Looking my answer.
I’ve made such a rainbow.
No one sees its beauty/sense. [words spoken simultaneously]
It’s just another lunatic in a long game.
It’s just completely ignored,
except for a handful of brave souls
I would like to thank.
5,4,3,2,1,
I’m countin’ your love here.
You have risked your lives online
and put a like by my material.
Can I count that?
You must love humanity
more than your own lives,
or you feel so strongly
about what’s to do right,
you will put that before your very selves.
Where do I put you?
Go down my like columns and see.
KK, lunaiswriting, DirtySiFiBuddha, The Emotional Pixel, QuanTouch, B Gourley, Tony Self, Notes & Silence, Frank Solanki, Narayan Kaudinya, Elena, Lorene M., Bogdan Dragos,
and you others,
I don’t know what to say.
Thank you.
Let’s count the score.
I’m flabbergasted.
I don’t know what I mean.
I’ve counted meaning in the stars,
summed up the meaning of Earth,
and physically grasped Supermind,
and I’ve even housed meaning soul,
yet I cannot grasp in my own hands I write.
I cannot write my meaning in Earth.
I cannot even tarry there.
I don’t know how.
I don’t know where I am
where I meet you with the pen.
This is a mystery to me.
I am a steady stream of starlight
that doesn’t leave out one iota
of where my thoughts are,
my hands in the business of life,
my heart as it sees the world,
and I can’t even gauge you my time.
I write things down
I hear from on high,
and that is not the half of it.
I run this through the strands of my life.
I sit and wonder the lines I write.
I pick and choose and beg and plead
to give you the date of poetry.
It’s all scrambled up sometimes
in the gut-fields of life.
I cannot touch life.
In halls of infinity
I just get close to it
in storms of pen.
It won’t read me there.
It’s just about the lie
we value poets today.
Do you?
I can’t tell you how much
I spend on this.
It’s my life’s blood.
I work around everything to write.
I eat and I sleep
carrying muse.
I’m about the end of it,
how I begin each day.
I don’t think Shakespeare knew a better idiot
than I feel grasping you.
I’m sorry please.
I will arrive there one day,
where a poem’s just a piece of paper
I’ve handled meaning on,
and I don’t handle meaning in terms of readers.
I’m gettin’ there.
I can see it now.
What do we do with the orange crush?
You’re gonna sneak up on my meaning as I write.
You think it’s about lollipops.
I’m just tryin’ to grasp myself today
a writer of poems
on Earth’s starward prow,
in her meaning lists,
and where I find the Sun.
I gobble down the stars,
lick up the scraps.
Do you know muse?
I am so entertained.
It’s an amusement park,
and to think this is for all mankind?
Wow, we watch TV with it,
put it in our pipe and smoke it no.
Did that just happen to me?
I’ve heard a line of muse,
saw a vision,
and the sign said poetry.
And we grasp Earth in our specialness
and want to tell the world.
It’s not ready for it yet,
and you can’t get there yet,
show your muse.
Don’t throw it away.
It’s got vision’s long hold on it.
It will mature brightly.
You’re not showin’ it to people.
You’re just listening muse.
It’s got a lot to show for it.
You’re gettin’ bigger kid,
lookin’ at the world some
a God vision growing.
You think you’re a pilot of the world?
Oh please we’ve all been there,
considering ourselves.
We can grow so much bigger in our thoughts.
We can get bigger than ourselves.
We can surely get there.
Do you know how far this is?
I don’t think you can touch it with ego.
It’s on the other side of the universe.
A change of consciousness gets you there,
and that’s where we measure our days,
not in muse.
A change of consciousness ahead,
that’s where we measure muse.
Is it happening to us?
Is it real?
Is it there yet?
Do you see the lightning?
Oh wow better poetry
can I Lord please write?
Where I am today:
I don’t think anybody hears me.
You silly fool,
write
measured pace.
Run it through the ringer of my life
and be bold,
casual and free.
Newman,
we’ve got that ticket.
Caught a moment off Gods
to the camera
you’re the human being.
Focus any of my material?
Put it on that lawn,
Lucille Balls.
We’re negotiating shelter.
What principles create him greater need?
He’s blarin’ at yah
sorry about the needful.
There’s time to look at it.
I’m sorry I say so much
that brings out your life.
Are you crazy?
You give the essential details;
there is no need to give them.
He needs to got
put in the hold.
You’re listenin’ to him.
Open it up
Americans,
because Americans with a policy
—okay let’s go under—
with a policy to grow anything.
The only way I talk to you is throwin’ you out. [line heard sung, voice of Dolly Parton]
You wanna sit your own ass
on the opposite side
of going off the bridge.
Yep, that outta do it,
environmental change.
Call your father
Christmas.
I can’t call anybody.
I’m not allowed to write.
It’s because you never get read.
They’re gonna come,
the people who read newspapers.
I just want to look at the must angle.
We need these right now,
these poems called freedom,
how you pronounce it,
how it’s acting.
And I have a lovely single for you today,
another poem,
good story,
man's help.
And for poem’s sake,
the runner,
Beavis and Beauty—
I’m underpinnings;
I’m the laugh of the party;
I’m in there a broad measure of healing.
Let’s leave it up to another empty poem
to give us some ground rules.
Tag: poetic inspiration
And I Suppose a Rose
As a young teen, I would often hear, right at the stage of falling asleep, what I called ‘reading the book’, someone speaking spiritual philosophy deep inside my head. I never could remember a word the next morning.
After getting a rather poetic education, majoring in English and learning to translate Classical Greek verse into English verse, and a period of travel after college, mostly as a vagabond, in one instance posting my poems on holy sites in the old city of Jerusalem and other places East, a woman who had a writer’s cabin in the hills around Ashland, Oregon gave me the cabin for a whole winter, 5 months, so I’d have a place to live because I was homeless (normally it was a 6 week stay, given as a fellowship).
After 3 months of relative isolation, snowed in some, in twilight, that place of falling asleep, only here I think it was waking up, I heard these lines:
And I suppose a rose knows well
All the glory a man might.
I took those beginning lines and made a poem out of them, thinking that’s what many poets do and just don’t say anything. I had no idea your muse, what I call it, not hearing things, could give you a whole poem and edit it while you’re ‘listening’ it and after. It took another few years before I heard more lines, which was in Cuzco, Peru, about 15 years ago, but the flood started in Brazil a few months later, and it’s continued to this day.
There’ll come a day when floods.
Almost anytime I sit or lie back inside myself, if it’s long enough to get behind the waking mind and into ‘twilight’, I just automatically start hearing and seeing muse, and only sometimes it’s a poem; most of the time it’s a host of things: personal guidance, remote viewing, subconscious stuff, the imitation vision, the outright hostile vision, and I can continue some, only with me whatever I hear is always in poetic form, though only rarely is that at or near poetic quality.
Another time I might show the visual aspect of the muse. Now I’ll end this post introducing my voices with a recent short poem completely from the muse (it’s on one of our blogs at: The Chipmunk Press Vol. 3 Issue 5
Original Sin
In a sunny corner of remote earth
The bite of it all
Challenged orthodoxy.
This was in Nature’s plan.
Green-gold it moved.
This conducted harmony
Operating on discords –
Not a packaged plan,
Neither from the stars.
It brought in cities beyond the universe.
We bask in its revelry –
A riot of God
On lone isles of trust.
Wonderful it wore shoes.
Naked impulse did not light its lamp.
A renegade
It brought all to bear on noontide.
Light held its room.
“Yes,” we sing in darkness’ lair.
“We deliver anthems
Without knowing on which we rest.
It came to us unclothed,
And we saw nought but sin.”
What distance orthodoxy
From all that abounds in this place.

