They thought they were justified in bringing the hell they did to punish people, or the Nazi and the Jew. The scapegoat they made was another attempt at Nature running something into the ground in her symbol wrought her blind actions speak. The availability of the Jew as the scapegoat came to show us we wear scapegoating shoes as the modus operandi of ego-led society.
You don’t have a field for this: where we take our scapegoats and make them human again. You just hate and justify your hatred by the human mass. You are not godly citizens. You burn witches.
You have been given a vehicle of thought unparalleled in the history of thought to arouse your stomach, to change your heart, to detach from this human clay the pettiness of human life, the vile emotions we feel for one another and see beyond the play, and bring yourself out of this turmoil and into the light of day. You quote these fields all the time. The Mother said this. Sri Aurobindo wrote that.
The Integral Yoga can heal anything. I have been among you 20 years showing that, but you cannot see it. You don’t want to. You will not apply the lessons you’ve learned Integral Yoga. You will just deny, hate, and castigate, and as a group you do this. What do I do to bring you to peace over this person named Donny Duke?
I offer you my home for a station of tea, and you won’t even answer me, stubbornly justified in your ill will by human morality that has no part God. I am the reason for Auroville’s fall, and I graft upon it the deception of a poet that hides his sins with godly words, wants to commit them among you if you but let ‘im, deceiving the elect with holy lore. You don’t know the price of sin. You don’t get away with it, even if no one finds your ruse. Say you’re a sadhak close to God. You have no way to hide, and you learn to do what you’re told to get out of your mess.
It does not take forever. Low and behold I have sinned and healed that sin and given the beauty of art to give you examples of healing’s ways, and now it’s reached astounding. You will not sit up and take notice. You will not even let it in your groups. No one can read it. No one can see it. You hate art the scapegoat of the day makes, the one hated among you by an agreement of the times.
Ladies and gentlemen, will you castigate me for all eternity, name my sins and how ugly they were, without ever seeing the unexpected good that can come from woeful deeds, without ever admitting that God has a plan even for one such as me? This is stubborn willfulness out of the hour of God, away from the lessons of truth. Who is the greatest sinner? I forgive you of your self-righteousness. I understand your state. I don’t blame you for being human, but we can’t stay in this state. We are called to greater life, and we have to go together or none. The people that refuse, God just takes more time with them. Are you one of those?
This poem was recently rejected by Collaboration, A Journal of the Integral Yoga, whom I have submitted numerous poems to over the years, hands down the publication I’ve submitted to most, because it is a publication of our yoga, it’s name claims inclusiveness, and it’s by fellow Americans, but they have not published a single poem. I have this theory, and I submitted this poem to prove it to myself at least, that they will never publish a poem I submit, regardless of the quality and truth of the poem. This poem explains why.
In other news, the admin of the Facebook group Friends of Auroville approved it, although the other Auroville Facebook groups I submitted it to didn’t, and it was submitted to Auroville Today and Auroville News, and Auroville Today at least replied rejecting it. Auroville News did not reply this time, and they too I’ve sent poems to over the years.
The barriers of time, I don’t think you ride them very well. We come up against them all the time. They’re in our shoes. They hurt a lot. You can’t see this for the daylight, the great big prison playroom we are in. It’s got walls to it intrinsically built into each one. That’s where our cameras go. That’s how we feel this test.
Your loved one’s on the other side of the room bakin’ pies. In symbolic meaning that’s a round of thought comin’ your way. You’re separated by time’s barriers. You can’t get at each other in the physical sense. Great big surprises come your way when you do, cramped experience that puts relationship to the test. You hold them there sweetly, and then you may never see them again.
You don’t know what’s up, what’s goin’ on. I’ve left my poem alone in a fire so heartfelt in love’s embrace. I can’t get at the tires, or maybe death’s got your door, and your dog’s died, the great big sloppy-lickin’ dog of your life, and no ma’am I haven’t just lost a dog. I’ve lost a reality so big it took up half my room. She was always there lickin’ paws next to my life. Losing her took my front teeth— my daughter you know.
She’s melting time’s barriers tryin’ to see me. I don’t think you know the cough of this universe. It’s horrifying. I see her damn near every day tryin’ to reach through vision to get me near to her. Death’s reality would spook you if you knew it’s there. I’ve muscle on this, but I’m pigeon-toed. I can’t just hold my girl like she’s right up against me. I hold her paw in some astronaut’s gleaming Interstellar there at the back of the house. The confines of death, they break us apart.
The muscle of time, do you know it’s there? It separates you from everything— one little lonely being at a time. Times barriers put us in a single physical space where we can’t figure each other out. We laugh out loud, then cry.
You’re a pickup truck that can’t pick anybody up. You hold yourself the station of the universe, but you can’t move a goddamn thing if others block you. They are themselves the center station too. The great paradox of life makes you powerless to act where you would give your right eye to act but cannot, in those places most meaningful to you you have no power over. You sit in time scaling your life, a sheer wall of belief and hard fact, never any top in sight. What are you doin’?
It puts us to the test. Time’s warriors bake and sell us at the flea market, but this is not why you’re here, and you last longer than Heaven, a safe haven at the back of the house to get our strength back but that can trap us too. We are so much bigger than death that blinds us all while we’re still alive. Hold your child close. Can you protect him from anything bigger than your arms of control? Fiend death my friend, he sucks. What’s the answer to all this? What are we doing?
The answer lies on a page in a WordPress blog? Definitely, if you know how truth presents itself. It’s not haughty and it don’t wear spears. It might even be embarrassing, hittin’ in society’s low spot. It would be uglier than the norm, the vehicle of truth, but it would shore you up with sincerity if you test it. It would be one among a mass that your truth sense recognize, because it is beyond belief in name and form. It’s not part of the system that ensnares you.
Come to my party? There’s no snaking you there. You just have to realize what’s been true all along, but that you have never seen because it’s so represent itself, and you only see the representation, the figure in time, or the one who has wings to be your figure of God behind it you thought about a lot but never really met. The scientist would just see a meaningless void.
Can’t you see I got your skies on? I’m not pollutin’ the skies. I’m not anything wrong. Well how about that? I hold my boy in love’s embrace, and we figured out time. That’s the challenger for your social skies. I’m not doin’ business. I’m a love angle on time to make us greater in it. That’s the vehicle in the room. Can you dig it?
The limits of time, they are both normal and strange. You can’t be in two places at once a sudden trapdoor to a greater life. You are either who you are upstairs or the little I down there livin’ life. I’ve seen this juxtaposition, where I got out of time. It was a railroad. Greater times are comin’.
Now I just comb my hair and wash my face and shoot my gun? No I land this in your lap reachin’ through a poem to you. It’s fresh meat now, but where will I be when I am dead, and you’re readin’ these words? Look around the room. Am I there a thought stroke?
That’s life, you know the big one. Strict society belt won’t even let you think this to yourself. I’m bein’ looked in on by me with a question: how much longer you runnin’ half the house? You will have a future integral with who you are on high. My God this is big, and we meet time’s barriers down the because in the room. I’m comin’ after you foldin’ time, a lesson in reality completely out of the script. You’re gettin’ that script.
I’ve come all the way from the ground up. I’m not an existential crisis. I know who I am. I’ve been shot that’s all, ghosted by most everyone, put out to pasture. What do you do with that, and you identify with the world, hold it close your livin’ self? You have gone out of time and been the big who we are, enough to see it, enough to be it to know it’s there.
I’ve seen outside the symbolism, outside the roles we play. Even if you call it a computer simulation, figuring the unknown with the known, whatever you call it, I’ve been in compassionate reality, the bigger reality beyond this one. I’ve seen the real thing. No one counts this as a thing to be known where animals food our feeding faces as our reality, no depth to it, no meaning, nothing behind, except Gods to worship and obey or enlightenment’s sweepstakes that bring you empty shell.
Can’t you see beyond time? What’s bigger than the universe? Is that just empty skies? What’s bigger than playpens? I’m a figure on that. So like the show to give you the universal accepted scapegoat as the one to show. I can’t get my name in public. I can’t even write it down anywhere near heard. Is that just because I’m lying?
Can I show you my flag? It’s not rainbow screwed. It’s your heartbeat and mine symbolizin’ time. It’s where everybody goes to school. It’s the time of day in this poem. It’s where we all meet at the end of the classroom. I’m sorry it’s me, but hello I’m yours.
The terror is only a being in time. The face of evil, It can’t get at that larger you in transcendence’s sphere. It has no power there. It can only rattle your cage. Anything it does to you it’s not doing to you but to the actor in that cage. This is the meaning of no harm can come to you.
It’s beyond time time's relevant, time's keeper, truth's formula, but it can act within time and space with impunity, with absolute, unhindered power. It is bigger than evil. It has eyes on you, not to save your life but to bring you home. It does not stare you down. It doesn’t even guide you with any advice. It’s up there. You’re down here, but it’s comin’ to meet yah. It’s comin’ to be who you are down here. This is the plan of Earth, what her victory skies.
You are a crossroads to that. We are at Earth’s great turning point to land ourselves there. I am a seed bearer that is all. I come to tell you what’s comin’, and if my voice don’t get out someone else will. This is the mystery time hides, why it put you in a straight jacket, why it won’t leave you alone. Can you understand me? Do you see what I’m doin’? I’m meetin’ you with your maker who is you. I’m solvin’ the mystery of time. I’m giving you wings to grow. Take my hand please, these worded verses, and make it all worthwhile.
Protracted, a polar bear’s smile. It’s gonna take a long time to reach Supermind. It’s not there at our feet. It’s not your garden grow. It’s not at the hoof of your horse. It has to be as common as a cold for you to see it. The more people up there for a moment’s gleam, it holds you up there breakout sweepstakes.
This area’s comin’ into our view portal now the hesitancy in time. It’s comin’ your way in poems Emily Dickinson’s undiscovered continent she looks out on from her pier. Rumi’s love poem says you can only see the sun by the sun. Did we see him there? Now this poet speaks in plain as day. I’ve reminded you of Supermind in Savitri’s care. I’m just the outcast that says it.
Now hold me close. You don’t have to do nothin’, just read the poem the miles that you work today, the poem that you reach today. It’s such a piano to look at the subway and see supernal skies. Stand the subway of time. Is that tomorra mornin’?
Emergency level truth’s barriers, time’s walls. There’s a lot goin’ on. Right at the turning point. Except for the money I wanna tell you somethin’. Your morality drinks beer. You’re not the captain of the ship people. You’re who we go to to take our stories off. Right here for you on your mark, get set… The restrict we have, we put it on things. We use safety to protect ourselves from safety. Actually a lot right here. We’re movin’ on. What’s your plan, bring us all to safety? That one சாவி, I’m inside a poem.
Have brain damage, that’s not really politics. It’s a funeral. Who would see The Last Tree Trunk on Earth? Critics say it’s a good movie. It’s spills bad. It was filmed inside Iran in secret trees. It’s got a wallop to it. You see freedom up close thrown out in the street and beaten on. You see it shot with knives. This is a real camera folks, and girls just want to have their scarves not choke them to death. Is anybody watching this? Can anybody care?
The Seed of the Sacred Fig was put in the wrong house. Brilliant you hear the arguments at the table theocracy speaks, but it’s shot in red and white, and we practice human nature with a murdering gun. We do not show human nature. A father and daughter are not that red apart, suddenly, unexpectedly, so the plot can aim its gun. Would a family go mad, horribly so, for a strength to resist evil that none of them felt they had? An entire lifetime together with daddy milk and a mother devoted to everyone, it lands on the freeway I will hunt you down and kill you love said.
How tall these movies are in our backyard. They bring humanity under the gun. Has human nature been robbed of its sense? It’s blow out of proportion so it can impress audiences and score award points. We see human nature sick and dying in movie after movie, and we can’t get over the villain. He is so perfect in his craft, miraculously a monster just doing the impossible. We love to hate him, and if it’s a her all the more.
They’ve confused us with what’s real. Human people don’t act like that, and these movies have us all alarmed, riding out our hate in tickets sold. What’s the point of all this mess? Make more bucks, and let’s take these artistic challenges and make them rob people wear. My God that’s a talented movie just on our disease.
Alejandro in Problemista almost makes the villain human, but then he wrote the apology. We’d have to go to Sing Sing for a good movie in emotional fare, so Shakespeare on Earth. Let’s not get too gay in National Anthem and spoil the show. We have purpose in our lives this movie knows not of. You wear a good Holocaust in A Real Pain, tryin’ to show it right, on the level of human eyes a human drama. What am I doin’? Showin’ you my movie list. I watch a lot of movies. I’m really into them. This is the way we spend human nature, in identifying roles. We get involved with a part. We identify with a character, a plot. It wears our lives in symbolic meaning. We get at the stuff.
We invest ourselves there oh so strongly. We’re raped with a bad ending. A good movie can make us feel good about ourselves and improve our lives. It can heal. It can do bad things. It can tear up our lives for a moment of all meaning. It is so very powerful, cinema. It goes directly to the starting point, where our lives came from and why. Alejandro is good at this. Amazing creativity those scenes where he’s talkin’ to someone, and it shows the whereabouts, the representative part.
Drum roll please. We are creative edges of time. We stand and sing our lives an entertainment for deep meaning. So many roles wear our lives. Can you get at the audience? Being after being, shrouded in unimaginable mystery, have a total immersion gamble with our lives. Of course we like movies. We are there.
A Rumpelstiltskin comes along and plays the keyboard, and we’re on bended ground unable to figure out destiny, but we can get back to ourselves. Audience after audience prevents us, the cliffhanger of our lives their entertainment point, but they value our lives in our bid for freedom and to discover who we are. It’s their thrill. They clap when the angels sing.
Are you crazy yet? You’re just gettin’ started. There is so much behind the scenes in the dragnet of who you are. I cannot show this to you, the person you are on high, the actor that has donned this long line of all these lives. I can only keep tryin’ in poem after poem and my symbolic life, but it’s a farce you know. I’ve really let yah down, right where you needed me, and there’s no way to make that up. When you see it’s a game, though a meaningful one, know like you know the body you wear, because you have seen it with your own eyes, that you are an actor in a cage, a player playin’ time, the first thing you do is fuck up. It’s the proud of human nature. It’s so stupid.
It prevents me from showing you who I am and who you are, unimaginably big, but that’s life, a goddamn movie that just throws you for a loop, and you can never get it right until you stop the pretendin’ and come together on yourself what you need beyond time. You’re not the audience I’m speakin’ to when I say I’m puttin’ on those shoes. Feel the thrill? A poet measure this poet smiles.
How do you chew on that poem? We grow in stadiums. A Watcher watches our lives. It’s dream big. It’s not who we are the audience in prerecorded time. This is not the first time creation mount. Great DVDs we live for their viewing pleasure. We are that Watcher you see, not the audience pang, and we can’t get over him. It’s too stadium big. It transcends time and space, but above our roofs it’s there, the hidden keeper of our lives, who we return to, the one who started it all in our little universe.
You don’t believe me I know, but you’d like to. The hidden meaning of our lives are compassionate witnesses beyond number and form. Everywhere they look they are there the meaning behind creation on this bended globe, in this starstruck universe, and they change us with a look the bearing on time. They are the Watchers behind time watchin’ the movie us them very selves in time. Can you feel them?
Your true self, they bring you home. Months of capacity open those gates, if you’re ready for them again, and you’ve been there before for a brief moment a time or two in all your many lives where afterlife grows. It's a certainty you remember. It’s a certainty you hold in your skies that you farm into your very ground I’ve planted this poem with, a vehicle of my own return one sudden afternoon before the death of me. You come up with yourself in the ultimate game of life, the ultimate paradox of life. That’s a round of applause. You hear the whole stadium sing your great escape, your victorious mile I put better in progress.
Alejandro, he did it. I’ve seen what movies list as our great surprise. Too mundane to take it where we meet beyond the universe, they give it gas and go. Are you hearin’ this?
I don’t think it was specifically because of this poem, but Auroville International posted a poem of mine in their private Facebook group some days after I posted this poem to Facebook and here. I think it had to do with the quality of the poem they did post, maybe not in terms of poetic merit, but in terms of being sincere to the goal of Auroville International, which they seem to be. That poem is called “Prayin’ for the Hour of God” posted on this blog a few days after I posted this one.
photo by Nithish
Not one star Auroville International. These are the streets humanity is lost. Wow, could you say the Mother’s will is here? Fuck this assistant, is that what you say? I give my critique to the Sun. A poet’s basin it hears, and that’s how I write this poem. I’m a rose for my little boy, and I’m fighting for him here, S. Nithish. We make music together. Hear it?
Stop quivering old D, your fingers will look like the attention, and they are. Alright rebel, steal the show. I have my own blog to put it on, to make sure I can be heard. I guess you don’t have anything to worry about, and I’ve just processed you with the snake. Auroville International, here I leave my calling card you hateful organization hellbent on revenge, and that’s where we find your attention.
We’re all completely naked. All of you need to get off your thin horses and see this: that boy needs Donny. I feel like a fundamental character. I feel like a plot. These are ice to snow more shoes. We’re both realizing we’re here. Our mastermind sets people free. That’s the long and short of it. Now terrible channels go home. I’m about to go on the other side of the wall. You will see me there promptly. Then you can count grab ass and green cards, you holier than thou bunch of people, you people Auroville don’t need.
Just look at the character you endow with. You come upon the scene with the hatred of the machine, and you throw people away. Self-sacrifice to help your brother, go out on a limb to speak to him, you can’t find that in yah, because you’ve agreed among yourselves to hate and rob people of their right to exist and banish them from the land, and not even eternity can redeem them, oh you Christian bunch of people where your bones meet the land.
Stark naked I am in front of your mow me down, and I ride vulnerable and sweet to your execution where you ban art. I ride healing in the midst of your hate, and I’m here to stay. Are you gonna shoot me? There is no love in your ice machine, and that is pitiful and strange because you are the consideration of a city that seeks to grow new men and women who want to radically change the Earth into a paradise of brotherly love and hope that dares bring God into our human flesh and divinize the land.
You are that change, oh you normal people putting hate where God grows. Old system be gone, old ways, that punishes you an infantry of hate and ill will that has no means to grow the integration of society in healing’s ways. You destroy that too selfish and a pain to the officer of love.
See this and change or lose your raison d’être with us, the people on the groundwork of human unity, harvesting it into the hands of the city to realize this on Earth. Now take my sin and look at it again in light of the art I’ve given you. It’s the end of harm isn’t it? Paid for by penance and long years of learning the pain that I have caused. Can you grasp that? Goodbye. Auroville International will you answer your position?
Jacob Wrestling with the Angel by Leon Bonnat (public domain)
You’re on live. You’re still switchbacks. Let’s see if I can find ‘im, wife beater. High on our side, you’re the premium. You prove the words. Put you in the dustbin. Where you think you are buddy? This is Afghanistan?
I’m gonna be sayin’ I’m really glad you’re here in the not too distant future. Agreed, don’t let him in. See you tomorrow. A new episode, Aimless By Elvis. We’re 9:30. Fresh took from the Mother they did not realize.
Higher law would you challenge? Listen to this bullshit. I like that medical. I like that emergency. Alongside I don’t wanna bother people. I don’t want to fucking bother people. So we pretend we’re okay. I’m the manager of a showcase word that’s totally unacceptable in society. No one listens to it, except a few who know what it means, because they write the stuff, or it’s in their hands to read.
The city of dawn don’t like it, won’t even give it the time of day, who it’s for where its record keeps. They don’t listen to it. They don’t want it. It’s a waste of time to write it. I look at the long of it, and help is on these pages I can’t get out to the public, understandings that would bring peace, revelations enlightenment.
I can heal, and I can just listen to sins. I sit here flabbergasted the world does not want to heal, and no one wants to face reality, and I’m reality’s keeper, the healer of old wounds. I can’t count this. I can’t see its shores. There’’s no end to the proud ignorance we all share. There’s no listenin’ to our faults. There is only straight ahead bullshitting ourselves we are honest and sincere, or just say fuck it screw everybody I want my MTV, a cultural allusion to I want whatever pleasure I can get to get lost in it, and some say really wanna hurt people and let that world end.
Where are we today? We can’t see ourselves. We are not there, honest to God trying to better ourselves, to make the world clean, to have a functioning society. We hate each other, and sometimes with good reason, but who thinks hate heals? It destroys our world. It’s a poison in your inner life goading your neighbor to sin, like pick up a gun and shoot people with it.
And here we are on the airways putting thoughts in people’s minds an unconscious contest. We are not ready for everybody thinks in the same pool of blood. We can’t see that, and it’s not a belief you fit into. Painstakingly over mountains of years, this comes up in dream and vision.
You see the inner connection interpreting dream symbols and see them manifesting in the outer world. You have to see it for yourself. It comes up again and again. This in itself would revolutionize society, make us kind to each other in the wheelbarrow of our try, make us join together as one people that holds humanity at stake.
You can’t see it if you’re a scientist studying dreams. Their field won’t allow it— too many rules, but take a choir and put it together, who sing their dreams to one another over many long years, and you will definitely see it in the songs that you sing, and you will change the world. God no, you won’t even get it to listen to it, and I’m comin’ from one choir. Hear me speak?
I don’t know what I’m lookin’ at. Check this out, there’s this guy on the radio crammin’ religion down our throats, the nut, magical thinker pattern picker-outer where they’re not there, magical thinking fool. We can’t get around this introducing consciousness into the picture in a world of material thinkers who bargain for the day.
AI speaks and everybody listens, or enough that endanger our world. Can I crawl this to you, an innate speaking system that spiritualizes mankind in great healing waves your own inner voice speaks? How God you have to be to get there, how many trials.
It heals humanity, like a rocket test. It won’t make the news because it’s individually run, a healing system on Earth, where the Earth loads itself all shame and everything, where we don’t want to see. This is the great test of healing’s ways.
You see the rulebook? I can’t get this across. So the city laughs at me you stupid little thing. Got no time for your poetry. We are too busy with our not see. Can I spell this out? Auroville created for great change, to create among its selves the new human being, based on oneness and I do care, that brings humanity to the mountaintops, is closed to it when it comes, laughs the poet off the pier, just wants him out of town.
Alright listen up. I’m here, and I’m not the new human being, but I got recipes children that’ll put this in our hands. There, there now no. I’m a fire speaker on your shores, and I continue with it now you know reluctantly all systems go.
Art in the nature of its see looks at us through tall glasses. We think we’re the audience. We propaganda time. Art, when it comes from its source, makes us move mountains to see ourselves, and therein lies its price.
It’s not beauty you’re looking at, or ugly turned inside out. You’re lookin’ at yourself in mirrors of our kind, so we can sit with it awhile and put the light on our lives. Can you find art today?
A little bit of Heaven is the maker’s bill we’ve lost in how it's made, inspiration’s golden ring. Would you throw this away because it wrestles with sin and vice, wrestles with the Gods to bring Auroville here to bring down God here on Earth unpunished Prometheus, ordered by the Gods no? You tell me.
Another poem declined by the private Facebook group Auroville International but approved and posted by the Facebook group Auroville, INDIA.
image by the author, photo of the Earth by NASA (public domain)
Upholder of consciousness, can I call you a name? You just got laid off, and you’ll get laid off again, and there’s nothin’ to get ready for tomorrow. You’re not a big man on campus yet. You’re an embarrassing little thing, and no one will hear you sing. This is not standin’ in the air. This is not wide enough silly in the air. You’ve got tall trees growin’, and you’ve reached the limit of your room. Things get bigger. They envelope in consciousness.
Wow I believed you this time. I thought somethin’ was gonna happen. I don’t even worry about the fish, the fallout from this. Nobody understands my shores. Take ‘im away Bob. The irony in all this, and I have the light that shines on Earth. Foiled again at the book nodes.
Where’s my superman, my help you with it? I’m not just a fly on a coffee table. I’ve actually seen what I saw. Answer your question: your art and poetry put out, look what’s happened. Nobody wants to see you. They’re all put out, and they’re hungry from guess room again. How can you say such things you measly little piece of paper? And we shut you down. You are not making us mediocre; we are.
Now let’s ride to the end of this chapter. You won’t get it, and I will stand by your work. You’ve got a major 2 o’clock comin’. It’s in your show/window now. [two above words heard spoken simultaneously] Don’t sit just there read somethin’.
He hadn’t looked around. He was not just a horse in time courting sincerity. He grafted you upon the tree of life where you mattered and held count. One, they don’t know you play ball with God and life and time, and second, they don’t know there’s more than what they’ve got. This played with you, and it didn’t mean anything a thing you did, and you were not big in that boy’s eyes as you saw him lookin’ at yah. You were not important to him, as you saw him glow. This bothered yah and really made you think. Listen to her, listen to that boy in pain. You alleviate it and he knows it, and he can’t wake up to himself yet. That’ll come soon enough.
Oh wonderful thing hide in Their character, hide on Their tongue. To discover the hidden reasons of the Gods. [vision with the line of my own hand writing this in cursive on a sheet of paper] To come down on student terms and find out why They tick. Why are They a decade ago, never where man is right now? They don’t know people like we do, and They can’t gauge human life in our exact location. They are tall and kind, but They propose to us things we can’t do.
They do not understand the human state. They punish us for our condition, and there’s a discrepancy between time and fate that no amount of mercy can absolve. We are lone here, surrounded by Gods. They know our every thought and deed, climb your mind like it’s Their jukebox, but they don’t know how to understand you in the ways of sin. They say no. They don’t heal. They do not integrate the mountain with the sea. They meet each other and collide.
They are on our backs all the time to ever showcase new lore, to be an instrument for Them, but they cannot reach us with the love we need when we need it, and they will let us go down doing Their work. They will take from us our most beloved just to test us. They will treat us like human souls not like breathing men. They can’t be trusted. They will always put Their work first. In the quarries of the Gods we labor under the breath of death, and we don’t get out of it. We don’t even see it.
We can’t know it’s there, all the labor for the God, least we separate our life from our sanity. You can’t take a God’s force bearin’ down on you, a God’s thoughts. They are too immortality for us. They take on airs we cannot breathe. They give us one commandment: worship Them in time, letting Them be the light of your life. You cannot go astray from Them. They will hound you in life’s deeps, and you cannot stand against a God. You can only pray.
Why am I telling you this? The liberation from the Gods is our aim in how we count human. We don’t need Their scaffold that stops us in midair, that bullies us in time. We don’t burn Their scaffold down. We understand how inadequate it is. We accept Their help but go beyond it. We go to the back of the plan, what started all this universe and show, a whole other order of being testing limits for itself where no limits are, its growth by us into the unimaginable of its see.
We are bringing this order down now in the great upheaval of the Gods. Can you fathom this change? It’s a whole new way of doing things that has harmony as its base for righting wrong and oneness as its lookout for all it sees. It does not shy away from one. It incorporates all into its grand plan. It is the substance of itself it’s planting into the universe. It knows its great self by itself, and it knows itself as all, is not some cosmic God looking down on the riddle of creation.
This way of doing things, this Supermind, knows by identity and never strays from that. It’s a Truth Consciousness. It’s a vast Truth Consciousness, the exact truth consciousness ridin’ everything that is behind its base. It does not lie, knows not error. This is what we’re bringin’ down. This is what we are. It will change the world. It’s what we need to see today. It’s comin’. It’s here, and that’s the master plan. It’s the truth of the universe understandin’ time.
Look at it in the hours, and you are in transformation, God’s glow. I show this to you now with my head half in it. I’m movin’ forward now towards a completeness of my see, towards supramental change I see in my Lake, the figure of Silent Mind flagging me its approach. I stumble and fall and can’t keep up, and it’s an everyday pick me up, but I can see it HD.
So I sing my songs early morning vision brings, so I can look out now on what needs to be done. You’re in my field today. Hello, are you there? Auroville, are you there?
The epicenter of spiritual change, modern life Auroville, it can’t see itself. It’s bigger than the sky no. It grapples with human problems. It grows its children to grow nature in her room, to be the normal round of human being. It has high ideals that are not in the hands of the city in daily worth. Impossible to describe, the mounting towards a change in consciousness that’s Auroville’s aim. Human unity will not field show.
Where is the city goin’? Can you see ordinary where Auroville meets its road? No amount of spiritual-mongering can put it there, the spiritual consciousness. The gap between Auroville and her spiritual aims throws Auroville out the window as a city of spiritual change. It’s a city of proud belief, yoga tags, conferences, spiritual workshops, sound gardens, the green munchies. These move the city along a false bravado. No spiritual revolution seizes its day.
Can somebody tell me what we’re doin’ and why’s not the change? We’re in plans with yesterday, not the new planet in the making now. I ring this to you now. Can you ring with me and not vote me out? What’s the plan? It’s not the issues that divide us today. Are you gonna help?
The drawback for spiritual change to say nothing. We substance where we change. We tell you in the manner befitting our service. We tell you spiritual change, how it’s happening to us, when we can tell it without spillin’ it, the purpose of art and poetry when you’re undergoing spiritual change. You talk about it the inner voice, unprompted by your decision making process. You don’t let out a word, otherwise. Now it dawns on your community.
Got so many minions, so black, speakin’ in the voice of your word. This is not a mere dictation. It is a battle of the spiritual word. Great variety sees that, honed in occasions. We ride versatility to its source. Okay I choir now.
Who inspires me but not the Gods? The runner up open to Supermind. To see this distinction’s life and death for the city. Crucial for the city to go beyond the Gods, the strength of Overmind. I explain to you now. I explain to you how. Lemmie guess, you’re starlight? The advent of Supermind where Overmind opens to it, you know this source, the Mother and Sri Aurobindo, their hills, a few that give us their glad tidings of wide birth. Here we establish things, put them in order. On top of that I show you a weapon master, the rays of the Sun.
Insulated against it, the Auroville that makes its bed, that Auroville that goes international. I have this title goin’ international, The Writing on the Wall Dummy’s Paradise. You don’t know you’re Belushi’d out a poet in Auroville on comic stops. It’s behavioral 9, and it’s comin’ soon to where you can see it in Auroville’s front page. It doesn’t suck they way they’re doin’ it either. This latest poem is his Red Cross, a fix it paper. You know how it ends. They’ve made their decision. Just throw it out but keep the paper. You too much for them, and they Riviera the day. Donny this looks terrible. Thank you.
Finish the job. I want a divine crossword puzzle. You’ve got branches on it. You’ve got the cookies stuff. It’s delicious. What do I do with the title? Tell God to show up a whole little ice cream. We get our pieces together. Larry Seidlitz, empathy? identity? Ah here, declined.
Do you know what spirituality is? To feel right at the zombies zone. Donny draws the neach of us. Speak a following a fluid law and love from your mistakes. It’s Auroville’s paper we need in Auroville’s hands, true points of the consciousness of God. Round house to an extraordinary boat on the sea, we can lift the consciousness of God up to new heights and stay there. Can you count Auroville’s aim here, her mission in words?
You climbed to the top of her mission with children. I know; it’s that background girl. Nithisha not there. He’s missing from action. He reads his own music a sad story, and I’m mentionin’ firecrackers, indo in human hearts. How is the school? You’re gonna help us out then admire how beautiful it is. This is his nanny, Earthen Pull.
Now we met each other in consciousness. I’m about the boy’s height, and I’ve got a poem to show yah, where we live, talkin’ about consciousness one night sharin’ pizza. Open the door. Watch how that decline button does things. You miss the table with that. You miss everything. Can we call you Auroville International, giver of gifts, provider of boons?
You will delete me for this, if I don’t hurry up. I would like to stairway your mind. Why is pretentious the first word that comes to mind? How do you talk about facts you know? Hurry, you gotta see this. I have, saw it with my own eyes in just a seconds’ grab up out the top of my head to that nice familiar form you know Yourself perpetratin’ all these lives without involvement in them, like remains untouched by the whole show.
Anyway I was up there. Let’s go. I am at the period in this poem you hear me, like really bold perfume that talks about the important stuff. Meanwhile on the ground I have reactions and do my duties. I don’t react half as much as I used to. I’m gettin’ round that. Calmness is a commodity that comes in long waves, and then it goes out again. I’m waitin’ for my boy to come home so’s I can see it. He’s safe and sound, and that removes the ants on my consciousness floor. Children come first in the scheme of things, and I’m holdin’ mine to safety. Bear with me here. You don’t know the half of it.
Okay now start your poem. Can you leave me alone? Come here mountain climber. Okay do it, behind the scenes you weren’t lookin’ for in her gala. Where you goin’? The party’s just gettin’ started. Patience man patience. You’re not gonna trip over wires. Alright put your feet on. We’re walkin’ to background love. It’s an emergency. Auroville’s dyin’ all over again. It’s not the first time. God gave her a bulletproof vest. Bet you didn’t know that. It doesn’t work sometimes, as you can see now. Roll a joint and pass the ammunition. There’s a fight goin’ on in Auroville over spiritual aim. No worries, many efforts bless this mess.
And now you think I smoke pot. It’s just a figure of speech to unhand you. It’s a flashpoint in Auroville, and people don’t like it there. The Mother said so inflexibly no. And you got her lists. Not all of them work, and she never got down to business with the master plan. I’ll tiny tiger this in myself, somebody that listens to her quickly in tales of the inner voice. I don’t believe it’s me either, but there you go.
My little boy was complainin’ the heaviness of the knowledge of God, oh for example, did you know daddy the world’s in pain? He calls me grandpa. I’m his spiritual teacher, and he’s woken up to world pain, bein’ yanked so hard by his own. You got to know consciousness as a spiritual aim.
Now let’s go to district 9 and give this poem some perspective of the deepness of the knowledge of God. He calls me master. You know the relationship, and they lesson there. Wow, kangaroos, and he really matures in that pouch. That’s been keeping me here. [heard spoken in Nithish’s voice] Gonna go soon, back to daddy and our spiritual endeavor, the node of our relationship. Where is it? In that field of love.
Now the brass of Auroville don’t stomach these waters. You have to admit a little Reagan post. Carrying a seditious act, no I’m not. You must be mistaken. You must have me confused me with the wrong Donny. The scaffoldin’, it’s too much. Find it on paper, consciousness poem.
Huntin’ to see you again, your big-eyed boy. He lays in bed at night sleepless worry, and he can’t soothe himself. Headaches and dizziness spell his day. This is suffering. Glued to him from the inner consciousness, you manage to hold him and speak into his mind where his heart meets the road. He knows you’re there.
I’m sorry sweetheart this is burnin’. Warn title, will you lie to me? A terrible story that come in the place of him? Another body than pain he had to be aroused, another program: he loves the Mother. She was something down where you lost God.
You know what I mean: you were born in my commitment. Now I need yah to look up and sound off the important test, a poem in your stadium write that helps us all to be feet to the Mystery who cares, balancin’ time on a rainbow, the supramental transformation in children, what is on your tops, I kid you not, waiting for Hollywood to get with the lesson plan and surpass Disney there’s a child in need of imagination. Get it ate at the light of the new world you’re figurin’ in the verse you’ve already written. Hold on I’m comin’, my sweet, beautiful boy.
Town’s end, and miracle show up, wonderful ridin’ spiritual love. Honestly, this is brand new eyes on God.
The above poem too was declined by the admin of the private Facebook group Auroville International. My muse wrote a short poem in response, suggesting what picture of go with it, “A picture of a rainbow,” before I even found that out, which I posted on their page and which will, no doubt, also be declined. Postscript: it was declined.
In Sudden Splendor Facin' Rainbows
No one has ever done this before. I'm a threat to everybody's system of order. I want a new world see, and I want it to work, and I want it to plan. You delete that in Auroville, too ordinary to let the world happen there, oh you bunch of men and women blocking the Sun. I'll tell everybody. [a link I left to this post]
Auroville International
Auroville International (AVI) is a worldwide network aiming at the support of the development of Auroville in all its aspects. Founded in 1983 it is legally registered in the Netherlands, with a representation in 34 countries around the world – nine national centres, which are registered associations in their respective countries, and twenty-five liaisons, which may be smaller groups or single individuals.
It must be said that the Facebook group Auroville INDIA approved and posted this poem, as they have several others everyone else has declined.
Come check your bag out through his porch. A porch explore us, the name of the explicit program, miles above the current thought, miles above the existing program. Sit by the door. You went there. I offer you holy ground. Insert I mean the new superman, a new way to Supermind.
My goodness you’ve gone over the top. We got a new thing goin’. You’ve got a brand new pair of shoes. He’s all mad at yah, Sonny— I’m not sure all the time. Who else? I’m not sure about Nithish. Lookin’ at yah. Can we get better at ‘im? Door to shopping opens in a little while. He’s your prime target. A dark smear settles keeps him in a corner. I gotta do everything to get him out of vice. These are my papers, and that’s what I’m workin’ on.
A kid gets killed, and we’re in the front lines normalizin’ it. I don’t think we understand the history of science. Our very lives show this to us, but we can’t see it: the whole society ruins children. It’s a combat zone: fuck you do your homework. We lay them in bed a manage them to sleep: oh I’m eager to get out of there you clingin’ thing. Or you test them in their underwear with your dick fingers, rubbin’ butts. Either way, you can’t get the story straight: you believe with them there’s so much more than dresser drawers in the room. Angels glow all along the edges of their minds, monsters dwell. They can see them in the corner, hear them in the closet. You think their imagination wild. You don’t know what’s goin’ on. If you did you’d run out of the room screamin’. Your sanity couldn’t take it.
But let’s get back to business, shall we? Kids glow. They have otherworldlyness to them we’ve forgotten about. They live there. We see the form, forget the consciousness inside. They’re lust to us or dreadful things we have to manage, and in-between those two poles most lie. Have I hit yah yet?
My boy is in a livin’ emergency, and nobody cares. I’ve shown this to the room. I’ve shown this to Town Hall: he suffers still. We think there’s monsters there in the love of this foreigner for this boy, or we just want ‘im with his own kind. Can you count that?
We don’t know children are kings and queens of livin’ life, and they need more than us. They need a breath of God on their tops, and they need the substance of their souls to be their playmate in time. They need to get away from the Darkness in the world and not give their little boy’s livelihood to the darkness in the corner goin’ bad in a hand basket. We can’t see Hell edgin’ up upon their life. Another soul down, so many millions left to go They say.
My boy’s there turnin’ inta vice, furious at his parents and the world for making that child obey and renounce his own freedom and tear off of his lips and eyes any mention of that foreigner, who is me, and they beat ‘im until he complied. Can I guess here? I’ve seen it with my own eyes, this tremblin’ little figure afraid of his own shadow, and I can do nothing to stop him from being afraid, his fear of the world, late at night, his fear of death. I envelope him with my consciousness, but that’s not enough. That boy needs held.
You won’t let me do that, satisfied he’s in his parents’ hands for good or ill. Oh the woes of parental not by blood, but yah been there since he was born. You only like adoption papers to make that real. Can we be a kid again? Can we see the emergency that we have known with children all through human history but have never seen? Stop child abuse! oh you stupid thing. Stop you from hurting kids by burying them in the world and sealing that coffin with school and other blind things that have no reason why kids be. You just wanna make them grow up or be a football to play with. You’re not inta their things, their larger than life’s, their Woodstock imagination, and it didn’t rain.
I gave Nithish that glow, what he wears himself in his distance from time. I let ‘em have it, the freedom to take his kids’ reins and mount the world with ‘em. He loved it there— no rules, no spankings, just guidance. I yelled loudly I’m sorry in moments I regret now. He was just bein’ a kid, testin’ limits and naughty. Even the preacher cuss.
What do we do with children? We let them have their head in safety tips, and we don’t vacuum their room with a pain in the ass, and we let them be stars of our attention, and punishment only makes them meaner or more rebellious when we’re not lookin’, when they get out. A submissive child is a dead child, and they’ll bring dictators into the room when they’re older. See the world now? Populist hell.
I let Nithish glow with his own feelings. didn’t rob them, and that was a school for me. I gave him candy. I took ‘im to the movies in the middle of the night, when he liked to go. On the way home we played monster chasing us or zombies in the middle of the road reachin’ out for us. I put reality there by parkin’ my bike and runnin’ off yellin’ eat the kid not me! He would squeal with delight and belly laugh, after his imagination let go of him, the monster had returned to his lair, the zombie apocalypse had ended. I know how to manage a kid with their own imagination. It is primetime for them.
What is my purpose with him? Oh I want that little boy happy with himself now. The adult can wait. I want him to feel the breeze of his own freshness and what makes him so special in a world where everybody’s the one. I want him to love himself, not be afraid of time, but more than anything else he has his own destiny I want him to live for, why his soul can down on Planet Earth. That had nothing to do with small business. I’m the upholder of his destiny, and I like it there.
I’m his keeper, because he’s still a child. Why would jealousy pull him away from me and you let them? I’ll be back the daddy he calls daddy in just a little bit of room, not much time as the crow flies. Come on let’s go, gimmie your will so this can come. Do you hear me stars and all ye people you? Bring the child.
The world is paper thin really. Monsters glare. Angels sing. The world behind the world is bigger than the world. You don’t see this? Your kids do. No let’s go over time. It laughs to be alive full metal jacket. Children’s class, there’s immediately a hole in the water. It bites. Writin’ kid once in you, how far did that go? You’re with Nithish.
Quite a ballgame. I hope that’s my intestines tellin’ me I’m rush. It was one on one flavor. With no little boy here to share it with, it was foreign. Do you know the hole the world makes when you’ve lost your child? It’s like infinity in the room. You can’t understand its price. It sucks. I have to live there. What do I do to get out of it? I can’t do nothin’, my child can. In the blackness of his state, he has to get better.
He’s 12 goin’ on nine, and there’s a football in the room. He’s discovered pornography I hear and sits there with his friends, all hellions, and has them corrupt him to land’s end. He goes there to escape the wild, a single room home where he’s stifled and crushed, the invasion of his privacy a misdemeanor the boy can’t afford, the rule of his mother a felony that makes him question his sanity. She will not shut up. She will not let him breathe. The fear is he will see me, and she took him for her vice not mine, after a lifetime together his end. Insanely jealous, she watches his every mood. Is he thinking of me? Has he called me on the phone? These things are forbidden and when she sees me on his face she whips him for it. His father’s a killer who only comes on the weekends, and he’s plotting another murder I kid you not.
These are the parents you chose him be with. These are the parents you admire. Can you get any worse? I can’t handle this. Protecting children I thought was your right and mood. Turns out you only care if you touch their penis. All else is permissible done to a child. All else is warranted. All else fails to get your attention in any meaningful way that helps. I live this, your hypocrisy. I only get your likes, and damn few of those, but let’s be patient here. There is a poet I know in Israel that cares, and not every reader is a penis-monger. Some genuinely feel this, but I’m courting people right now, in the bowels of the situation, who have the power to confront the parents and at least end the blockade of no outer contact with the child I raised since he was a wee little boy. They’re Tamil and live here in positions that can help. Who says they do? No, that’s online. I am a foreign man and they are not. They don’t give me the legitimacy of parenthood, because how can I? I’m not even Tamil, and I cannot prove my worth with my tears and broken heart and concern for my child. I look like some guilt monster wanting to steal theirs, so identify they do with Tamil people.
I can’t get around that. You’d tell me to be quiet, or end the attachment, like it’s a perverted cross. You should see his song he wrote for me: all the bad voices are saying bye; all the good voices are saying hi. They say that loudly. His whole life is on hold waiting to see me again. I’m daddy.
Can you gauge love in a boy’s heart. Unexpressed it doesn’t die. Ordered to kill it he don’t. It grows beyond the mountaintops and plays there with the Gods. They have him arm and arm with total control to keep me out of his eyes and ears and me off his lips, because they are jealous of me there, and in all this blackness more blackness comes. In the absence of me he races too see friends they’ve gave him permission to be with, who are the signposts to gangs, boys already addicted to vice, who are the real danger for him to be with. His parents are oblivious to the boy’s plight. They’re just controlling him from me.
This is bastardly sucks. Let’s do away with it. Let’s return this boy home where his heart is. Let’s give him the freedom to do that. Okay crowd, let’s have some high rollin’ here and get that boy off the table and back to his house, the American me. It’s not fun. Hey you two pass my way. I’m not bein’ sarcastic. I’m talkin’ to the two Tamils who can help. See them there? A will collective move on their will and speed this process up. They have the power. They really do. Come on people let’s ride.
I’m countin’ on Syria to kick out Islamic State. Can we get there? I go over the mountain. All I know, judging from your path, I think you’re right. You keep raising your voice. You’re grasping at straws to get him back. You let me know anywhere loaded on ‘im, some trapdoor to sex. My sympathies then, and I’ll call child welfare there in India and get him taken care of.
Okay choir, would you settle for ruinin’ his life? Oh my God chop me to pieces. You’re comprised by sex in Texas. Do you know where the dropbox is? You’re wonderful, and another one’s kicked off the Earth, no tongue. Someone sent me a message. I’m just gonna read part of it. You take unborn babies and make them king, but kids themselves you beat, and punishing them is your right. You want the submissive child.
You’re lookin’ beyond graves, if we can, beyond that boy has a penis but thinks he’s a girl. You’re gonna take it seriously kids need to be protected from abuse. Now “The Use of Animal Freedom” really identifies with kids, what’s about to turn on in Nithish full force. the fact that he has a dick and wants to use it. I can’t get you to see this in a children almost teen. What do you do with their puberty, make them wear church, make them put a sock on it? And if she’s a girl? Is that the one you need most to no button down there? Why of course ring maker. Kids go to perdition so easily when they’re buddin’.
Kill it, kill it inside them, their natural born feelin’. Transgender wars hell, you’re workin’ to make a warehouse of kids to not even look down there to check out what they got, and you are so worried about them in the womb. You’re so cross fingers with them in the womb, but you pull their pants down and spank them just for bein’ a kid. Texas you’re the vice I’m talkin’ to. Hey Texas leave those kids alone! All they are is another brick in the wall?
I liked the sound better with a mouse. That’s great. That’s not acceptin’. Gotta get some lunch bags too. Outgoin’ calls, the hammer is no. I’ll let you feel safe. You’ve lost your mind. You give kids no sexual expression at all, and you think this rides their freeways. It rides their hidden vice. It used to be in your desk, overcoming desires. Did I hand it to yah? Come on, what do you needed to do it? Looking at come here Bruno, come here! (vision of Bruno, our Doberman, running away from me to the front of the house, and I’ve just let him out the back door) Get your pumpkin right. Self-control, self-measure you teach them.
Fit there she goes to sleep. You don’t give her any room to breathe on her own paper. You deny reality and with it the child. You’re underage a God looking in on Himself. You put conservatives in the White House, governor of the state, with your kid’s vote, and you stand around and watch children die. Here he comes. You’re too big to get the world to see my child. You know how it goes. We murder children in their sleep so they are zombies all life long.
A lot of this good agency, what I’m giving you now. Follow their lead. Even playing with themselves they’re bringing in a better world, when it’s not porn-play or adult hand in there. Even thought about kicking themselves up, they’re watching themselves up. When we allow them to get dressed in personal animal freedom, the cops come, depending upon who you are, and ban everything. Oh Texas and my world, you need Freedom School. [a school in the movie Billy Jack] Hello napkin, I wondered why I was burnin’ down there. Such large members, such a tiny space we fit them into, such a large package. Oh my God world see this.
We go hand in hand with proper sexual expression, and that’s not with an adult, and it’s not only with their own hand. I just stepped off the world and into a better science, as I’ve just entered your living room, and I must be polite and leave. What the hell do you want?! Thy peacemaker. Give the kids their genitals, how they are when not one’s lookin’. Let child know they can control themselves how they are around dog: napkin, grab that fucking napkin! And you’ve situated one of the building blocks to peace on Earth.
I’m fresh and alive, aren’t I? I study reality, but I do not rank there. So be it, but I’ve just written into the ether a better way of doing things, a better Nithish brought home. I’m on a rollercoaster can you feel it? And I’m not there to make you scream. I want the end of the world that puts kids in prison boxes and sends them to school, that puts chains around their necks and sends them to school, that pits them against their own bodies. Why do you wanna cut your dick off? Don’t you see reality? Talkin’ to a transgender kid, made there not by gender diaspora, by no one accepting his genitals growing up and givin’ them release. When you slice your dick off, sew up you’re vagina, you’re not expressing need; you’re all wrapped up in society’s handlin’ of your food, and the table’s sexuality. Did I just ruin my poem? No, I just ended it.
You better run, run, run, run, run, talkin’ ‘bout a revolution. [two above lines heard sung by Tracy Chapman, “Revolution”] Move through ideas the city of human unity, why did you do that? What did you just do? What did I just do? I gave you a whole nuther head on children. I gave you a whole nuther head on sex. Read this thing so you can copy it fast. I met too many here Guests and Newcomers. [social divisions in Auroville, India] You think the divine is divine labor on which you source, rules and how to get there. It’s not that honey it’s more. Rollin’ in agony upon the hills you end up later. Hey picked Asiya and the house is comin’ down. You’re Indian. What right do I have to speak? I’ve been asking my fat emotional body this. I know the score between children and their parents, what you do with a divine in the room. I’ve got expert topics, and I’m not afraid to use them.
This is all prewash. If you’re candy was Disneyland, what was I? They would tell you if they’re at. They would threaten. I talked to ‘im. It was on his computer. He’s a down and under hope dispenser. He makes virtue and art Hitler’s birthday. Down at that office, we’re gandin’ from abandoned puppy too. You don’t know how to lift up the race, but we don’t lead you astray. You lift up the biggest name in evil too, not to condone them, to rectify them. We’ve lots of him. I don’t see him anymore. I got my check balanced. I’m rose in the room, and it just took me away.
What Intelligence writes your stuff? The one that makes the flower, the one that sees Earth a testing ground for souls. I’m supramentalizing. There’s a harmony in my pen, not law and order or we make rules, but I talk about the important stuff and reel you in with it. My God this is not enjoyable. I gotta put rings around mountains: man is, you have to do it man. Now my little boy’s gone. I would almost boycott poetry but that’s not the flavor of this writing: hey Luna, come to yourself any discussion. [Luna Rottweiler] I’m tryin’ to show you somethin: we are not on Mars. That was a habitable island destroyed in such a long, orbiting time ago. We’ll see how it goes with Earth. We help you.
One of your favorite, one of your favorite teams, I’ve tried to photograph me close relationship to understand principles and stars, to go beyond them. I’m divine heavy in your room. I’m tryin’ to lift you up to see the sky beyond Mind. I don’t get to go until you do. We are a connected lot, but I been up there before. To say it’s the writing on the bathroom door, it’s not; it’s just there. I’m a field take, and I’m tryin’ to get you out there to play a roaring game of baseball so we can sees each other, put our guns down, stop shooting people.
You don’t know the price in the room for hating anybody, even those who hate you, and I’m workin’ with Nithish’s parents, who refuse to even speak to me. You’re the judgmental party. For Nithish’s parents, the hatred just comes out of the woodwork, suddenly picked. You’re almost there: understand their stupidity and don’t hate them for it. Gwen, okay? An almost businessman came up. She hates me I’m her brother. She may even read this poem, someday.
I’ve been hurt by hate too. I have this social stigma, and I’m the most hated man in the crowd. This stigma’s hated; people don’t know me. I’m wish I’m done with speaking through alleyways in your hole, but I do feel better doin’ divine will. No one reads me yet, or damn few. The audience and his poet, do you have to have one to have the other?
I did ninety pushups and sit-ups each day. I’m exercising wholeness and healing. Will you give me a hand? We gotta see the wholes, and it’s a together report card. I really need help with my boy, get him out of trouble and onto victory lane. All this dramatic poetry, this is a bank. I’m writin’ poetry for my boy so he can sees himself an inner poet. I pass this onto him in the inner consciousness. He gets it.
The help of Robin, it can help when David, who puts landscapes together, afforded my report. Will they put you in jail? Not your question among you. You just unload this poet on a public conveyor belt. Anyway I got room to grow and so does he. He’s a contact Earth named poetry. Accessible he would make me. I love your fine wine.
Okay let’s borrow mine and get down to Earth poetry. Believe your death you must navigate. I was making a significant Boomer’s salad when I made this for you, when I bear this for you. Let’s see how fast he gets here, once your will’s a ridin’ him home. Yes, yes, it takes a long time just to roll up your sleeve. Gotten Aidia’s attention, hopefully in wheelbarrows.
That’s a great poem. Why thank you, a fresh fish in a factory. It’s got labels on it this time. Great vehicles on Earth the poets are. The print out, it’ll be cave free. We’ll do it in the mornin’. It’s the head of the whole thing. How many wheels does a truck driver have? A collection of poems published in India in a book see. I hope you see there. Can you say large collection?
Even a little bit apart, he’s been us with the whole time. Is what facilities you may use. Him coming home, and he gets not that shit from me, a bad policeman. Three times as big key presenter, I asked the cinema to work it out in peace number 9. I wanna hold your hand. [line heard sung by the Beatles, line song title] I’m expressing need. You need to see this. It don’t feel like something we just said Auroville Press made real— I’ve encountered basically the tune of the ages. I suppose you lookin’ at ‘im, the whole prophet of Auroville, nine inch skin. I am constantly created. Only in summary is he wet behind the ears. On Old Galveston Road he went into the nature of Supermind.
Your heart in your ears, your ears in your heart, oh there you are. (vision of Nithish sitting on the floor one knee up, he running his hand through the bangs in his hair like he’s a bit frustrated) He’s comin’ home soon. I gave preference to The Silmarillion. Gonna detail now the Samadhi. [holds the bodies of the Mother and Sri Aurobindo] The Samadhi— hey how’s it goin’? Tryin’ to watch he’ll come be here soon. I love you, my beloved teacher and master in time. Trapped his voice on this recorder as he measures time Sri Aurobindo and thank you Mother. I’m an anomaly. I look at my boy and smile and look at God later, and that’s where I put God’s eyes, on my little boy lookin’ at me. It’s so we kosher together and have fun. That’s how you manage time.
Let’s go down this road. Look, there’s the really afraid. You do not boy blue darkness, step over him, in how you hold God. You hold God in that boy. He’s not your image of God. I look into your little eyes, speak the account God has with me. Did I say that correctly? We’re on Earth, and we’re here to stay. God on Earth, and we are Supermind, the supramental manifestation managing its creation.
Did I blasphemy? I gave you a measure of God in the balance of His show. God is always bigger than any robe He wears, any riding car, bigger than those little boy’s eyes, and we’ve arrived at the end of the poem. He’ll be home soon, and thank you God, down lower, gettin’ inta those eyes.
Harm's End 