Who Is God Sun Master?

“Oh My Look at that Ole Dog” by the author. Luna on Fort Myers Beach. She made it.
Congress can come to my bank.
I have ideas representational spiraling towards the universe.
I can show you yourself,
your muffin.
I’m not in a handbag.
I’m not parkin’ cars.
I look at the world and smile,
because I know its price.
It’s huge big,
but I don’t get lost in it.
I see the telltale signs of behind.
I can gauge the world through there.
The Spirit has the show.
Behind the world does.

It’s not communicable.
You can’t see it
with normal eyes that see vision.
It’s not in your visual field.
It’s nowhere apparent.
How do I know it’s there?
I can descry it in spiritual vision.
I see the substance of things.
I know that huge engines lie
in the fabric of the wood.
I can see the frontal of things
land on it.

I’m a thought proper.
Pregnant I stand and sing,
and I offend people doing so.
It’s cost me my livelihood.
I got fired.
I’m in trouble today.
I see it in spiritual vision.
All around me there’s trees
involved with my pen.
I’ve really written some things
alarming to the public.
They shoulder my hero.
They’re here and there.

Mainly what I show you is how to change
from one thing into another,
from a blind man into one who sees.
I show you how to bring good out of bad,
how to change your very nature.
Poem after poem
has landed on the world’s docket.
I don’t get known there.
Do you know the price of change?
It sits on your life
extractin’ good.
It’s costly.
You have to pay in sacrifice.
The world takes its toll.
People are very small about it.
Forgiveness and understanding,
no one gives them to yah.
You will be persecuted for good,
even if your sins aren’t listed to the world,
to the people in front of you.

You make power uneasy.
They can’t believe you’re there.
The people that hold the world
in its little stations
mostly are mean and jewel,
and it’s fake jewelry.
They’re petty people.
They have an arm on society
that robs it of its worth,
but they will tell you differently.
We’re used to this,
the hypocrisy at the top.
It’s all for show,
but here I’m gettin’ in those little wears,
like a community organizer
or some little boss.

Where do you find good
that’s good to everyone,
equal pay
even to the riffraff?
Is there a worldwide heart there?
Is there someone that embraces humanity,
has goodwill at all times,
treats people kindly
even if they’re homeless and destitute,
sacrifices for people
not worthy of it,
loves them too?

I’m not talkin’ about the perfect man or woman.
I mean they really try
to treats others as themselves,
regardless of the other.
They’re fair people
to everyone.
It’s me, it’s me you say.
Glad to meet yah.
Continue readin’.

You threaten people then,
challenge their sense of self,
will be very unwelcome at their parties
by your own sense of self.
You can’t shoot the breeze
and not feel the weight of other people
and their meaningfulness to you.
You’re flabbergasted by it.
It’s not a little show.
You examine yourself continually
for false pride and vanity,
for things that don’t match love,
and when people hurt you,
you feel that sting,
but you try to get your head around their price.
You study the world
and their place in it
to see what world needs arise.
If you act,
it’s not with malice.
Empathizing with them you understand
they need a reckoning.
Their world play has gotten too far
in selfish ends.
They harm.

Are you there my friend
in being good even when it hurts,
in bein’ inside yourself
an open vessel to feel other people?
Is that person in front of you
the weight of the world?
Do you take delight in dogs,
and can you feel a tree there
the livingness of everything?
Do you laugh with the wind
filled with the caprice of its consciousness,
identifying even with the forces of nature?
There’s more of being then being shows,
and we’ve come to the invisible,
but would we find you there
identifying with the wind and sea?
Great Scott!
you’re a tall human being.

The organic meanness of the machine,
that’s not your pride.
You’re a tall order.
You do penance for people.
You never leave someone out in the cold.
You’re understanding and kind,
forceful when you have to be,
but not mean and cruel.
You are so on yourself
to set things right.
Can I get across to you your underwear?
You have left lust behind.
It’s not what you do eat people.
The roles of sex are no longer in your play.
You’ve matured out of that.

How can I count this?
It’s my livin’ mood.
It’s my every day.
This is the price you pay for love,
and you’re not ready for it I know,
the death of your own
genital squeeze play,
but we can still have children.
Youth gives birth to our young,
old enough to know the consequences
and take on that responsibility
where society thinks,
where society helps them grow
where society grows.
We are no longer individuals on our own,
and we get along with each other.
Individuals have room to grow
and be themselves,
the freedom of their nature
that lets society grow.

I’m a social revolutionary.
I see the beyond,
and I carry my dogs there.
The world for me is paper thin.
I see the behind,
and I love it there.
My dog just messed.
Did you see that?
Can a poet have a sense of humor?
No, I don’t like butts and smelly asses.
I’m walkin’ on miracles,
this world set in place,
all its motion,
a storybook Earth.

I’m tryin’ to tell yah the price of the world
in seeing,
how you handle the world
in moments of gloom,
in cries of despair.
You look up
into your largeness.
You look out there
into your springtime.
You handle the world
as it eats you,
but you’re too much for the world,
and so it spits you out,
and you stare at it an equal integer.
It can’t get at you
in your lists.

We are a bubble inside
an immensity beyond time,
tiny as the wind blows,
a drop in an ocean
of continuous being.
We are one aggrandizing look
in everybody’s lookingness.
Worlds upon worlds
tell this show.
All-Containing seeing
rides us all.
We are a looking glass
into infinity,
and we only see ourselves
on finite Earth.
Ever being grows
to its larger glass,
and can you count that?

I’m on the high seas
of the bottomless lookingness.
I see larger being than ours
messing with us,
setting us straight,
and I can see bigger than them
beyond this universe of stars
into the larger looking glass that encompasses ours.
I’ve sat up there once
looking down on Earth.
Miracle on miracle bridges who we are,
who put us into this play,
the larger than time’s being we are.
So many seconds
started this show,
a poet here in your lap
singin’ the ends of time,
singin’ for all its worth.

I’m bangin’ on time.
I’m giving extra credit.
I know the hunt in time.
It’s bigger than stars.
I can grapple the world there,
just this old codger who walks his dog
and means nothin’ to nobody
savin’ a few.
It’s a laugh really,
the breath of my vision
and how little you see me.
I’m showin’ you inside.
These are the concepts of my thoughts.
These are the concepts of my dreams.
I habitat these thoughts all day.
Lookin’ at the world through a dog’s eyes,
I can gather life.
It’s insane really
I’m not the one insane.

Let’s go back to lunch, shall we,
that the stars in the sky tell us we’re wrong.
There are bigger fields than Earth,
and I’m countin’ stars in my diary
and know there’s beyond them.
I know you’re safe,
even if you get tarred and feathered,
crucified on some cross.
Nothing can touch the Spirit.
The soul is free from everything,
and it laughs
that gentle laughs
that knows the score,
but is sure hurts down here doesn’t it,
to be a beggar at time’s gates
just wantin’ to be loved?

That’s the shit of it,
and the soul takes these shocks and turns them into gold,
but we suffer the because of it
because we are flesh here not soul.
The soul is deep.
The soul is long,
and it might let you get killed before it shows itself,
and what poor bugger can take comfort in soul
when his trials and tribulations are happenin’?
This is the juxtaposition do Earth
we bury here,
where we mean something to each other.
It’s a lamp unto our feet,
ain’t it?

I show you the price of a laugh.
Let’s make this work.
The price of a fall,
that’s too expensive for us.
We are here on Planet Earth wantin’ to survive.
Will it happen?
It’s certainly meant to.
We have to get out of our kingpin.
We have to get out of our nursery.
We tarry there.
We rob there.
We’re stadium laughter.
Do you know how many eyes see us?
Do you know how many eyes care?

Let’s get this down to a science,
hey, everybody’s a hero on Planet Earth.
You can do it I know you can,
be there bigger than the world.
Are you just gonna stand there and do it,
practice burnin’ people?
Will you see my face?
I didn’t get away with it.
I shoulder more than society’s prison.
I shoulder the pain of the world.
Unhand me I’m free?
No, I’m not enlightened.
Good luck,
that’s in my hand,
and I may reach freedom yet.
Is that the answer to tomorrow?
Yes and soul release.
We interrupt this broadcast,
and it looks like
we broadcast now.

Everything bad happens,
not everything good.
Do we just spit at each other?
I’ve got radio silence.
You might kill your mistakes.
Look at this.
Why would you want me silent?
Maybe tomorrow lip service you’ll give.
They’re not hiring.
I want to go to Mound Key.
I just put a belt on and I
make that hirin’ the world.
Where is my pay?
I warned you.
Oh look,
the hammer,
it will get all over your fur.
Men home it’s comin’.
Everyone,
I’ve got a tale to tell,
and it shows.

Well it’s time to go to sleep.
A poem has not made you ready.
(vision of Grace Beagle sitting pretty and looking at me like in a life-size picture frame, two or three poses)
Taking a picture,
you know how dogs to that.
Keepin’ your fingers crossed,
we’ll get them here too,
Grace and Hannah
and Bruno.
Now be off with you.
I got a train to catch.
That ole boy put his foot on the pedal
and headed towards them yards.
We are not in hospital beds.
Grace and Hannah, photo by Douglas
Bruno, photo by the author

The New Release

photo by the author
If you are reading this poem on a phone, note that the integrity of the lines, a major feature of poetry, is not displayed properly. Many if not most get cut short because of the small screen.
For both a ride on me,
ageless against you,
and the age of the suns,
I’ll be thousands of fallin’ underneath my mind,
startled by the springs of enlightenment,
and the cards are in play
but too grandiose for my design.

Involved in the history,
I’m not chuckin’ wood,
but let’s face it I’m this little man in a little play.
Now look,
even in my beach job parking lot
the herald of swift event
patterned life.
I saw the nuances of things to come,
and I was a bearer there.

You can’t grasp this in your hand.
I held the Earth
in impossible lilies.
I knew it was a steamboat.
I handled it carefully
every damn day.
Can you imagine sleep without it?
It held me at night,
working on its intricacies.

I saw the world comin’.
It held my gasping hand in its own.
It was a birthday kiss.
It was a holocaust of things known.
I did not put all my rocks there.
I had bigger plans than Earth.

Can you starry enlightenment?
It will do you away.
You’re not there seein’ it.
You’ve disappeared,
standin’ right there in the middle of it,
and you’ve gone father than the world.

I know this land.
I can’t describe it to you.
It’s taken the world away
in perfect seeing.
I am not sure of its moorings.
My times there have been brief,
but you hear it in my gifted speech.

A whole field’s to play,
famous hotel,
unknown to the world.
Can you imagine seeing the impossible,
a world where none is,
sights and sounds that not be,
thoughts where none be?
A whole world arise from the Void
where nonexistence is.
What arises now?

I don’t know if I’m worth this.
I don’t know if it’ll come,
the springboards of the Earth
a seer’s grasp,
the passive in God’s hands,
the no-self of enlightenment,
the end of suffering for individual man.

The floodgates are open
for this puny start,
a beach bellhop boy
liberals through the strong right-wing
the doors of enlightenment,
contentment and peace,
where the wild things are.
I carry that trailer.
I tarry there.

It’s worth it,
no firecrackers in the belly.
Wish you that payment.
I started looking at shiny objects.
I realized there was a behind the behind
in every word that’s true,
when you touch base with reality.

I wanted a bridge.
The vehicles of enlightenment
silence the world,
engineer reality
to make the grand crossing.
Uh-Huh, there’s a reality there
enlightenment leads to,
the nature of reality,
where we come from.

And you think you’ve stalled on enlightenment?
There’s a beyond.
It studies the world for you.
It’s its master design.
The roads ever get deep.
Another universe holds this one in ours,
and we go on from there.

The All-Encompassing All-At-Once
is the study of the game,
and we’re on flat level Earth,
the first rising structure
to pick up This land.
How can I get this across?

No sight can show you it.
No mode of thought gets there.
You can sit in the All-At-Once of the sun
to use a metaphor,
and there you can see the dynamics
swiftly over your head
in a secret passage to our Source.

Now bring enlightenment into the picture.
It’s stills the world for you
to get to the other side
into the reality beyond the universe,
into the reality that made us.

Glory in the spoken word of poetry.
One bad dream
is this universe to cross.
Right this minute,
can you get the sense of creation?
Can you see it larger than the book?

We went past it.
What happened?
We got services
hello Cape Canaveral.
One accident,
it’s gonna be close.
Till Hunter gets back
we don’t leave reality to the fishes.
We get out of these beach suits,
the mere survival looking for enjoyment,
the group mind.
I’ll be right back.
And it was a hunter for spiritual dawns.

Can you see that out of the routine?
Bonanza,
we’ve established this fact on earth again.
The pilot’s license,
where we start.
Oh my God my head on my shoulders,
this is like the bus you know.

Carry Meaning

Me at work at the Roxie, photo by a kind tourist lady named Eleanor, taken just after writing the poem
If you are reading this poem on a phone, note that the integrity of the lines, a major feature of poetry, is not displayed properly. Many if not most get cut short because of the small screen.
I sit and toil all day
at the heart’s sky,
laboring meaning into form
that won’t surprise me with its despair.

I unhand time.
It seizes me.
I believe in miracles.
It’s all a wonderful of the All-Look’s gaze.
I labor to see that.

I can remember it happening
long ago.
All the sights I see hide God.
Can you hide God?
It’s a revelation in a day,
the abruptness of creation
organizing time.

I can see through the forms
cloud my mind with meaning.
That bus that just stopped there,
it stayed a bus,
but it carried mystery.

The people at the bar getting drunk next door,
a singer sings their songs.
I can’t find the music or the melody
they become more than sharks
wetting their nose on freedom.

I carry them in time,
the little guy at the Roxie station wagon
tourist information center,
seeing past the show
into metaphor’s play.

Bathing suits and butts
don’t know what they mean.
Their wearers are proud of them.
They walk past smiling don’t look
stirring sexual desire.

I don’t know how to do this,
be a Roxie concierge
and assign God to the role.
I just mean somethin’ to everyone.
My hand is ever on time’s grasp,
“Yes ma’am, can I help you please?”


I study tourists
tryin’ to find time
a meal on paradise.
Can I help you folks?
Every meaning
gets bigger than time
and be what it means for.

Can you see that?
Every meaning we look at
wears the face of God,
but every dog knows
God is horribly attentive
to things you don’t understand.

I will find meaning there.
I will reach beyond the Earth
and sit at the Roxie and be myself
guiding tourists to their destination
on Fort Myers Beach.
Yah get me dog?

Images for Change

photos by the author
The muse gave me a message to you,
the muse rise and poetry.
I’ll see it in the garbage can, won’t I?
I don’t know how to negotiate this landmine
in outer things.
Every world has rejected me.
I’m a nation to nobody,
dear reader except you.
This is across the board.
It’s unhand me.
It’s blue and it’s red and it’s gold.
It’s unbelievably tight.

What do you say to no,
we don’t want to have anything to do with you,
and this is the entire of the yoga you follow,
the city on earth
that’s to realize the human dream
and be alright with each other?
I get kicked out of there too
and in the hearts of every man and every woman
who could make it possible to see my boy again
right out in the open
his daddy again,
and that anomaly is solved:
why the divine in-look on me
carries his name,
and it is a phantom make.

I stand here confused.
Even the halls of poetrydom have spit me out.
I have no place in society.
I live in some little island of bright,
and Douglas and our dogs
hold the world together.
Our visitors only want something,
all they can get,
and they only come here for that.
We have no friends here.
We have no one looking out for us.
We are here alone and that’s it.
This squeezes you, you know?
You don’t understand
when humanity and the world
mean so much to you.

I’ve painted this isolation for myself.
Douglas has friends and family
who care for him and provide,
else we wouldn’t make it.
He lives in his room and I live in mine,
but our best-friendship has reached the stars,
but can I tell you about Paul?
A friend for all the years,
who is in the world at large
giving me e-blasts
I’m your friend.
When the world rejects you,
you get compensation,
friends for all the world,
if you’re holdin’ hands with the world,
if the world means as much to you as yourself.

I can’t bear this,
spit on by everyone,
and I’m just diggin’ my hole deeper with these poems.
They cost me so much.
They tear me apart
I am so real with you.
I don’t know how to begin
to really say it,
the be there of the human being.

Oh my God I want to describe it to you,
so we can join there.
I want you to see my humanity.
I don’t want to be an outcast no more.
Oh I wish you could feel that.
God does,
and he’s here with me all day
in bright thoughts and muse
on the edge of time.
Would that you could feel that.

A meaningful life,
that’s established.
Come to terms with myself
and terms deeper.
This is all in the sky.
I’m a blockchain.
I matter to mankind.
I’m significant
to your notions of self.
I’m good
to all you haven’t seen yet.
I love people
and feel their oneness.
I am not about the snake.
I touch you
with deep meaning.
I am really there.

The world blows up inside me
it has eyes.
I commune with the Unknown.
I’m about your rocket ship.
I ease on you these things:
the starling oneness inside us,
the jumprope to God,
everything we have to do with each other
in our ballpark with children
and the animals in the room.
You hear me there
petting my dogs in wonder
and taking children to the sky.

I cook meals for you
and attend to your business all day.
I am not just a selfish wound.
I have lifted up the race
everywhere I look.
I am dawn on you
the understanding of poet,
and here I am,
in my most serious mood,
standing up and be counted,
because you’ve shunned my face,
a rocket-man
that knows we share meaning together,
that knows my part in the world,
that knows I can’t live without you.

You’ve kicked me out of your homes,
you’ve kicked me out of your hearts
long enough.
I’m not a beggar at your gates.
I’m the poet at high noon.
It’s time we fly.
It’s time we fly.

For Your Blind Date and Harrowing Experience

It’s all a fantasy program.
How are we localized here?
This stays.
It comes and goes
in the realms of sleep.
We are in a huge tin can,
and escape is impossible
if you follow the seams.

We don’t even know we’re in here.
A big accident gluttons our text
eating up forever.
This is existence proper,
with hot sauce.
This is existence on earth,
and we suffer here.

How is it done?
How are we fooled so early?
Not as sick as existence proper.
We last a long time
in our menageries.
The fairy roads to existence
startle all of us.
It’s all a sparks’ weaving fairy dance
putting circumstance in place
the settled fact.

It’s a picture show to tell you the truth.
Now where is that projector,
and is it being filmed as we speak?
Something’s funny goin’ on.
Can you find existence in there?
Can you even get at it?

It’s a big story-house in space
that we can’t find the light of,
and we are trapped in our rooms
of single seeing.
Better men then me have pulled these cords,
but this is my poet’s worth,
but these are my poet wings.

Where does it all lead to and why?
Do we even find out at the end of the movie?
I can take you farther than Earth
in the rounds of Earth,
and I can show you time in a bottle.
You would not believe who we are outside
where we imagine the universe.
It’s the secret of the ages,
and we carry its wind in our sails
comin’ back to itself.

What prolongs the long game,
and what makes us suffer so?
Can I tell yah?
I just did.
The tell-tales of existence,
I’m there.
I’m in the picture show with you.
Can you guys see that?

In Day One This Is Ridiculous

photo by the author taken in a secret five minute meeting with Nithish nine months ago
I’m fighting stars.
I have no idea
I can’t do anything
unless my muse reads it to me.
You are the couch
existence sits on to write.
Still hasn’t found you
able to write anything.
Here, do this circle.

No matter what I say,
no matter what I dream,
I can’t get rid of
those institutes
that go against the grain
of society in compelling posts.
I have been left without my boy
and wondering if he’s better off without me.
I am bereft of hope,
and this is bigger than my boy.
Is the whole thing a tin can?

Is existence squeezed out of existence
by the Diamond Bearer?
Is this all a charade,
and even God himself
can’t stop cryin’?
Is there a safe harbor anywhere,
a safe place?
I’m talkin’ existence big.

Thank you I’m smart
and can see the ruse in everything,
even my own ruse.
I can’t change my consciousness to save my life,
and I know what change means.
Are the roads to Supermind
blocked by Supermind?
Is enlightenment just a scare?
What gives?

Do you know how fucked up everything is?
Do you know how big it is,
the screw in everything?
We can’t climb Mount Everest with that.
We are foiled by cliff hangers,
and we can never reach the top,
and in the history of poetry I have to explain to you symbolism.
Nothing gets out of my bag.

Do you know how tall that is?
I’m meaning’s worth,
and I keep reaching holes in my story.
I don’t understand all that is,
but I know Gods play with us,
and there really are monsters under the bed.
Can you see my daily life?

Bigger than being
it arrives from distant shores,
the very breath of being,
and it gets there all the time,
in our underwear.
I cannot move this molestation.
Are we fucked from the very first?
There’s a hole in the program.
Whatever it is that uses us for existence
is unhinged?
That’s how the story grows?

What guarantee do we have that it is safe?
Are we existence’s pall bearers?
Alright arouse my pen
are we safe from the universe?
I question everything.
In the horror of day to day living,
living
where peace finds us
and goodwill,
you can’t condemn it all to understand.
You can’t even breathe.

Do you know we eat bread together on the inside,
and I am you and you are me?
That’s the joke ain’t it,
we spit on that.
I’m goin’ somewhere,
even if I don’t believe it sometimes.
I’m tryin’.

There I am on cars,
and I carry the world around all day
a poet’s worth.
I have these great big thoughts
that ground.
I mean I’m a scout for the human race
really involved with you.
I question my own worth,
but that’s not throwin’ myself away.
I work in the engine room of humanity,
and I don’t even think you know there’s there,
for what it’s worth.

We haven’t found ourselves yet
larger than our own personal skulls,
dangnabbit.
I’m a shopping spree
of the limits of ideas.
I can do it,
get out there where no thoughts are,
and I can hold existence in my hand.
Is that a safety rope?
I’m gettin’ underneath things
not because I have to because I love you,
and we can figure you
my little boy.

I witness
the safety ground,
and I’m lookin’ for it
in the large eyes he wears,
and I could just tear my heart out, you know?

I have the living room in my hand,
and I got a shot at Earth
lead me to him.
That’s the death of a unicorn
has almost swallowed him whole,
and he don’t know how to feel right,
my little boy.

I’m comin’ upon him now.
I’m placing a wall.
I thought for a brief time
there’s no doubt about it
this is what he wants
to flower with me.

You can’t lose your job.
James, I’m tellin’ yah the truth.
You will have his little hands in yours again,
right there on bright Earth,
where the Earth makes sense.
You’re fillin’ a role in the sky.

I didn’t allow
there’s monumental change ahead.
What happened?
It’s alright—
monumental impact.
Well here’s the movie here’s the camera,
and I’ve got ‘im,
I’ve got ‘im in my pocket. [sing this and above line]
Can this be like all played out?

Wide God,
did he actually go to touch that?
No, he resurrected Tommy
another poet live on earth;
another poet rides the Earth.

A Trailer at Sky Noon

photo by the author
Have we always been human
and universal Brahman?
I killed 14 people.
Frying that up,
do I lose my humanity?
Back to the recent times.
Are people just badder than before?
What can we say about humanity?
You know I’m countin’ sheep.

We drag clothes wear.
This is not our first costume.
Where do we come from?
Do we come from ugly,
or do we come from good?
Do we come from the chaos down under,
spawns of hell that evolved to light?

We’ve been in the engines of the universe for a long time.
Are we emerging,
or was this a soul’s fall
into matter’s plight,
great heavens we wore
and then lost it all
in a sudden decision?
Are we universal existence
lost in individual chains
goin’ through trapdoors all the time?
How does our unity play?
How deep does our unity go?
Do we evolve together or separately?

You think the protozoa created us
scientific doctor,
and we emerged to man,
no soul in the machine,
no universal existence beforehand,
no Brahman with his gun.
The fish in the sea
are our ancestors on high.
We dream of being human again
you idiot,
where life meets the universe
on every frustrate world.

Is this all there is pond?
I can speak from my crash course in reality,
and we have scales of being
that rip us off
and brighten our days
and sometimes hold nothin’ with us
in the great majority of cases.
There’s the earthling man,
the universe revolves around this?

I have more fields to show
the origin of the universe wears.
I’ve poked my head out of the sky
and seen more than I can show.
You don’t know what it means to look beyond
and carry the glow of the universe
like it’s your backyard.
I’m a small man in Earth shoes
bustin’ at the seams with immensity,
and I can give you a ride home?

I ride these poems too,
and I’m a bucket in the sand
joinin’ reality with you.
We have more roles to play,
don’t you see?
And even existence is not all we are,
but let’s get down to Earth, shall we?
We are not the demon’s room.
We do not come from hell.
Escape it is our price—
a real punishment
you don’t need to worry about
all existence long.
And we were not once Gods,
and now we are men and women,
but of Godhead we did wore.

We come from beyond the universe
to inhabit these fields of clay.
We are existence before existence
in the planetary field ride.
We are burning suns each and every one,
to use the symbol that ignites the universe.
We come from on high.
We are principle actors in a principle game
that has stars for robes.

I just spoke the alcoholic’s din bin,
the wayward president his lair,
the child molester in bed with a child,
and the tax collector at your door.
I can get muddy these
or just be an ordinary house mum
or field husband
or kid in school
dreamin’ of what will become of me.

Lift up your eyes sweetheart.
There is more to come.
There’s the Diamond in the room,
and all your lives lead to that
as in the making of a star,
the crash and founding of a universe,
and we can be there kids.
We can be there
in great lone moments
of the direction at noon.
We can see the sky,
have great Earth thoughts
that make us feel God inside
and hurry this along folks.
Yah hear me kids?

The Last Stadium on Earth

Have brain damage,
that’s not really politics.
It’s a funeral.
Who would see The Last Tree Trunk on Earth?
Critics say it’s a good movie.
It’s spills bad.
It was filmed inside Iran
in secret trees.
It’s got a wallop to it.
You see freedom up close
thrown out in the street and beaten on.
You see it shot with knives.
This is a real camera folks,
and girls just want to have their scarves
not choke them to death.
Is anybody watching this?
Can anybody care?

The Seed of the Sacred Fig
was put in the wrong house.
Brilliant you hear the arguments at the table
theocracy speaks,
but it’s shot in red and white,
and we practice human nature
with a murdering gun.
We do not show human nature.
A father and daughter are not that red apart,
suddenly,
unexpectedly,
so the plot can aim its gun.
Would a family go mad,
horribly so,
for a strength to resist evil
that none of them felt they had?
An entire lifetime together
with daddy milk
and a mother devoted to everyone,
it lands on the freeway
I will hunt you down and kill you
love said.

How tall these movies are
in our backyard.
They bring humanity under the gun.
Has human nature been robbed of its sense?
It’s blow out of proportion
so it can impress audiences
and score award points.
We see human nature sick and dying
in movie after movie,
and we can’t get over the villain.
He is so perfect in his craft,
miraculously a monster
just doing the impossible.
We love to hate him,
and if it’s a her all the more.

They’ve confused us
with what’s real.
Human people don’t act like that,
and these movies have us all alarmed,
riding out our hate
in tickets sold.
What’s the point of all this mess?
Make more bucks,
and let’s take these artistic challenges
and make them rob people wear.
My God that’s a talented movie
just on our disease.

Alejandro in Problemista
almost makes the villain human,
but then he wrote the apology.
We’d have to go to Sing Sing for a good movie
in emotional fare,
so Shakespeare on Earth.
Let’s not get too gay in National Anthem
and spoil the show.
We have purpose in our lives
this movie knows not of.
You wear a good Holocaust
in A Real Pain,
tryin’ to show it right,
on the level of human eyes
a human drama.
What am I doin’?
Showin’ you my movie list.
I watch a lot of movies.
I’m really into them.
This is the way we spend human nature,
in identifying roles.
We get involved with a part.
We identify with a character,
a plot.
It wears our lives
in symbolic meaning.
We get at the stuff.

We invest ourselves there
oh so strongly.
We’re raped
with a bad ending.
A good movie can make us feel good about ourselves
and improve our lives.
It can heal.
It can do bad things.
It can tear up our lives
for a moment of all meaning.
It is so very powerful,
cinema.
It goes directly to the starting point,
where our lives came from and why.
Alejandro is good at this.
Amazing creativity
those scenes where he’s talkin’ to someone,
and it shows the whereabouts,
the representative part.

Drum roll please.
We are creative edges of time.
We stand and sing our lives
an entertainment for deep meaning.
So many roles wear our lives.
Can you get at the audience?
Being after being,
shrouded in unimaginable mystery,
have a total immersion gamble with our lives.
Of course we like movies.
We are there.

A Rumpelstiltskin comes along and plays the keyboard,
and we’re on bended ground
unable to figure out destiny,
but we can get back to ourselves.
Audience after audience prevents us,
the cliffhanger of our lives
their entertainment point,
but they value our lives
in our bid for freedom
and to discover who we are.
It’s their thrill.
They clap when the angels sing.

Are you crazy yet?
You’re just gettin’ started.
There is so much behind the scenes
in the dragnet of who you are.
I cannot show this to you,
the person you are on high,
the actor that has donned
this long line of all these lives.
I can only keep tryin’
in poem after poem and my symbolic life,
but it’s a farce you know.
I’ve really let yah down,
right where you needed me,
and there’s no way to make that up.
When you see it’s a game,
though a meaningful one,
know like you know the body you wear,
because you have seen it with your own eyes,
that you are an actor in a cage,
a player playin’ time,
the first thing you do is fuck up.
It’s the proud of human nature.
It’s so stupid.

It prevents me from showing you who I am
and who you are,
unimaginably big,
but that’s life,
a goddamn movie

that just throws you for a loop,
and you can never get it right
until you stop the pretendin’
and come together on yourself
what you need beyond time.
You’re not the audience I’m speakin’ to when I say
I’m puttin’ on those shoes.
Feel the thrill?
A poet measure
this poet smiles.

How do you chew on that poem?
We grow in stadiums.
A Watcher watches our lives.
It’s dream big.
It’s not who we are the audience
in prerecorded time.
This is not the first time creation mount.
Great DVDs we live
for their viewing pleasure.
We are that Watcher you see,
not the audience pang,
and we can’t get over him.
It’s too stadium big.
It transcends time and space,
but above our roofs it’s there,
the hidden keeper of our lives,
who we return to,
the one who started it all
in our little universe.

You don’t believe me I know,
but you’d like to.
The hidden meaning of our lives
are compassionate witnesses
beyond number and form.
Everywhere they look
they are there
the meaning behind creation
on this bended globe,
in this starstruck universe,
and they change us with a look
the bearing on time.
They are the Watchers behind time
watchin’ the movie us
them very selves in time.
Can you feel them?

Your true self,
they bring you home.
Months of capacity
open those gates,
if you’re ready for them again,
and you’ve been there before
for a brief moment
a time or two
in all your many lives
where afterlife grows.
It's a certainty you remember.
It’s a certainty you hold in your skies
that you farm into your very ground
I’ve planted this poem with,
a vehicle of my own return
one sudden afternoon
before the death of me.
You come up with yourself
in the ultimate game of life,
the ultimate paradox of life.
That’s a round of applause.
You hear the whole stadium sing
your great escape,
your victorious mile
I put better in progress.

Alejandro,
he did it.
I’ve seen what movies
list as our great surprise.
Too mundane to take it
where we meet beyond the universe,
they give it gas and go.
Are you hearin’ this?
Same image credit as above

The Gravities of Thin Earth

photo by the author

This poem has been published by Edge of Humanity Magazine: https://edgeofhumanity.com/2024/11/11/the-gravities-of-thin-earth/, and it’s been reblogged on The Skeptic’s Kaddish https://skepticskaddish.com/2025/01/05/reblog-the-gravities-of-thin-earth-by-donny-lee-duke/

I’m on the edge of time.
I stand here and sing.
I’m not about the braggart of time.
I hold my voices down.
I’m all the way down
where you know me
invisible.
I did not carry this to my car.
I banished it.
I operated on you right where it hurt.
I hit you in your social glasses.
I tried to be free.

For all the noise I made a scarlet letter came down
and banished me,
but it’s not there
where I pet my dogs
and clean my house
and cook for my best friend caring for him.
I greet people like they’re the node of the day.
I want them to know they are big in my eyes,
just to help them ease the day
to a better feeling for them.
I hold knowledge in my hand,
but I cannot shake their hand with it.
It’s an alien spaceship,
fairies in the wood.
It’s who they are beyond time,
and it is what I can see ails them.
I turn the page
and spew this out on a page to you,
dear reader,
where audience is as big a mystery as God.
Do you hear me?

I see where the world’s going and how it ends,
edging universes towards yah
how the impossibilities of the one fulfill the other.
Look at our goat today,
but look at our supernal skies.
I’ve painted myself wood
of a lone seer in time.
Silly me I bark too,
and I cry for myself
in moments of abandoned self-love.
I hold in my hand
the wrong sort of type,
the wrong font for you to see reason,
because it is way out your door.
Can you gauge me?

I’m in your toilet bowl.
I’m in your lunch pail,
and I’m around your cookery at night.
I get in bed with your children,
and I’m in the love of your dogs.
I take your glasses off to see society,
and I break you down to see your soul.
I’m a view of the vision of God,
and I’m this little man next door.
Hear me climb to the skies
a poem rider,
a poet mile,
and I’ll get you one day,
to get you to say hello world it’s me,
and I love this poem.
Don’t you see?

This poem also was declined by the private Facebook group Auroville International, and neither their admin nor anyone else from their organization will yet speak to me.

Pain and Suffering

photo by the author
Control ball,
now you record it.
When night
go for it Nithish,
knock phone numbers.
If he gets caught he’s killed.
In Tamil the people who put worse seem very powerful.
I wouldn’t put it that way.
It’s just in good English we’re learning to mince the Devil with words. /
I’ve localized the economy,
and I’m takin’ English to new heights.
It’s not artificial anymore,
a poem that comes from inner sights.

I throw that devil out,
but I show ‘im to yah.
I don’t play with bones.
I heal them in your shelf.
What you got in the closet,
I ring around the rosy.
I’m not here to play dice.
I wanna get to the bones of reality
so that we can live here
and not ruin each other.
I wanna talk about it, you know?
I wanna get down to bloody business.
I wanna show you you
a danger
to let’s all grow up.

Will you find me?
I’m blacklisted for that.
Let me cough.
That danger I present
is right there among you.
I’m not pullin’ any punches.
I wanna heal myself and be free.
I mean I wanna be a proper human being,
no longer stupid.
I don’t wanna block my own trail,
get mad at the world
because I stumped my own toe.
I wanna forgive you
for the same stupidity.
I wanna look out on the world
and understand the miracle of each day.
I wanna see you in it
the very Self I touch with myself,
no cigars.
That means I’m right with you.

I hear my stomach growl,
and we all feed on each other like it’s conversation.
I’m learnin’ not to do that.
You would not know I feel you
when I’m just some guy you’ve met on the road,
or you’re my landlord or niece.
I cry for you sometimes.
Okay I cry for you a lot.
It’s really rough in here, you know?
There’s just so much pain.
They got buried in an earthquake,
a daddy holding his little child dead in a news story.
Can you imagine how that felt?

I’m tryin’ to wash away the tears
that we symbolize time,
and I’ve found out somethin’.
This is just a single show
in a movie house with infinite theaters,
and each one pulls on the next,
and each one supports the next.
We are its base,
the last of the free worlds
before Hell begins.
Of course we suffer.
We support Heaven.
Our blood, sweat, and tears
hold up Heaven,
all the ascending worlds.
It’s not cruel.
Existence has to have everything in it.
I don’t think we can measure how big it is,
and we are not the only world that suffers,
and we’re just innocent little children,
dumb like animals.

There’s a comic plan,
and our universe sucks on the Void
to bring existence out of nothing.
The devils rose,
an unforeseen consequence,
mad as hell existence be,
and they rape us in broad daylight,
and we don’t even see.
We are a banquet of the Heavens and the Hells,
and I am sorry;
I can’t gauge all the worlds
in their ascending hierarchies
or their status in Hell.
I’m tryin’ to take you somewhere—
understanding.

My little boy wants to know why there’s pain.
Do you know what they did to him?
It woke me up.
Now I’m a fish out of water,
a foreign man in not my land.
I’ve been shook up.
I don’t hear my music.
It’s not my culture I see around me.
It’s not even my language.
Do you know what that does to you?
It takes you out of your little world.
You have to confront reality
more on its terms.
You can spend more time in the environment of your consciousness, /
because you’ve got a strange world out there
that doesn’t speak to you
momma’s titties.

You ever live a life for spiritual change?
You wanna get enlightened?
I wanna be my true self above,
whom you are too,
though we’re individually wrapped,
but I’ve gotta be emptied before I can be filled, you know?
That’s enlightenment.
I put myself to the task.
I’m not sayin’ it right.
My soul puts me.
You gotta get there.
It’s the only way out—
up
Don’t you remember your last death?
It’s what everybody talks about on the other side:
“Goddamnit I missed
it again!”

Look I’m not some spiritual shoes you must put on
because I wear ‘em.
Now I’m really tryin’ to get out of this—
suffering.
Now I have seen enlightenment’s tale,
sat right in those shoes,
not long enough to stay there,
and I have seen Myself overhead,
sat in that Sun and watched it ray out,
and I’ve found the soul inside,
made the inner journey to Spirit
in innermost us.
It just accentuates your suffering
if you get these little tastes,
‘cause it’s so plain in your face you’re not there now.
But you want suffering to end?
Can you hear a threesome with your hands and feet?
Any one of them will get yah there.
Realize time
as a vehicle to get there.

We are not animals you see,
and this is not a world buttressed in the Void,
astonished at its meaninglessness,
wondering over its one-trip pony.
There is so much more than Earth
right here upon Earth.
The teeming worlds sing to us in our sleep.
We make contact with the dead.
Even in life’s little room,
we make measure with immensity.
I’m givin’ you God,
what we are becoming,
what even matter becomes.
It’s all there.

Once you see God you’re safe.
Bullshit.
Every devil in the neighborhood will come to fool you,
alarmed for the end of their rule.
Sometimes a world devil steps in
and makes you pay for every man’s sin.
Here’s the bull:
if it’s all God who are these?
Knowledge of God is terrible,
but you forgive ‘im for it.
You’re in a movie.
Neo seein’ the Matrix,
you get there.
What a goof in moviemaking—
take that Matrix and make that a real steak that traitor’s eating. /
Take that Matrix there.
Oh the bones of analogies,
you can’t make them right.

Bhakti, do you hear it?
I’ve got it for the whole damn thing,
but if I stump my toe I’ll cuss you out.
Well,
I’ll least look mean at yah for a minute.
Yeah I’m still in school.
World knowledge does that.
It makes you right with God,
not some moral timekeeper,
the whole damn show.
Okay I’m signin’ off.
Pleasure doin’ business with yah.
I’ll see yah on the rebound,
when another poem is born
from the matrix of my be.
Got that Sin Wood?
I’m not countin’ sin.
I’m fulfillin’ my obligation as a poet,
and I’m sayin’ look at this
in the bowels of language
that’s there to say it right.
Musical or not,
I’m gifted speech.

Answer it with a question:
what is bigger than the Whole?
The unimaginable sink.
You get lost there,
frightenings on the tail ends of nothingness.
It really makes you think.
It’s too big for sky.
It’ll shake you up.
It’ll make you cry
it’s so alone,
so unimaginably deep.
You want it like you want your very self,
coils of room
on which existence is but a fin
to glide it sleekly through nothingness.
Will it put out its eye of existence
and just be its lone self
nowhere be?
A frightening thought.

Okay world,
can I comfort you?
Everything has to be in nothingness.
In existence all is,
from the most horrible to the most profound bliss,
and our world is but a tier
in that world stack,
and we are That you see,
that unimaginable thing
on lone oceans.

Have I reached you yet?
Good, let’s go.
We have to reach forever in a day.
I’m on bended knees,
and I’m not embarrassed about it.
You there,
little animal,
prideful nation,
take down that war.
It’s time for exultation in humanity.
Do you feel yours?
It’s always hands on,
good poetry,
right where your heart is,
right where you feel.
That’s the name of the game.
That’s where we find each other.
I love you did you know that?
And it hurts, you know?
It really does.

Die in some way
take care of those
who absolutely have to have us.
Those are our children.
I’ve got one now.
He’s 12-years-old.
His name is Nithish,
and I will move Heaven and Earth,
overcome the world,
to put that little fella
clean out of suffering
and back where I sacrifice myself to take care of him,
the intent of this poem.
I’m worthy to be there.
I’m his daddy.
You see us upon the roads of time
I love that little boy.
You don’t know the arrangement.

Alright Aristotle,
put the boy to sleep now.
Alexander’s got a big day tomorrow.
Put the poem to bed now.
Alright Aristotle it’s dawn.